Robotto kânibaru

This remains one of the best Anime feature films I've ever seen, and, in a stroke of great luck, was also the first Anime feature film I ever saw. While a little (well, a lot) on the artsy side at times, Robot Carnival is a great example of the reckless imagination and superb craftsmanship that Japanese animation at its best is known for. Unfortunately, it's also an example of a kind of film that is becoming very rare in the anime world today. Robot Carnival mops the floor with the ever spreading hordes of Dating Game adaptations/Merchandizing tie-ins that are never the less dominating the industry. Robot Carnival ought to be one of the most well known Anime in the world, not the obscure relic of hardcore geeks that it seems in danger of becoming. If you see a copy of this, buy it on the spot and see what animated film making ought to be.

I wasn't a die-hard anime fan back then as an 18-year old young man, but I happened upon this movie on VHS at an independent video shop after moving from another state. It was placed semi-obscurely at the bottom rack of the animation section but the strange cover artwork case of the VHS edition made an impression on me.

So I rented the videocassette to pop it into the VCR. I was mildly impressed with all of the 'weird' shorts except one short that is so lyrical and surreal it moved me like no anime ever did (except for Spirited Away years later which I admit to having seen 7 times in theatres). That short is called, if I remember correctly, "Cloud".

Independent video shop have since 'closed' (sold its business to a competitor) a few years later and I never had a chance to see the movie again since it's out of print.

Cloud segment is one of the most haunting films (short or feature-length) I've ever seen. Even though I remember *nothing* about the movie, I still recall the Cloud segment.

It's an unforgettable experience witnessing the aesthetically mind-bending short sitting in the darkened living room in the basement on the sunny afternoon day.

The black & white animation...background...strange but haunting ending. I barely remember what the story is about (must be silent) but I understood what it *is* about -- loneliness and requiem for love.

I think it must be seen on the large screen to experience the full effect of emotional tranquility. One of the best examples of surrealist & moving cinema on the meditation of loneliness and love as conveyed by sublime emotional transcendence, animated or not, and one that stamps indelibly in the memory base of the human brain when the viewer is still youthful as a child or adolescent.

Cloud short is an incredibly transcendent work of art in cinema that make for an utterly unforgettable visual experience. One that have the honor of magnificent art among the grandest 2-D dimension paintings of the 17th century Naples and Golden Age of Dutch Art in conveying profound emotions through the magic of artistic motion picture in silence.

eight stories from japanese anime directors. they all show off their talent through mini movies. when i first saw this, i thought it was something i would like to do when i get older. now, i'm 18, and creating my own anime comics and mini movies. my personal favorites are "Starlight Angel" "Deprive" "Presence" and "A Tale of Two Robots" see this if you want to get into anime directors heads

A man from my old film days recommended this film to me. I took chance on it, and the recommendation delivered. What we have here is a poetic expression of tales woven together to form a tapestry about an extension of ourselves; the robot.

The robot is brought to us through a visual feast of respectable animation that shows us worlds and times beyond our imagination, and how those arenas and their players might play out.

Each one is touching in its own way, and delivers a nice message that can be appreciated by all. Whether you like action, some youthful romance, the tale of years, comedy, or just plain adventure, this film is for you.

Reminder, this is an anthology, so the pacing is going to be a little slow. But the showcase revealed to the curious minded audience that has a hankerin for good "Japanimation" will be very pleased.

Me, I happen upon the film a year or two after it was released. I then bought a VHS in the mid to late 90s, and happened upon a special edition DVD from Japan when the film was first reissued. The DVD gives a magnificent picture and overall rendering of this incredibly beautiful film.

I'm not certain I would call it family friendly, but kids over a certain age (pre-teens) and maybe just a little bit younger, might appreciate it. There is some mild violence and just some plain wacky and bizarre situations that might spook really young viewers, so guidance is suggested here. But, boys and girls and parents alike should find this an interesting watch.

Me, I like it on its own merits. I think it's an intimate look at how people might interface with technology in a variety of settings. This is anime before anime became an international sensation; i.e. during the time when the US, Canada and the UK were the primary export markets for Japanese films.

Please watch and enjoy this film. You won't regret it.

Like all anthology films, some of the segments are better than others, but there are enough good ones to make this film worthwhile for animation fans.

The framing sequence which opens and closes the film is nicely animated, certainly one of the most original ways I've seen for a film to present it's title. The great Katsuhiro Otomo (Akira) contributed to this sequence, you can really see his touch. Two of the segments, "Starlight Angel" and "Deprive" are pretty typical sci-fi action anime, albeit nicely animated. A lot of anime fans complain about the "Cloud" segment, I find it kind of interesting, like a piece of animated art. My favorite segment in the film is probably a tie between "A Tale of Two Robots, Chapter 3: Foreign Invasion", which made me think a little of Wild Wild West (a lot better, of course), and "Nitemare".

I think having all but two of the film's 8 segments (I'm counting the opening and closing as one segment) dialog-free was an interesting choice, it allows the viewer to concentrate on the images, and precludes needless exposition. I really liked Aeon Flux a lot better before it became a regular series and added dialog. Of course, it also makes an English-dubbed version of the film more tolerable.

Some of the music for this film is by the great composer Joe Hisashi, the regular composer for both Hayao Miyazaki and Takeshi Kitano. I think the opening and closing themes are by Hisashi, as well as the music for the "Presence" segment.

This is one of the first anime films I saw when I knew or cared it was anime, I think it's a really good introduction to the genre. Also a worthwhile film for anyone interested in animation in general.