Una mujer descubre que hay un tratamiento para la inmortalidad y lo ve como una oportunidad para dejar atrás a una rival.Una mujer descubre que hay un tratamiento para la inmortalidad y lo ve como una oportunidad para dejar atrás a una rival.Una mujer descubre que hay un tratamiento para la inmortalidad y lo ve como una oportunidad para dejar atrás a una rival.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 5 premios ganados y 16 nominaciones en total
Alaina Reed-Hall
- Psychologist
- (as Alaina Reed Hall)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I never saw "Death Becomes Her" when it first come out because of a review I had read somewhere. The review was dismissive and made a lot of sense, so I decided to give it a miss. What a terrible mistake! This is a movie I would love to see on a big screen. The script is so brilliantly clever. Disguised as a silly comedy there is a world of serious themes executed by a knowing cast. Meryl Streep in particular, playing convincingly an actress without talent. I remember the bad review criticized the writers for setting the story in a rainy, stormy Los Angeles when California was going through a drought. Imagine if a comedy about magic potions should worry about the accuracy of the weather. In fact the Los Angeles of "Death Becomes Her" feels more like Los Angelers than most realistic movies and it does it with nerve and wit. "In 12 years in Los Angeles have you ever seen a neighbor?" screams Meryl to his mousy Bruce. An absolute delight. Other hidden treasures are a cameo from Sidney Pollack and a very funny and very sexy "76 years old" Isabella Rossellini. A new cult classic and a total must.
In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton (Meryl Streep) is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp (Goldie Hawn), who is an aspiring writer, and her fiancé Ernest Menville (Bruce Willis), who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker.
Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman (Isabella Rossellini) to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to kill Madeline. When Madeline comes home, she has an argument Menville and he pushes her from the staircase. She breaks her neck but becomes a living dead. When Helen arrives at Menville's house expecting that Madeline is dead, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to help them to maintain their bodies. But Menville wants to leave them.
"Death Becomes Her" is an American black comedy with excellent special effects even after twenty-three years after the release and great cast. The trash storyline is strange and original and the black humor may not be pleasant for everyone. But there are funny and witty quotes and situations and this film has not aged. My vote is seven.
Title (Brazil): "A Morte Lhe Cai Bem" ("Death Fits Well to Her")
Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman (Isabella Rossellini) to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to kill Madeline. When Madeline comes home, she has an argument Menville and he pushes her from the staircase. She breaks her neck but becomes a living dead. When Helen arrives at Menville's house expecting that Madeline is dead, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to help them to maintain their bodies. But Menville wants to leave them.
"Death Becomes Her" is an American black comedy with excellent special effects even after twenty-three years after the release and great cast. The trash storyline is strange and original and the black humor may not be pleasant for everyone. But there are funny and witty quotes and situations and this film has not aged. My vote is seven.
Title (Brazil): "A Morte Lhe Cai Bem" ("Death Fits Well to Her")
An enjoyable dark comedy mocking Hollywood's obsession with youth and their adamant belief in "lasting" vanity achieved through plastic surgery. The three leads are all superb and have a believable love/hate on-screen rapport. The visual effects (both digital and practical) still hold up very well to this day; Robert Zemeckis films never falter in this department. Side note: Bruce Willis is such a cutie in this film; he acts quite well in an against type role playing a high-strung, alcoholic plastic surgeon/mortuary cosmetologist. Death Becomes Her is a wickedly awesome viewing experience. Highly recommended if you like satirical dark comedies and '90s films.
And the award for the snarkiest woman in history goes to: Meryl Streep! This movie proves that Meryl knows how to play a snarky woman better than almost anyone else. In fact, 80% of this movie is Meryl and Goldie Hawn verbally abusing and emasculating their co-star Bruce Willis. Not a bad plot, honestly.
The other 20% of the film are special effects that stretch and disfigure human bodies in just about every configuration imaginable, the caveat being that the bodies are of people that are still alive and speaking. It sounds grotesque, and at times I was wincing, but overall it was pretty cool to see what they could accomplish.
I'd say that Meryl bitching is delightful at first, but verges on grating by the end. And once you've seen a couple variations of a disfigured body even that can get sort of redundant.
This is a campy horror flick, so I suppose the point was to make it as over-the-top as they could, and I think they managed to do that and then some. Going into this I thought, "oh, this is a standard story about two women fighting over a man! I've seen this type of thing before!". But really, the first thirty-some minutes feel like a complete separate movie from the remainder of it.
It quickly becomes apparent that what you thought this was going in isn't what this is at all. Actually, it's completely different and unexpected and the sheer weirdness of this flick earns it some points.
I was hoping for an alternate ending in which Ernest exposes the society of immortals to the public and a mass media witch hunt ensues, but the actual ending isn't that bad and works well too.
The other 20% of the film are special effects that stretch and disfigure human bodies in just about every configuration imaginable, the caveat being that the bodies are of people that are still alive and speaking. It sounds grotesque, and at times I was wincing, but overall it was pretty cool to see what they could accomplish.
I'd say that Meryl bitching is delightful at first, but verges on grating by the end. And once you've seen a couple variations of a disfigured body even that can get sort of redundant.
This is a campy horror flick, so I suppose the point was to make it as over-the-top as they could, and I think they managed to do that and then some. Going into this I thought, "oh, this is a standard story about two women fighting over a man! I've seen this type of thing before!". But really, the first thirty-some minutes feel like a complete separate movie from the remainder of it.
It quickly becomes apparent that what you thought this was going in isn't what this is at all. Actually, it's completely different and unexpected and the sheer weirdness of this flick earns it some points.
I was hoping for an alternate ending in which Ernest exposes the society of immortals to the public and a mass media witch hunt ensues, but the actual ending isn't that bad and works well too.
I mean, I doubted this movie at first from the beginning in Broadway. But as it progressed, I was laughing so hard on certain scenes like when Dr. Menville is reporting the murder of Madelyn and she suddenly gets up and starts walking toward him. It was too funny and the effects were so phenomenal. I mean literally. But then again, it won an Oscar for its effects. I mean, the fight scene where the 2 start fighting with shovels and Helen breaks off the metal end of Mad's and she throws it right through her. "Yes! I mean No! Oh Damn!" That scene was just side-splitting. Overall it was a good black comedy and I'd recommend it to anybody. And Robert Zemeckis, I never knew he did such a great movie because he's a head producer for Dark Castle Entertainment and he's done some pretty bad movies from there like Ghost Ship and Thir13en Ghosts. But wow, he has really made an excellent movie.
¿Sabías que…?
- TriviaMeryl Streep accidentally scarred Goldie Hawn's cheek with a shovel during the fight scene.
- ErroresAfter Madeleine drinks the potion, Lisle pins a 'brooch' to the right side of her dress. When Madeleine goes to the hall to leave it's on the left side of her dress.
- Citas
Madeline Ashton: Bottoms up!
[Madeline drinks the potion]
Lisle Von Rhoman: Now, a warning.
Madeline Ashton: NOW a warning?
- Bandas sonorasMe
Written by Geoff Aymar
Lyrics by Martin Donovan & David Koepp
Arranged by William Ross
Performed by Meryl Streep (uncredited)
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- How long is Death Becomes Her?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 55,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 58,422,650
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,110,355
- 2 ago 1992
- Total a nivel mundial
- USD 149,022,650
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
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