CALIFICACIÓN DE IMDb
5.5/10
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TU CALIFICACIÓN
Un empleado de un videoclub se topa con un complot alienígena para apoderarse de la Tierra lavando el cerebro a la gente con una mala película de ciencia ficción de los años cincuenta.Un empleado de un videoclub se topa con un complot alienígena para apoderarse de la Tierra lavando el cerebro a la gente con una mala película de ciencia ficción de los años cincuenta.Un empleado de un videoclub se topa con un complot alienígena para apoderarse de la Tierra lavando el cerebro a la gente con una mala película de ciencia ficción de los años cincuenta.
Jamie McEnnan
- Matthew
- (as Jaime McEnnan)
Dick Warlock
- Mr. James
- (as Richard Warlock)
Mike Pniewski
- Artie
- (as Michael Pniewski)
Al Eisenmann
- Boyfriend #1
- (as Al Eisenmann II)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Aliens with knowledge of marketing and earthly hypes develop the brilliant plan of distributing an altered 50's Sci-Fi movie that holds the ability to brainwash its viewers through the television screen and turn them into mad-raving maniacs out to kill their own species. I tell you; only in the demented 80's decade some producer would actually consider pumping money into a goofy horror premise like this. "Remote Control" couldn't be more eighties if it tried to be (I'm actually surprised Duran Duran didn't sign for the soundtrack), but at the same time it's extremely amusing as long as you interpret the film like it should, namely as a light-headed spoof. The silliness of the plot, the over-the-top grotesque costumes, the cheesy sound and make-up effects and the tongue in cheek acting performances all clearly indicate that the film shouldn't be taken too seriously and that the whole thing is merely a big juicy wink at the so-called "video revolution" that boomed during the mid 80's. Any film that simultaneously parodies an entire cinematic sub genre (alien invasion flicks of the 50's) and an entire way of life (80's punks with crazy hairstyles and an awful taste in clothing) is at least worth a bit of praise, regardless of the overall tacky elaboration and the occasional dull moments in the screenplay. Kevin Dillon, Matt's less famous brother, looks and behaves exactly rebellious enough to accidentally stumble upon the aliens' fiendish conspiracy and to take on the battle. He works in a video store where the video, also called "Remote Control" is a tremendous success and together with his co-worker and a stereotypical 80's beauty they go after the distributors. The movie doesn't really offer quality material, but at least it's spirited and writer/director Jeff Lieberman surely always knows where to put the emphasis. Speaking of which, Lieberman undeniably was (is, in fact) one of the most peculiar contributors to the genre of horror during the 70's and 80's. I'm a big fan of his work, but he's still sadly under-appreciated and too often neglected. He didn't make that many films, but the premises were always strikingly original and refreshing. He served killer worms in "Squirm", bald and murderous LSD-trippers in "Blue Sunshine", backwoods rednecks in "Just Before Dawn" (admittedly not that innovating) and now ladies and gentleman the only horror movie ever to feature VCR-aliens! "Remote Control" flopped big-time during its initial release (I even read in an interview that the failure resulted in Lieberman's aversion to directing) and it's still incredibly obscure these days. Ironically enough, if "Remote Control" actually were an extraterrestrial project to take over our planet, it severely would have failed as hardly anyone bothered to rent it.
I like this film alot. It is quite like Videodrome in that the whole movie is obsessed with itself and also obsessed with video formats and makes references to the video revolution of the 1980's.
A cold-war-era style tale of alien invaders brainwashing the masses via VHS, Remote Control stars Kevin Dillon (younger brother of Matt) as video store clerk Cosmo, who discovers a plot by extraterrestrials to destroy mankind by altering an old sci-fi movie so that it causes uncontrollable violence when viewed. With the help of his best pal Georgie (Christopher Wynne) and babe Belinda Watson (Deborah Goodrich), Cosmo sets out to destroy all the copies of the film on video before they can be shipped nationwide, but can they succeed without being exposed to the deadly movie themselves?
