Agrega una trama en tu idiomaA truck driver builds a special, eight-ton truck to help get revenge against the rednecks who killed his family and raped his girlfriend.A truck driver builds a special, eight-ton truck to help get revenge against the rednecks who killed his family and raped his girlfriend.A truck driver builds a special, eight-ton truck to help get revenge against the rednecks who killed his family and raped his girlfriend.
- Dirección
- Guionista
- Elenco
Lawrence King-Phillips
- Finger
- (as Lawrence King Phillips)
A.C. Peterson
- Four Eyes
- (as Alar Aedma)
Leslie Carlson
- Misty's Father
- (as Les Carlson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Death Wish" like revenge flick with a "monster truck" as the weapon. After most of his family is killed by Ned Beatty and his "knuckle dragging" offspring, the surviving Father and Son seek revenge on Beatty and all out war ensues. The battle is not without casualties on both sides. The Father winds up on his death bed in the local hospital, and our hero's girlfriend is gang raped. Out comes the weapon of choice "monster truck", which flattens Beatty's car lot inventory in short order, and then proceeds to crush four brothers who obviously could barely write their name in the sand with a stick. The final confrontation destroys Beatty's bar and miraculously gives our hero a scapegoat, and a"Death Wish" type ending. - MERK
Under the right circumstances it seems anything can be twisted into an exploitation flick, even trucking. Save for that it's less of a major production, and distinctly more coarse and seedy in its violence and writing, this feels like something Patrick Swayze might have made in his prime (think 'Road house' or 'Black dog'). There are no major surprises here: the protagonist and his allies are very sympathetic, while the antagonists are absolutely despicable and we're glad to see them get their just desserts. From start to finish the drama is extra heavy and drawn out for emphasis, and the action sequences may be extra nasty. We get second-tier rock songs in the soundtrack, gratuitous nudity in the camera's eye, and a love scene, because of course. The somewhat cloudy production values and sound design certainly reflect that this is an 80s flick, as do the special effects - above all the specialized vehicle at the core of the film. 'Rolling vengeance' is pretty much exactly what one expects based on the premise, and all that's left is for the viewer to decide whether or not that's something that meets their tastes in cinema.
No, this isn't necessarily anything special. It fits neatly into the same mold of revenge movies and exploitation flicks as countless others; filmmaker Steven Hilliard Stern and screenwriter Michael Thomas Montgomery have nailed the formula to a perfect T. If not for the protagonist's personalized ride, this could be mistaken for any of its kin. Yet for all that, it's also pretty solidly made across the board. Dialogue, scene writing, characters, and the narrative are all written fairly well, with story beats more measured out than I assumed; I disagree with some specific choices that were made, but shots and scenes are orchestrated well. Laszlo George's cinematography, Ron Wisman's editing, and Phil Marshall's original music are all swell as far as I'm concerned. The acting is nothing remarkable, but the cast all fill their roles well, and I've no notes from one player to the next. And the crew turned in fine work all around, including the production design that dresses up splendid filming locations. Perhaps most importantly for a title such as 'Rolling vengeance,' all the stunts, effects, and action sequences are superbly executed, arguably fostering more earnest excitement than one might suppose. The very design of the vehicular centerpiece is rather clever, for that matter - and hey, credit where it's due, in some small part the climax takes a turn I didn't anticipate, and it's executed well.
There's a certain lack of nuance in the writing and direction, to the point that some instances seem especially over the top or out of place. That includes little character moments, particular scenes, or the acting at large at some points, made more glaring one way or another for the fact of the tried and true narrative mold that the feature fits into. But then again, this is a movie about a monster truck vigilante, so dissecting such minutiae is probably well beside the point. All I can say is that it's suitably well made in all regards, and firmly entertaining, even if it's nothing for which to shout praises from rooftops. Among its kin this is possibly even a tad more mindful; take that as you will. There's probably no huge reason to go out of your way for this, but if you do have the chance to watch 'Rolling vengeance' and appreciate the type of fare it represents, it's a decent way to spend ninety minutes.
