El sueño de Red

A unicycle dreams.

The relfective water and rain really shows us something that was not yet commonplace. Like other of the early Pixar shorts, this has some impressive animation that pushed the boundaries, and is otherwise not all that interesting. It's slow, repetitive and not especially funny. The cartoon physics gag especially is weak - Looney Tunes had done substantially better decades earlier.

Basically the titular Red imagines that a Pennywise level creepy clown would use him as part of his juggling act. Three and a half minutes. It's on Disney+, at no extra charge after the subscription fee.

I recommend this only to completists. 6/10.

I make my living as the night engineer at the local PBS TV station. I also happen to be a LONG time animation freak.

I've loved and collected the cartoons from Disney, the Fleischer Brothers, Warner Brothers and all the rest for a very long time. I felt that the art of the cartoon was a static field and that it would never drift far from it's pen and ink roots.

One night at work... after a program that ran a few minutes short of a full hour, PBS used RED'S DREAM as filler material to round out the hour.

A whole new world opened up on the screen...

When RED came along, computer animation was still in it's infancy. I think Pixar produced the film as a demonstration piece for what their technology is capable of. At that point in time computer animation was still very expensive, probably as expensive as the traditional, one drawing at a time process of making cartoons by hand.

Cartooning done the traditional way has become SO expensive that it's caused some major players to either get out of the field, or make major concessions in film quality.

The beloved "Termite Terrace", the old Warner Brother's cartooning unit, closed years ago. Likewise, to cut down on the number of drawings required, Fred Flintstone suffers from "Hanna Barberra Palsey"; frequently, Fred's feet and mouth are the ONLY things on the screen that move.

To combat the high costs of traditional, full motion cartooning, SOME concessions to modern technology have come to the fore. In some of Ralph Bakshi's work (HEY GOOD LOOKIN' and THE HOBBIT for example) he moved offshore to cut labor costs (Ireland), and used Xerox copying.

Disney had ALWAYS been the unquestioned master at giving drawn characters the subtle nuances of personality, and occasionally he did it with inanimate objects like Red. My personal Disney favorite is "Casey Junior", the little locomotive that pulls the circus train in DUMBO. I saw somewhere that Casey's personality was inspired by the cartoonist watching a puppy. I can believe that easily; while trying to get the train moving, Casey does a maneuver that's VERY familiar to anyone who has spent a lot of time around dogs; Casey does a "Play Bow", a canine move used as an invitation to other dogs to come out and play with him.

It was little touches like this that convinced me that the cartoonist and animator never had to worry about being automated out of a job by computers.

But... then came Red.

Red is ASTONISHING. This simple little unicycle achieves the goals that every cartoonist shoots for in his creations. In a very short film he introduces himself, displays a clearly defined personality, communicates to the viewer his wants, needs, and motivations, and he manages to touch that indefinable something deep inside of the viewer that makes you CARE about him. You really IDENTIFY with this simple little character in a four minute film.

That's what cartoons are all about, and Red touches every one of the bases.

When I saw this little guy, I realized that the traditional pen and ink and drafting board were on their way out, to be replaced by the microprocessor and the graphics tablet

The Shreks, Roger Rabbits, and all of the other modern cartoon characters were inevitable, both because of the economics of animation, and the success of little films like RED'S DREAM.

We owe this little unicycle, yearning for stardom, a vote of thanks. He himself may be a dead end, but he opened the door to a whole new generation of cartoons.

I gotta admit that if you watch this film today and don't understand the context for it, then you will most likely not be particularly impressed. It's such a very simple animated short and one that seems amazingly ordinary--something you could easily make today given the right rendering software and a home computer. However, think back to 1987. People rarely had home computers and those who did had systems with 8086 or 8088 processors--not much more power than a modern calculator (less in some cases). There were often no hard drives--those that did exist were minuscule. Macintosh computers were relatively new and very simple and Windows was still a vague idea, as IBM compatible computers used primitive versions of DOS as the operating systems. And, most importantly, most games were either text only or had very, very rudimentary graphics. In this context, RED'S DREAM is absolutely amazing and breathtaking. The Pixar folks were not yet a big company but just a few individuals doing work on huge computers and they had to design all the software themselves!! And, in spite of all this, the graphics were lovely and the story of a lonely unicycle quite watchable--even though it was really more an experimental film than anything else. Put in this light, my score of 8 seems amazingly low, but I must admit that in an age when we expect so much more, this isn't the most exciting CG animation I've seen. Still, it's a great film.

One of the Pixar shorts from the eighties, this one is directed and written by 'Mr. Pixar' (and director of the upcoming 'Cars' (of which the first teaser sucked heavily, but nevermind)) John Lasseter. It tells the story of the dream of a lonely unicycle, who desperately wants to be in the circus entertaining the people. The constant rain and sad jazzy music help to make this a moody one.

Nice short animation picture, but hard to judge on it's own. But knowing how shorts like this and Knick Knack would eventually turn into brilliant pictures like Toy Story and Finding Nemo (haven't watched The Incredibles yet), this sure was a good sign of even better things to come.

6/10.

Pixar were starting to experiment. After the success of their previous short 'Luxo Jr', Lasseter attempted to recreate the technicality and wonderment of the animation by introducing new techniques. Imitating geographically complex locations, such as the bike shop, showcased how advanced rendering has evolved throughout the 80s. Lasseter was able to detail several bicycles (include the spokes) and still maintain a consistent frame rate. Still, he managed to convey a story through visually striking methods, this time an unwanted unicycle nostalgically dreaming about its time at the circus. As minimal and weak as the story is, it melancholically portrays depression. A somewhat mature theme for the younger audience, but with enough buoyancy and creativity to keep them engaged. The anthropomorphic objects are consistently animated and uphold a sense of personality, however with the introduction of a human character, highlights areas of weakness in terms of animation. That clown is something else. Absolutely terrifying, and I'm sure many kids bursted into tears. The rigid formation, stiff facial features and essence of inhumanity show that replicating human models was just not ready. Although, an admirable attempt nonetheless. Certain aesthetics have aged well, others have not. Red's Dream certainly is no nightmare, but not the idyllic fantasy Lasseter may have visualised. Certainly ambitious!