How '80s do you like your films? I only ask because this quirky little sci-fi flick from director Jeff Lieberman (Just Before Dawn/Satan's Little Helper) takes everything already tacky about the decade of day-glo and back-combing and pushes them to the limits, with exaggerated fashion disasters and bizarre hairstyles that make Cyndi Lauper and A Flock of Seagulls look positively reserved by comparison. If you find the idea of metallic lame blouson jackets at all upsetting, then you would probably be better off giving this one a miss. If, however, you appreciate absurd low budget obscurities and revel in the colourful and kitsch, then dive on in.
In addition to its clever plot device (whereby the '50s film that the aliens use to control their victims has the same narrative as the film we are watching) and all of the gaudy 80s style, Remote Control delivers lots of nostalgia for those who grew up in the video era (check out all of the cool titles and posters in the video stores!), some cheesy fight action, Jennifer Tilly sporting a truly awful hairdo, a surprisingly good explosion, and an impressive full body burn stunt. While not quite as accomplished as Jeff Lieberman's horror movies—a bigger budget would certainly have helped to fully realise its potential—Remote Control is still a unique experience from a true auteur, and should provide a fun time for those curious enough to seek it out.
How '80s do you like your films? I only ask because this quirky little sci-fi flick from director Jeff Lieberman (Just Before Dawn/Satan's Little Helper) takes everything already tacky about the decade of day-glo and back-combing and pushes them to the limits, with exaggerated fashion disasters and bizarre hairstyles that make Cyndi Lauper and A Flock of Seagulls look positively reserved by comparison. If you find the idea of metallic lame blouson jackets at all upsetting, then you would probably be better off giving this one a miss. If, however, you appreciate absurd low budget obscurities and revel in the colourful and kitsch, then dive on in.
In addition to its clever plot device (whereby the '50s film that the aliens use to control their victims has the same narrative as the film we are watching) and all of the gaudy 80s style, Remote Control delivers lots of nostalgia for those who grew up in the video era (check out all of the cool titles and posters in the video stores!), some cheesy fight action, Jennifer Tilly sporting a truly awful hairdo, a surprisingly good explosion, and an impressive full body burn stunt. While not quite as accomplished as Jeff Lieberman's horror movies—a bigger budget would certainly have helped to fully realise its potential—Remote Control is still a unique experience from a true auteur, and should provide a fun time for those curious enough to seek it out.
I'd never heard of Remote Control, weirdly enough it got added to my watchlist out of curiosity when it was mentioned during the independent horror film The Bible Belt Slasher (2010)
Starring Matt Dillon it tells the story of a video tape doing the rounds at all the video stores that is making people lose control and kill those around them. Basically The Ring (2002) but really terrible, cheesy and not even remotely scary.
Remote Control is also the most 80's film I've ever seen, like they were intentionally going overboard with the decades style but not exactly explaining why.
The movie starts competently enough and even had a small role for the excellent Jennifer Tilly, but by the half way mark it's lost it's way.
Remote Control wasn't a very good concept to begin with, so combine that with some poor writing and you've got a mediocre film at best.
The Good:
Jennifer Tilly
The Bad:
Trails off really quite badly
Things I Learnt From This Movie:
Part of me really badly misses video stores
80's BDSM gear was awesome
Gunfire in the middle of a mall will get no reaction from shoppers
Guns are invisible to all those who aren't involved in the confrontation
Firemen will happily allow civilians to walk into a building they're currently working on
Starring Matt Dillon it tells the story of a video tape doing the rounds at all the video stores that is making people lose control and kill those around them. Basically The Ring (2002) but really terrible, cheesy and not even remotely scary.
Remote Control is also the most 80's film I've ever seen, like they were intentionally going overboard with the decades style but not exactly explaining why.
The movie starts competently enough and even had a small role for the excellent Jennifer Tilly, but by the half way mark it's lost it's way.
Remote Control wasn't a very good concept to begin with, so combine that with some poor writing and you've got a mediocre film at best.
