Hombres de verdad

This was one of those movies that was silly enough to expect anything, but just normal enough to be unsure of what to expect.

Bob Wilson (John Ritter) is a perfectly normal guy. He has the fortune (or misfortune) of looking exactly like agent Pillbox who was killed. Agent Pillbox was in charge of making a critical exchange with some aliens (yes, I said some aliens). Being that the aliens would only accept Pillbox for their exchange the CIA hustled Bob into being the guy. Agent Nick Pirandello (James Belushi) was the special agent in charge of acquiring and protecting Bob as they made a cross country journey to Washington D.C. to make the all important trade.

The movie is funny at times, dull at other times, and you can't ignore the fact that the plot is on the bizarre side. Could I be spending my time doing something better? Yes. Was this movie entertaining enough to fill 90 minutes of empty time? Yes.

Why lie? It's a movie of nonsense. It's John Ritter and John Belushi at their funniest by being themselves. From the music do Belushi'a humor to the silliness of Ritter it's a smack out of the park home. Why not a 10/10? Ehhhh that would be a perfect movie, but for what it is, 8 for sure. There's so many times to LAUGH YOUR ASS OFF from the clown scene to where Ritter thinks he's shooting them with a finger gun, to the scene with Belushi's family. Oh, it's a rare movie you can actually watch in full on YouTube too. But from seeing this as a boy on ch11 WPIX on weekend afternoons to loving it growing up, it's timeless silliness. Let's be honest, it's not Emmy quality, but they weren't trying for it, and it's just a fun flick that makes you laugh in nearly every scene and that alone makes you truly appreciate it.

Very funny from beginning to end! I watch this movie over and over and enjoy it more every time. It's great to see the friendship and bonding develop between Belushi and Ritter as the movie progresses. And just when you think they have finally bonded, Ritter will make a run for it. and Belushi will convince him to stay. Some of the best scenes are when Ritter finally realizes his purpose, and the skills he has learned, and puts them to work, and when he finally realizes his mission and takes it seriously.

This movie is not only funny but also filled with lots of action.

Watch for the scenes with Belushi's "dad" and when Ritter clobbers the milkman.

Man, you realllllllly have to have a broad sense of humor for this one. It totally has to hit you the right way, or it could easily end up on your worst of all time list. Which is only one of two places it could end up. You either love it, or despise it, I can't imagine there being a middle ground for anyone. You could write an entire review (which I probably will) moreso on the type of humor in the film, than the actual film content itself. Well, here, I'll try anyway. Belushi is a confident, expertly trained CIA agent who knows all the right moves. Ritter is a look-a-like of a dead agent who the CIA needs to help deliver a message to aliens (see, here we go). Belushi pseudo-kidnapps Ritter to go along with the mission, which is where the laughs really began for me. Ritter's angry resistance is so hilarious and Belushi's sauveness is extremely catchy. The film then turns into a road movie with Ritter going through a transformation from the wuss to a more confidant guy. The fever pitch of the film is the much mentioned clown fight with a classic line from Belushi of "No hittin' in the n*ts, allright?", then BANG, he delivers a foot to a clowns groin. Belushi starts to go a little soft toward the end and it's up to Ritter to (you ready for another one) deliver a glass of water to an alien-human in exchange for the secret to a better earth. Now, in just those few examples you can tell if you'd be in for the whole ride or not. As it is, it's only 85 minutes and was released to (if it was lucky) a hundred theaters. I didn't even mention Belushi swinging from a balcony by his shoelace(!) or the moment he feels up his FATHER. Something must be said as well for the music, which is itself, too, funny-stupid, an oddball mix of southern violin work and Italian mob music. The tone is set early so you are at least prepared for what you're in for. An absolutely dopey, silly comedy that may just hit you the right way.

The laughing gas, that is... I can only surmise that the writers who worked on this film, faced with a creativity crisis – you know, one of those dark moments of writer's block – must have solved the creativity problem by consuming a few deep hits of laughing gas, and this movie is what resulted. (Unlike Bill, they DID inhale.)

I've seen this movie several times over the years, and I somehow always find myself enjoying the comedy in it, though I find it (the comedy) really rather hard to define. It's not really a "Laugh-yer-butt-off" kind of slapstick humor, though there is a goodly amount of slapstick in it. It's not really a "Laugh-at-the-funny-lines" sort of humor, though again, both Ritter and Belushi do have some very funny lines in it.

I think it's one of those movies that you must approach much as you do, say, a Monty Python film: you need to be in "that frame of mind," you need to straight away drop some of your defenses and your preconceived notions of what constitutes "funny". Otherwise this movie will quickly leave you, thoroughly unamused, by the side of the road, as it continues along its merry, twisted path. By the time the clown scene comes, well, you will not find it funny at all. By then you would probably get more comedic value out of switching the TV channel to Bill O'Reilly or Neil Cavuto.

What makes Real Men work for me is the combination of the bizarre, almost Twilight Zone-like storyline, and the excellent chemistry between John Ritter and James Belushi. The story premise is SO implausibly dumb it just constantly makes me laugh as the movie unfolds. Combine that with the acting and antics of Ritter and Belushi, which are just spot-on smooth as silk, and the whole thing just makes for compelling watching. As mentioned, the two leads have good lines, but I think their body language and facial expressions say as much in this movie (perhaps more) than the spoken word.

So, drop some of your defensive shields, get in a suitably zany mood, and watch this movie. (REALLY watch it, looking at some of the physical humor, the quirks of facial expressions, listening for some of the double entendres, etc. Then you might love this movie, as I do.)