Na srebrnym globie

A really grotesque sci-fi story with some excellent visuals - sadly, the movie was never really finished (production took place in 1976/1977 and was stopped by Polish authorities), in 1988 Silver Globe was presented at the Cannes Film Festival. Because director Zulawski was only able to complete about four-fifths of the film, he used street shots of Warsaw and Kraków to fill the missing parts, while he explains off-screen what is happening according to the script. Despite that unlucky fact, On the Silver Globe is still a really fine journey, but be warned, it is for sure no movie for adepts of Star Wars, Star Trek or such sci-fi movies but for those who hunt after something special. If you dig movies like The Holy Mountain (1975), Zardoz (1974), Stalker (1978), Hard to Be A God (1989, or the version from 2013), O-Bi, O-Ba: The End of Civilization (1985) and such pearls, Silver Globe may just be the right kind of movie for you. My rate: 7 + 1 for the visuals.

This is a very nihilistic saga that mocks spiritual misconceptions by means of anthropology, myth, religion put under a microscope. It's amazing how Zulawski managed to engage me in this three hour gibberish monologue. The whole thing is very reminiscent of performance art and butoh dancing. That's not to say that the cinematography was uninspired, it was gorgeous.

The film looks really intriguing so I was excited to watch it. It definitely wasn't the experience I was hoping for.

I have to admit I basically understood nothing of what was going on. The plot is already complex, and when you add in the attempt to reconstruct the missing scenes using voiceover, it becomes pretty much impossible to follow the story.

As it stands this seems to be more of a curiosity than an actual film.

Andrzej Zulawski's On the Silver Globe was a movie I was so excited to see ever since I heard of its existence. Even to track it down to watch was something I struggled with for so long. And eventually, once I did come across a way to watch it, I was more than excited to do so.

Unfortunately, I just couldn't keep up. It was a cram fest of any and every philosophical conversation the film could explore, and done so in the most noisy, nauseating and mind numbing way possible.

It had a great first act... Somewhat slow, but consistent and remarkable. Actual conflicts of body and mind. And then it dissolves into madness... the unwatchable kind. The final two acts are just all over the place; with dialogue which people call explorative and introspective, but I feel was vapid, inconsistent and meaningless, with characters that have no individuality, appearing out of thin air at will, all echoing one sentimental philosophy depriving the film of any need to keep its consistency, and with a plot that twists and complicates itself for no apparent reason than to provoke conversation that ends up going nowhere.

Although, one thing that will never cease to amaze me are the visuals; the set designs, costumes, makeup and its unconventional cinematography providing what can only be described as truly otherworldly in its presentation, setting the tone for the movie as accurately and descriptively as possible.

At the end of the day, I'm not hating on it, but simply find it shallow as opposed to what most people say about it in artistic circles. But I'm at least glad that I got to finally watch it, and will forever be content with the knowledge of this movie's existence.

It's difficult to describe the film The Silver Globe to the average person. Many people describe it as being similar to Jodorowsky's unfinished Dune project. The version I found had no subtitles, so I had to guess what was happening, but that didn't bother me since it was unlike any film I had seen. The movie takes place in a post apocalyptic future that has almost been destroyed by man. People decide to start over, and they build a village on the moon and choose a leader. They're are many disturbing and unforgettable images of people shouting at the brink of their sanity, bizarre bird creatures and a brutal crucifixion scene on a cross that's almost 100 ft high. There is one scene where people are in the air with poles stuck up them, the poles are almost a couple stories high. (Hard to describe but think of the impalement scene in Cannibal Holocaust 100 ft. in the air) The movie has some of the most amazing cinematography and insane camera angles. Fan's of directors like Jodorowsky, Tarkovsky and David Lynch won't be disappointed.