The Good:
Jennifer Tilly
The Bad:
Trails off really quite badly
Things I Learnt From This Movie:
Part of me really badly misses video stores
80's BDSM gear was awesome
Gunfire in the middle of a mall will get no reaction from shoppers
Guns are invisible to all those who aren't involved in the confrontation
Firemen will happily allow civilians to walk into a building they're currently working on
My review was written in August 1988 after watching the movie on International Video Entertainment video cassette.
"Remote Control" is an unsuccessful attempt to use the home video phenomenon as a plot peg for science fiction. Given the subject matter, pic appropriately has been released direct to video stores, bypassing the originally intended theatrical release step.
Kevin Dillon, Matt's bro (starring here before he topline "The Rescue" and "The Blob"), energetically portrays a clerk at a video store who unwittingly becomes the chief suspect, along with his boss Christopher Wynne, , in a murder case when a neighbor spots them at the crime scene.
Farfetched premise has aliens from Outer Space fabricating a film on video, a black & white feature purporting to be a sci-fi made in the '50s, which causes the viewer to see himself acting within the film and turns him into a homicidal maniac. Dillon's mission, on the lam with Wynne and his dream girl Deborah Goodrich, is to destroy all copies of the video and its manufacturing plant, run by Bert Remsen.
Helmer Jeff Lieberman, whose horror pic "Squirm" was an effective 1970s B title, does well with the b&w film-within-a-film footage (also titled "Remote Control"), but claustrophobic approach fails to elaborate on the basic storyline. Though opening title sets the action on "Earth 1987", Daniel Paredes' fanciful costumes create something of a parallel-world atmosphere. Various details ring false, particularly Dillon's memorizing the English-dubbed dialog from a video of Francois Truffaut's "Stolen Kisses" in order to impress (which he suceds in doing) Goodrich, a fan of that Antoine Doinel feature.
Cast, particularly Jennifer Tilly in a supporting role (with kookie hairdo and voice) as Dillon's new wave girlfriend, is peppy. Remsen previously was featured in a dissimilar sci-fi film about aliens invadiing via tv, "Terrorvision".
"Remote Control" is an unsuccessful attempt to use the home video phenomenon as a plot peg for science fiction. Given the subject matter, pic appropriately has been released direct to video stores, bypassing the originally intended theatrical release step.
Kevin Dillon, Matt's bro (starring here before he topline "The Rescue" and "The Blob"), energetically portrays a clerk at a video store who unwittingly becomes the chief suspect, along with his boss Christopher Wynne, , in a murder case when a neighbor spots them at the crime scene.
Farfetched premise has aliens from Outer Space fabricating a film on video, a black & white feature purporting to be a sci-fi made in the '50s, which causes the viewer to see himself acting within the film and turns him into a homicidal maniac. Dillon's mission, on the lam with Wynne and his dream girl Deborah Goodrich, is to destroy all copies of the video and its manufacturing plant, run by Bert Remsen.
Helmer Jeff Lieberman, whose horror pic "Squirm" was an effective 1970s B title, does well with the b&w film-within-a-film footage (also titled "Remote Control"), but claustrophobic approach fails to elaborate on the basic storyline. Though opening title sets the action on "Earth 1987", Daniel Paredes' fanciful costumes create something of a parallel-world atmosphere. Various details ring false, particularly Dillon's memorizing the English-dubbed dialog from a video of Francois Truffaut's "Stolen Kisses" in order to impress (which he suceds in doing) Goodrich, a fan of that Antoine Doinel feature.
Cast, particularly Jennifer Tilly in a supporting role (with kookie hairdo and voice) as Dillon's new wave girlfriend, is peppy. Remsen previously was featured in a dissimilar sci-fi film about aliens invadiing via tv, "Terrorvision".
¿Sabías que…?
- TriviaJohnny Depp auditioned for the role of Georgie.
- ConexionesFeatured in Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
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- How long is Remote Control?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Tiempo de ejecución1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Control remoto (1988) officially released in Canada in English?
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