No, this isn't necessarily anything special. It fits neatly into the same mold of revenge movies and exploitation flicks as countless others; filmmaker Steven Hilliard Stern and screenwriter Michael Thomas Montgomery have nailed the formula to a perfect T. If not for the protagonist's personalized ride, this could be mistaken for any of its kin. Yet for all that, it's also pretty solidly made across the board. Dialogue, scene writing, characters, and the narrative are all written fairly well, with story beats more measured out than I assumed; I disagree with some specific choices that were made, but shots and scenes are orchestrated well. Laszlo George's cinematography, Ron Wisman's editing, and Phil Marshall's original music are all swell as far as I'm concerned. The acting is nothing remarkable, but the cast all fill their roles well, and I've no notes from one player to the next. And the crew turned in fine work all around, including the production design that dresses up splendid filming locations. Perhaps most importantly for a title such as 'Rolling vengeance,' all the stunts, effects, and action sequences are superbly executed, arguably fostering more earnest excitement than one might suppose. The very design of the vehicular centerpiece is rather clever, for that matter - and hey, credit where it's due, in some small part the climax takes a turn I didn't anticipate, and it's executed well.
There's a certain lack of nuance in the writing and direction, to the point that some instances seem especially over the top or out of place. That includes little character moments, particular scenes, or the acting at large at some points, made more glaring one way or another for the fact of the tried and true narrative mold that the feature fits into. But then again, this is a movie about a monster truck vigilante, so dissecting such minutiae is probably well beside the point. All I can say is that it's suitably well made in all regards, and firmly entertaining, even if it's nothing for which to shout praises from rooftops. Among its kin this is possibly even a tad more mindful; take that as you will. There's probably no huge reason to go out of your way for this, but if you do have the chance to watch 'Rolling vengeance' and appreciate the type of fare it represents, it's a decent way to spend ninety minutes.
I hope that most Canadian films aren't as bad as this one. It is about a truck driver whose whole family was killed (not all at once) by a Family of Stereotypical drunk hicks who were for some reason found innocent in court. The truck driver (Instead of doing something easy like shooting them all with a shotgun)constructs a Monster truck from parts that he finds in a junk yard to avenge his family's death. This movie has no satisfaction to offer anyone, unless you like watching the hero's girlfriend get raped by inbred, gravy eating hillbillies.
Hey--easy on the low-budge action movies. I saw this movie when I first got drunk--fun and fun to make fun of. It's a cheese-meister, but so much laughable dialogue, direction anyway.
Rolling Vengeance (along with The Pit) is one the most unintentionally hilarious flicks I've ever witnessed. Don Michael Paul plays Joey Russo, a young trucker whose entire family is killed by Ned Beatty's idiot offspring. This is what I think happened: After Beatty was raped in Deliverance, these are the b*****d children he went on to have. Beatty is the highlight of the film, next to the monster truck, but I'll get to that in a moment. He absolutely cracks me up and he's way over the top with his all black outfit, leather jacket, slicked back hair, and one tooth missing. He's ridiculous. Back to the story, Joey decides to take revenge on the ultimate hillbillies in one of the most extreme ways ever. He constructs a monster truck of epic proportions, it's Bigfoot on steroids and it wreaks major havoc on the rednecks from hell. Check this one out if you like your cheese thick and your corn corny.
¿Sabías que…?
- TriviaThere were two monster trucks built for the movie by Mike Welch. After filming, Mr. Welch kept the only surviving truck, and replaced the cab with a Peterbilt, and named the truck "Super Pete". It was used in monster truck shows into the 1990s, and after years of abuse, it was finally scrapped.
- ErroresThe character "Sly" is credited as being a lieutenant. When he is talking to Mahoney at the station, he opens a door that says "Lt. S. Sullivan" and goes in and sits at the desk, indicating this is his office. His uniform jacket and shirt have three stripes on the right sleeve, indicating his rank is that of sergeant.
- Citas
Tiny Doyle: [to Victor and his brothers] I'd have to be shot in the head to let somebody fuck with me like this.
- Versiones alternativasThe UK (medusa home video) VHS was cut by 21 seconds There where two versions on the market. One was uncut but the other was cut.
- ConexionesFeatured in Rewind This! (2013)
- Bandas sonorasThinkin'
Performed by Sherwood Ball
Written and Produced by Phil Marshall
© 1987 Picture Our Music (BMI)
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By what name was Rolling Vengeance (1987) officially released in India in English?
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