Dolly, la muñeca asesina

There's no getting around the densely populated territory this movie plays in. The "evil doll" notion has been around seemingly forever, and dominated for a long time by the 'Child's play' series that saw the first three entries released all within a few short years (or months!) all before this. Though specifics differ, scenes and story beats recall Don Mancini's brainchild, 'The omen,' and various other genre flicks even including 'The exorcist,' while plot development is decidedly direct and swift. 'Dolly Dearest' is modestly enjoyable, but it also isn't anything to get especially excited about.

I don't think this is altogether bad. It's fairly well made, in fact. The picture ably carries slight measures of atmosphere at times, and a few small moments are almost mildly hair-raising or thrilling. Such as it is, I think 'Dolly Dearest' is reasonably well written and directed; some scenes come off better than others. I like Mark Snow's score in and of itself, dramatic and dynamic; post-production visuals are dated, but effects at large look good. The production design and art direction are swell generally, and the cast are fine - Hey! Denise Crosby! Rip Torn! A job well done, young Candace Hutson! It's hardly gripping and essential, but when all is said and done this is passably entertaining genre fare.

There are issues, however, and the biggest is that there's nothing here we haven't seen before. No matter how well done this or that may be, nothing particularly inspires, let alone elevates one's pulse. It's not quite accurate to say this is "horror by numbers," but such a phrase does loosely approximate how it looks and feels. More concretely, 'Dolly Dearest' is almost certainly at its best where the genre element is more suggested than shown; a dash of subtlety can go a long way. While they look good in and of themselves, the more a scene shows us of the titular toys in action, the more dubious it all becomes. And while the screenplay is suitable enough in the broad strokes, some of the dialogue and scene writing is overly tired, if not outright hackneyed. For all the hard work and care that went into making this, there are definite rough patches throughout the writing, and in some parts that really shows. With this said, the actors on hand perform admirably overall, but there's no doubt they're restricted by the material.

I can't say I didn't have a good time watching. If it's a horror movie you want, a horror movie you'll get. Only, there's a splendid array of other features past and present that are more original, more chilling, more compelling, and all around better. For as fundamentally solid as 'Dolly Dearest' is, weaknesses and shortcomings hold it back to the point that this is best reserved for a lazy, quiet day; file under "why not." Most recommendable specifically for fans of the cast, there are much worse things you could see, but plenty other horror flicks should top your watch list first.

A lot of "Dolly Dearest" seems like a "Child's Play" ripoff, with a doll possessed by an evil spirit. In this case, the evil spirit comes from an ancient cult in Mexico, and the doll starts controlling the girl who owns it. Most of the movie is pretty predictable but still entertaining.

As is often the case with horror flicks, the cast creates some interesting connections. A noticeable cast member is the recently deceased Lupe Ontiveros as the housekeeper. She played a number of roles over the years; one of her notable roles was that of the woman scorned by Jack Nicholson early on in "As Good as It Gets". The mom is Denise Crosby, aka Bing's granddaughter and best known as Tasha Yar on "Star Trek: The Next Generation"; it seemed as though her character is supposed to look like Marilyn Monroe or Grace Kelly or someone like that. The dad is Sam Bottoms, best known as Lance in "Apocalypse Now". The archaeologist is Rip Torn, most recently known as the chief in the "Men in Black" movies. Crazy stuff.

So, it's basically some cheap entertainment. Still an OK choice for Halloween.

In DOLLY DEAREST, dollmakers, Marilyn and Elliot Wade (Denise Crosby and Sam Bottoms), along with their two children, relocate to Mexico to manufacture the doll of the title. They find the factory in disrepair, and an archaeological dig going on nearby.

We know from the opening scene that tragedy struck this site, and something supernatural was unleashed. The Wades are oblivious to this fact. A doll just happens to be sitting in the factory, so, it's given to the Wades' daughter. It's not long before we hear the pitter patter of tiny feet in the night.

Horror and death unfold.

Like CHILD'S PLAY, there's a killer doll on the loose. Unlike that movie, DD also has a demonic possession story that goes beyond the doll. Ms. Crosby is very good in her role as the one who suspects that something weird is going on.

Is the doll itself terrifying? No, but it is menacing enough, and scary in spots. However, it does have its pungent moments of cheddar, usually while strolling around, or somersaulting backward through a doorway.

EXTRA POINTS FOR: The utterly bonkers, all-dolls-on-deck, dynamite finale!...

I saw this movie once, when I was very young-nearly ten years ago-, and it truly creeped me out. There's just something about the dreamlike feeling this movie has going for it. It works so well with such a small budget, and it's clearly a rip-off of the Child's Play flicks I adore so much.

The animatronics and design of the possessed doll is absolutely horrific, and anyone with a phobia of such a thing will be as bothered by it as I am.

Definitely a big recommendation from me-and easily one of the best living-doll-genre movies to ever exist. I can't believe how underrated Dolly Dearest is.

Stumbling upon the 1991 horror movie "Dolly Dearest" here in 2022, I opted to sit down and watch what writers Maria Lease, Rod Nave and Peter Sutcliffe had to offer. I recall one of my friends once commenting on how bad the movie was, so of course I had to sit down and watch it, now that I had the opportunity to do so.

Well, I will say that I didn't find director Maria Lease's 1991 movie "Dolly Dearest" to be all that bad. Sure, it wasn't a milestone in horror cinema, but it was a watchable enough movie for what it turned out to be.

The movie feels somewhat like a watered down cash-in on the success of the first three "Child's Play" movies from 1988, 1990 and 1991. However, "Dolly Dearest" was just lacking the witty banter and humor, and all the killings that the "Child's Play" movies had. But hey, if you enjoy movies with killer dolls and possessed dolls, then you should check out "Dolly Dearest".

The acting performances in the movie was okay, taking into consideration the limitations imposed by a somewhat stale script. It was nice, though, to see the likes of Denise Crosby, Chris Demetral and Rip Torn on the cast list.

Visually then "Dolly Dearest" was okay. I mean, the special effects were adequate, but you're not in for a grand cinematic experience in special effects.

All in all, watchable for what it turned out to be, though I doubt I will ever return to watch it again.

My rating of "Dolly Dearest" lands on a five out of ten stars.