CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
Una joven cantante de ópera es acosada por un fanático enloquecido que quiere matar a las personas relacionadas con ella para reclamarla como propia.Una joven cantante de ópera es acosada por un fanático enloquecido que quiere matar a las personas relacionadas con ella para reclamarla como propia.Una joven cantante de ópera es acosada por un fanático enloquecido que quiere matar a las personas relacionadas con ella para reclamarla como propia.
- Premios
- 4 nominaciones en total
Coralina Cataldi-Tassoni
- Giulia
- (as Coralina Cataldi Tassoni)
Antonino Iuorio
- Baddini
- (as Antonio Juorio)
György Gyõriványi
- Miro
- (as Gyorivany Gyorgy)
Dario Argento
- Narrator (Italian version)
- (voz)
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThe idea of the pins-under-the-eyes torture device came from a joke of Argento's. Argento said it would annoy him when people would look away during the scary scenes in his films. He would jokingly suggest taping pins under people's eyes so they couldn't look away from the film. It would late materialize on the screen for this film.
- ErroresIn the killer's POV shot entering the costume workshop, the camera and camera dolly are seen in a mirror on the right.
- Citas
Marco: I think it's unwise to use movies as a guide for reality. Don't you, Inspector?
Inspector Alan Santini: Depends what you mean by reality.
- Versiones alternativasAvailable in both R and Unrated versions.
- ConexionesFeatured in Video View: Episode #2.9 (1991)
Opinión destacada
Understudy, Betty (Cristina Marsillach) gets her big break, getting to star in a modern stage production of Verdi's Macbeth, after the volatile, original singer gets hit by a car. Betty is nervous, but nails the part. Of course, OPERA is a Dario Argento film, so Betty has more than performance jitters to worry about! Soon, a black-gloved killer begins haunting her and the opera house, causing bodies to pile up. Is the opera suffering from the alleged "Macbeth curse"?
In this wild, gory, inventive riff on PHANTOM OF THE OPERA, Argento takes us along with the psychopath, stalking, creeping, and running through hallways. Down staircases and corridors, we see what the madman sees. Once again, the director captures nightmare on film, turning a giallo into a fascinating viewing experience. It's all about eyes and witnessing in this one! That, and never pissing off any ravens!...
In this wild, gory, inventive riff on PHANTOM OF THE OPERA, Argento takes us along with the psychopath, stalking, creeping, and running through hallways. Down staircases and corridors, we see what the madman sees. Once again, the director captures nightmare on film, turning a giallo into a fascinating viewing experience. It's all about eyes and witnessing in this one! That, and never pissing off any ravens!...
- Dethcharm
- 4 feb 2019
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Terror en la ópera (1987) officially released in India in English?
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