Pinocho y el emperador de la noche
Título original: Pinocchio and the Emperor of the Night
CALIFICACIÓN DE IMDb
6.2/10
830
TU CALIFICACIÓN
Agrega una trama en tu idiomaPinocchio and his friends, a glow worm and a marionette, search for a magic music box. However, so is the evil Scalawag and the Emperor of the Night.Pinocchio and his friends, a glow worm and a marionette, search for a magic music box. However, so is the evil Scalawag and the Emperor of the Night.Pinocchio and his friends, a glow worm and a marionette, search for a magic music box. However, so is the evil Scalawag and the Emperor of the Night.
- Dirección
- Guionistas
- Elenco
Edward Asner
- Scalawag
- (voz)
Tom Bosley
- Geppetto
- (voz)
Lana Beeson
- Twinkle
- (voz)
Linda Gary
- Bee-Atrice
- (voz)
Frank Welker
- Igor
- (voz)
- …
Pat Musick
- Children
- (voz)
- (sin créditos)
Erika Scheimer
- Water Bug
- (voz)
- (sin créditos)
- …
Lou Scheimer
- Water Bug
- (voz)
- (sin créditos)
- …
Kath Soucie
- Children
- (voz)
- (sin créditos)
Opiniones destacadas
Yeah, I am one of those people who are more familiar with Disney's version of the tale of wooden puppet brought to life, but I had to see this after hearing about it for a long time. Basically Pinocchio and the Emperor of the Night is a movie made by Filmation (the same company that made some low budget cartoons for TV, most notably, Fat Albert and The Cosby Kids and the original He-Man And The Masters Of The Universe cartoon and its sister series, She-Ra: Princess of Power, among others), and it has gotten a cult following over the years since its theatrical release was not so well recieved.
Basically, the story is set one year after Pinocchio becomes a real boy, and he gets in trouble with his father after trading a jeweled music box that was a gift to the mayor for a fake ruby from con artists Scallywag and Igor, a raccoon and monkey duo serving as the film's version of Honest John and Gideon. The kid runs away, and what results is an adventure where he goes to try to get the music box back.
Yeah, this film has a lot of similarities to the Disney original. So much, that Disney actually tried and sued Filmation, but failed because the original story was out of copright. Other than Scallywag and Igor, we have Gee Willickers, a wooden glow bug brought to life to serve as a replacement for Jiminy Cricket, and Puppetino, a puppetmaster working at the carnival, actually recognizes Pinocchio from a show he saw, which could tie in to him being the film's version of Stromboli, the puppet master of the Disney film. Other than that, the film actually introduces new characters, like Twinkle, a female puppet who serves as Pinocchio's love interest, Liutenant Grumblebee, a bumbebee, and The Emperor Of The Night, the main antagonist (who looks like Filmation redid some animation cels of Prime Evil from their Ghostbusters cartoon). Also, the voice cast has some notable actors, like James Earl Jones as the Emperor of the Night, Don Knotts as Gee Willickers, Johnathan Harris as Grumblebee, and even Frank Welker, a man who has done a lot of characters in animation, as Igor.
As for the story, it is okay. Supposedly set after happily ever after, I believe this has no connection to the Disney film at all, despite certain characters being replacements of characters from the Disney films. There are some scary moments in this film (like the scene where Puppetino captures Pinocchio as he's turning back into a puppet due to taking his freedom for granted, with the creepy puppets and disturbing music played), but I think it's only scary if you're not an older person as I am (it never scared me, yet I could still never brave the scene of Lampwick turning into a donkey in the Disney film). The film has its fair share of high points and low points, but it has Pinocchio learn lessons about freedom and responsibility. It's an okay movie, but may not be suitable for younger viewers due to the use of scary imagery that may or may not give them nightmares.
Basically, the story is set one year after Pinocchio becomes a real boy, and he gets in trouble with his father after trading a jeweled music box that was a gift to the mayor for a fake ruby from con artists Scallywag and Igor, a raccoon and monkey duo serving as the film's version of Honest John and Gideon. The kid runs away, and what results is an adventure where he goes to try to get the music box back.
Yeah, this film has a lot of similarities to the Disney original. So much, that Disney actually tried and sued Filmation, but failed because the original story was out of copright. Other than Scallywag and Igor, we have Gee Willickers, a wooden glow bug brought to life to serve as a replacement for Jiminy Cricket, and Puppetino, a puppetmaster working at the carnival, actually recognizes Pinocchio from a show he saw, which could tie in to him being the film's version of Stromboli, the puppet master of the Disney film. Other than that, the film actually introduces new characters, like Twinkle, a female puppet who serves as Pinocchio's love interest, Liutenant Grumblebee, a bumbebee, and The Emperor Of The Night, the main antagonist (who looks like Filmation redid some animation cels of Prime Evil from their Ghostbusters cartoon). Also, the voice cast has some notable actors, like James Earl Jones as the Emperor of the Night, Don Knotts as Gee Willickers, Johnathan Harris as Grumblebee, and even Frank Welker, a man who has done a lot of characters in animation, as Igor.
