La cara sucia de la ley

Hard-hitting and stylish, this film quickly moves beyond the usual notion of 'undercover drug work' into an altogether more practical & unpleasant understanding...

The film is well-paced and, most appropriately for this year, introduces a female art-gallery owner as it develops a relationship subplot. As the story progresses, the film breaks boundaries further & demonstrates an exceptionally sharp sensibility -- but fairly much returns to the standards for the climactic scene.

While not a Scorsese or Tarantino masterpiece, this film is very highly recommended.

Lawrence Fishburne is almost always excellent, but in my opinion one of his finest performances was in the early 90's classic Deep Cover. The film was quite original at the time and was presented in an intelligent manner. Deep Cover was directed by Bill Duke, who you might remember from action classics Predator and Commando. While Deep Cover has its share of action, it is a very gritty and absorbing crime thriller. Lawrence Fishburne and Jeff Goldblum started out playing gutter trash thugs in the Death Wish series. Here they play more fully fleshed out characters in a movie that looks at crime in a different way. Lawrence Fishburne goes so deep undercover, it seems like he can never go back.As a whole, I found Deep Cover to be excellent. If you like cop or mob movies, you should take a look at Deep Cover.

Deep Cover is directed by Bill Duke and written by Michael Tolkin and Henry Bean. It stars Larry Fishburne, Jeff Goldblum, Charles Martin Smith, Victoria Dillard and Gregory Sierra. Music is by Michel Colombier and cinematography by Bojan Bazelli.

Traumatised as a youngster by the death of his junkie father, Russell Stevens (Fishburne) becomes a police officer. Passing an interview with DEA Agent Gerald Carver (Smith), Stevens goes undercover to bust a major drug gang that has links to high places. But the closer he gets in with the targets, the deeper he gets involved - emotionally and psychologically.

A splendid slice of gritty neo-noir, Deep Cover follows a classic film noir theme of a man descending into a world he really shouldn't be part of. This is a shifty and grungy Los Angeles, awash with blood money, single parents prepared to sell their kids, where kids in their early teens mule for the dealers and get killed in the process. A place of dimly lighted bars and pool halls, of dank streets and scrap yards, and of course of violence and misery.

The look and tone of the picture is as intense as the characterisations on show. Duke (A Rage in Harlem) knows some tricks to imbue psychological distortion, canted angles, step-print framing, slow angled lensing, jump cuts and sweaty close ups. Bazelli photographs with a deliberate urban feel, making red prominent and black a lurking menace. While the musical accompaniments flit in between hip-hop thunder and jazzy blues lightning.

Fishburne provides a narration that works exceptionally well, harking back to classic noirs of yesteryear. As this grim tale unfolds, his distressingly down-beat tone goes hand in hand with the narrative's sharp edges. The screenplay is always smart and cutting, mixing political hog-wash and social commentary with the harsh realities of lives dominated by drugs - the users - the sellers - the cartel, and the cop going deeper underground...

Great performances from the leading players seal the deal here (Goldblum is not miscast he's the perfect opposite foil for Fishburne's broody fire), and while some clichés are within the play, the production as mounted, with the narrative devices of identification destruction (hello 2 masks) and that violence begets violence, marks this out as one the neo-noir crowd should note down as a must see. 8/10

In what is probably his best role to date, with apologies to his turns as Ike Turner in the classic "What's Love Got to Do With It", and Morpheus in the "Matrix" series, Laurence Fishburne plays undercover cop Russell Stevens, who poses as drug dealer John Hull to apprehend a notorious drug kingpin. This role is played in a way that only he could, with the zeal that makes him one of Hollywood's most sought after actors. From the moment that he tells the D.E.A. agent that "the n****** the one that would even answer that question" you know that this role was made for him. Also Jeff Goldblum is at his best as a not-so-honest defense attorney. And let's not forget Gregory Sierra as a sadistic crime lord and one of the best character actors of our time, Clarence Williams III as an honest cop. Add the soundtrack and "Deep Cover" is a bona fide 10 in the urban drama genre, a true masterpiece.

Going into seeing this movie, I wasn't sure about what I was going to see. I was expecting something kind of good (because of Roger Ebert's review), but not great (because of some other reviews). But I was not expecting such a good film. Laurence Fishburne (Boyz in the Hood, What's Love Got To Do With It) stars as a cop who has avoided drugs and the crime life because of his father's involvement and death in it. Soon he is offered a job going undercover as a drug dealer. He accepts it. After a little while he gets himself deep into it. He forms partnerships with high ranked drug dealers, which includes Jeff Goldblum (Jurassic Park, Nine Monthes). Soon he becomes less of an undercover cop, but more of a drug dealer. He soon realizes that he is betraying his cause and joining up with them. This presents a problem for him, because he likes the power as a drug dealer and the money, but he also vowed he would never become like his dad. This is a very well done movie, with a great script. Laurence Fishburne is excellent in the lead role. Jeff Goldblum (who I have never seen in such a deep role) is also strong delivering a surprisingly good performance. A good, but violent film.