Agrega una trama en tu idiomaRajat and Mukta meet each other and fall in love. They get married and live in harmony for a few years. Then Mukta starts suspecting that Rajat is having an affair with Sheetal Puri, and the... Leer todoRajat and Mukta meet each other and fall in love. They get married and live in harmony for a few years. Then Mukta starts suspecting that Rajat is having an affair with Sheetal Puri, and then misunderstandings and distrust start, and snowball. Finally, they decide to separate and... Leer todoRajat and Mukta meet each other and fall in love. They get married and live in harmony for a few years. Then Mukta starts suspecting that Rajat is having an affair with Sheetal Puri, and then misunderstandings and distrust start, and snowball. Finally, they decide to separate and go their own ways. After their separation, Mukta finds out that she is pregnant, and woul... Leer todo
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The discussion on the Rajesh Khanna, Smita Patil and Sridevi Starer Movie Nazrana 1987 is nothing but remembering the Song "Isse Pahle Ki Yaad Tu Aayee" by none but One and Only Kishore Kumar the Great. The Film has nothing Impressive in today's Context. No doubt, Rajesh Khanna, Smita Patil and Sridevi- all were Great acting Genius. But the Film is identified with the Singing Voice of Melody King Kishore Kumar.
Kishore kumar needs no introduction. But the way Maestro Kishore Kumar sang "Isse Pahle ki Yaad Tu Aayee" is just matchless. But the Film sends certain message to today's Playback Singers. As a Playback Singer Kishore is Second to None. His extraordinary Singing Calibre makes a Film successful both from Commercial and Artistic point of View. There are many films in Bollywood that became all time Hits only because of Kishore Kumar's Songs. The Great Kishore Kumar had the ability to make Film successful singlehandedly. His Singing Voice had been behind the Stardom of Many in Bollywood. So long, Kishore Kumar was alive, Bollywood depended more on Kishore Kumar's Songs and his Magical and Intoxicated Voice than any Actor. Kishore kumar established Playback Singing as a Different Gharana of Music that makes all spellbound even after more than 37 Years since the Artiste having Greatest Singing Voice bade adieu from this Mortal World. In fact, Kishore Kumar expired in the same year 1987 when the Film Nazrana was released.
But alas! Bollywood Playback Singing has declined to unprecedented low in the Given Time. The Playback Singers of this era have miserably failed to take forward the Legacy of Kishore Kumar. Today's Playback Singers should stand before the Mirror to find how much and why they have become Irrelevant in Bollywood Films. Playback Singing is virtually a non-entity in today's Bollywood. This proves the relevance of an Artiste like Kishore Kumar the Great who has already ensured his Immortality through his Unforgettable Songs which are popular among today's youngsters. Really, Artiste like Kishore Kumar comes only Once. No one was before him and Nobody can ever be after.
#kishorekumar, #kishorekumarsongs #playbacksing, #bollywoodsongs, #filmysongs, #bollywoodsingerstoday #unwantedsingers.
In the film, Rajesh Khanna playing a music composer, is some sort of Greek God cum Kaamdev mix who attracts every women he is even remotely associated with - first, Smita Patil who elopes to marry him, next Preeti Sapru who is his phoren returned colleague and dreams to become his wife no 2 and finally, Sridevi who is his housemaid but ends up in bed with her maalik in a particular weak moment. Ahem!!
Nazrana is filled with implausible situations, highly melodramatic scenes and heavy dialogues and Khanna, playing the irresistible hero, looks tired and dazed here. The film is only memorable for being Smita Patil's first posthumous release after her untimely death in December 1986.
Regards, Sumeet Nadkarni.
Smita Patill has given a very matured performance as always. Sridevi also acts well but her action scenes are funny & totally unnecessary.
Rajesh khanna is probably the only star who has done many heroine oriented movies & yet manages to hold his own.
Music is passable & direction is ok.
Worth watching.
Priti Sapru deserves special mention for the way she acts as a vamp, separates Rajat and Mukta and how she hilariously shouts at Sridevi
Rajesh Khanna and Smita Patel show a good relationship as Rajat and Mukta and beautifully portray it on screen
The lead pair perform well Sridevi is laughable of how the way she beats the goons Shafi Inamdar is funny Dalip Tahil is average Iftekhar is passable Om Shivpuri is a little impressive Pinchoo Kapoor is OK
The film also stars Sridevi, she looks smashing hot and again shows of her incredible dancing skills, but in contrast to Patil, where acting goes, she is at times let down by the script. That's because at first her character is introduced as a street-smart girl, who looks quite gentle but then can fight an army of thugs, making several somersaults, and ultimately defeat them all and remain without a pimple. These scenes were truly laughable and I almost decided to stop watching the film. There was no way for me to take Sridevi's portrayal seriously after watching them. Add to that the fact that her voice is dubbed in the film by some dubbing artist (those were the days when Sri was still working on her Hindi, her mother tongue being Tamil), and the authenticity of her performance is reduced, which is sad because she has also been able to rise above a poor script. Obviously you can forget everything once you get to see her gorgeous body and her astonishing dance performances, particularly her artistic and hot-blooded rain number for the song "Chan Chananan Paayal Bole". It's great to see her famous instant breaks into dance, like a cannon which was waiting for its explosion.
The leading hero of this film is Rajesh Khanna. I've never been a fan of his acting, and here he is painfully bad. Priti Sapru is very theatrical and unimpressive as the vamp. The courtroom scenes are as expected clichéd to the core, and the ending is particularly corny. Nazrana is a bad, forgettable film which has its few moments. It's mainly watchable for Smita Patil and to some extent Sridevi, so I say do not watch it unless you are a fan of Smita and would want to see her in one of her latest films, a fan of Sridevi, or a lover of soapy and over-the-top Hindi movies.
¿Sabías que…?
- TriviaSmita Patil's first posthumous release in a lead role. Insaniyat Ke Dushman was in a guest role which released under a month after her death.
- Bandas sonorasKehde Zamane Se Kehde
Music by Laxmikant Shantaram Kudalkar & Pyarelal Ramprasad Sharma
Lyrics by Anand Bakshi
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