As for the story, it is okay. Supposedly set after happily ever after, I believe this has no connection to the Disney film at all, despite certain characters being replacements of characters from the Disney films. There are some scary moments in this film (like the scene where Puppetino captures Pinocchio as he's turning back into a puppet due to taking his freedom for granted, with the creepy puppets and disturbing music played), but I think it's only scary if you're not an older person as I am (it never scared me, yet I could still never brave the scene of Lampwick turning into a donkey in the Disney film). The film has its fair share of high points and low points, but it has Pinocchio learn lessons about freedom and responsibility. It's an okay movie, but may not be suitable for younger viewers due to the use of scary imagery that may or may not give them nightmares.
I think that when all of us were kids we had one or two movies that we loved so much that we sat down and watched them dozens of times. For me one of those movies was Pinocchio and the Emperor of the Night, which is definitely a lesser known animated feature but all the same still holds up today. After ordering a copy from Amazon.com and watching it again all these years later, I was pleasantly surprised that Emperor entertained me even at my usually cynical age.
Sure, you could nitpick that the animation is inconsistent, with some scenes appearing less detailed while others are excessively so, and that certain backgrounds are obviously repeated during chase scenes ala The Flintstones (it's even more pronounced here due to the visible line in the visuals), but frankly those didn't hamper my enjoyment of the film. The animation is usually quite vibrant and expressive, and the story takes the usual Pinocchio antics in a different direction by providing an actual villain in the uber-creepy Emperor (voiced by that staple of movie villains, James Earl Jones). In fact, much of the movie is downright dark, from the opening sequence where a demented carnival seems to set itself up to Pinocchio's transformation back into a puppet. I'm not saying any of this will scare kids today, as they've probably seen much worse, but it does give a good balance to the otherwise cheerful imagery.
I can't get through this review without mentioning the handful of songs which are peppered throughout Pinocchio and the Emperor of the Night. I can't get enough of "Love Is The Light Inside Your Heart," which is just a beautiful little pop ballad that I can't get out of my head because it's so memorable. True, the Fairy Godmother may sound like she's doped up during her speaking lines, but the song is great. "Neon Cabaret" is more of a background song than "Love," but it still has a nice little jazz beat that goes well with its scene, a night club where children basically throw back green alcohol (come on ya know it was alcohol) and go nuts. Finally there's "Your A Star," which while not a phenomenal song once again fits with the visuals of the sequence. Like I said before, much of the visuals of the movie are extremely well done and give the movie a vintage '80s feel I couldn't help but like.
Now this is coming from a guy who's reviewed countless animated movie, but I think it's safe to say that young kids could still get a kick out of this movie. It's got everything the modern animated flicks have, but without the crass marketing. And the sidekicks aren't half as tiresome or irritating, with the only ones being a glow worm voiced by Don Knotts and a bee named Grumblebee. Some sections of the film may seem like filler, like the scene involving a toad and a city of insects which lasts a bit too long, but other than that I give Pinocchio and the Emperor of the Night an enthusiastic recommendation. 3/4 stars
Sure, you could nitpick that the animation is inconsistent, with some scenes appearing less detailed while others are excessively so, and that certain backgrounds are obviously repeated during chase scenes ala The Flintstones (it's even more pronounced here due to the visible line in the visuals), but frankly those didn't hamper my enjoyment of the film. The animation is usually quite vibrant and expressive, and the story takes the usual Pinocchio antics in a different direction by providing an actual villain in the uber-creepy Emperor (voiced by that staple of movie villains, James Earl Jones). In fact, much of the movie is downright dark, from the opening sequence where a demented carnival seems to set itself up to Pinocchio's transformation back into a puppet. I'm not saying any of this will scare kids today, as they've probably seen much worse, but it does give a good balance to the otherwise cheerful imagery.
I can't get through this review without mentioning the handful of songs which are peppered throughout Pinocchio and the Emperor of the Night. I can't get enough of "Love Is The Light Inside Your Heart," which is just a beautiful little pop ballad that I can't get out of my head because it's so memorable. True, the Fairy Godmother may sound like she's doped up during her speaking lines, but the song is great. "Neon Cabaret" is more of a background song than "Love," but it still has a nice little jazz beat that goes well with its scene, a night club where children basically throw back green alcohol (come on ya know it was alcohol) and go nuts. Finally there's "Your A Star," which while not a phenomenal song once again fits with the visuals of the sequence. Like I said before, much of the visuals of the movie are extremely well done and give the movie a vintage '80s feel I couldn't help but like.
Now this is coming from a guy who's reviewed countless animated movie, but I think it's safe to say that young kids could still get a kick out of this movie. It's got everything the modern animated flicks have, but without the crass marketing. And the sidekicks aren't half as tiresome or irritating, with the only ones being a glow worm voiced by Don Knotts and a bee named Grumblebee. Some sections of the film may seem like filler, like the scene involving a toad and a city of insects which lasts a bit too long, but other than that I give Pinocchio and the Emperor of the Night an enthusiastic recommendation. 3/4 stars
I saw this movie when I was about 10 or so and I absolutely loved it. The animation was fantastic and I actually thought it was better than the Disney movie. The story was very involved, but not too hard for a kid to follow. I hope to find this movie on DVD.
This film will go down as one of my all-time favorites. Filmation wasn't known for phenomenal animation, but after watching the Masters of the Universe series again, I wasn't expecting too much from them on THIS one- I was COMPLETELY blown away! The animation is PHENOMENAL, coming from Filmation. The Emperor looks awesome, and the music scores are EXCELLENT. In my opinion, this film never received the marketing blitz it truly deserved. Personally, I like THIS film better than DISNEY'S Pinocchio, and this film is actually not a continuation of the DISNEY film, but of the Adventures of Pinocchio animated series. Every time I see this film, I love it even more. A real winner in my book! :)
If I'm not mistaken, I think it's just about my one-year anniversary here at IMDB. Now I'm sure my raging fans (all two of you) are well aware that I can't get enough of weird cartoons. I happened to run into "Pinocchio and the Emperor of the Night" in the bargain bin of a thrift store recently, bought it remembering only that I had rented it several times as a kid, and came away concluding that it's going to take one heck of a cartoon to beat this one!
This movie is crazy. It's like somebody wanted to do an animated film of _Faust_, got bored with it, and decided for the heck of it to throw Pinocchio and Gepetto in it (other characters from the _Pinocchio_ story show up in poor disguises). Pinocchio's adventure leads him from an evil carnival to a freakish neon Hell populated by small children and lastly to the domain of a quadrimanous Satan. Along the way, he has run-ins with a wooden insect, a monkey who is eerily prescient of JarJar Binks down to the last stupid big tooth, and a pretty girl puppet owned by Satan's minion. This last character (the puppet, not the minion) is the focus of a crush from Pinocchio, and I guess this is supposed to be romantic but it comes across as very creepy. (I mean, he's a real boy lusting over a *doll* people; look at the looks he's giving her!)
This is a very trippy movie. On that level, it isn't half bad. I actually rather enjoyed it.
This movie is crazy. It's like somebody wanted to do an animated film of _Faust_, got bored with it, and decided for the heck of it to throw Pinocchio and Gepetto in it (other characters from the _Pinocchio_ story show up in poor disguises). Pinocchio's adventure leads him from an evil carnival to a freakish neon Hell populated by small children and lastly to the domain of a quadrimanous Satan. Along the way, he has run-ins with a wooden insect, a monkey who is eerily prescient of JarJar Binks down to the last stupid big tooth, and a pretty girl puppet owned by Satan's minion. This last character (the puppet, not the minion) is the focus of a crush from Pinocchio, and I guess this is supposed to be romantic but it comes across as very creepy. (I mean, he's a real boy lusting over a *doll* people; look at the looks he's giving her!)
This is a very trippy movie. On that level, it isn't half bad. I actually rather enjoyed it.
¿Sabías que…?
- TriviaThe Walt Disney Company sued Filmation Associates for defamation and trademark infringement, but was ruled against on the basis that Carlo Collodi's 1883 novel "The Adventures of Pinocchio" was in public domain.
- ErroresWhen the Fairy Godmother gives Pinocchio his freedom back, she also transforms him back into a real boy. A few shots later, when she asks him why he isn't at home in bed, he is a puppet again.
- Citas
Lt. Grumblebee: If it's a fight you want, you've come to the right bee!
- ConexionesFeatured in Troldspejlet: Episode #50.7 (2014)
- Bandas sonorasLove is the Light Inside Your Heart
Words by Will Jennings
Music by Barry Mann
Performed by Rickie Lee Jones
Courtesy of Geffen Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Pinocchio and the Emperor of the Night
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,261,638
- Total a nivel mundial
- USD 3,261,638
- Tiempo de ejecución1 hora 27 minutos
- Color
- Mezcla de sonido
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