Nadine

In 1954, in Austin, Texas, the sexy Nadine Hightower (Kim Basinger) pays a visit to the photographer Raymond Escobar (Jerry Stiller) begging him to retrieve the photos he took from her since she believed that he would show them to Hugh Hefner. He gives an envelope to her mistakenly with the plans of the route of a new road instead and while she is waiting to leave his office, he is murdered bu his client. Nadine becomes the prime suspect and when her ex-husband Vernon Hightower (Jeff Bridges) visits her asking to sign the divorce papers, he sees the documents and realizes that they are valuable. While Vernon wants to make money with the documents, the powerful criminal Buford Pope (Rip Torn) chases Nadine and Vernon to retrieve the plans.

"Nadine" is an entertaining romantic adventure, with Kim Basinger and Jeff Bridges showing a great chemistry. Maybe the best thing in this movie is the chance to see Kim Basinger in the top of her beauty and sensuality. My vote is six.

Title (Brazil): "Nadine - Um Amor a Prova de Balas" ("Nadine – A Bullet Proof Love")

If watched in 1987 "Nadine" could be labeled as one terrible movie which only wasted time, energy, money and a good cast on a loose plot. But when one watches this now, one must see it in a different light. It's far from being bad. It's very cool actually. Take two attractive actors, make them as an unusual pair in between loving and hating each other, trying to survive dangerous people and thrilling situations, then you have a movie. And quite a short one (78 minutes).

What prevents "Nadine" of being found good by viewers relates in seeing who's involved in it and why they're stuck with such a heavily clichéd, flawed picture. Why Jeff Bridges and Kim Basinger would star in something like this, playing loud, talky, cheap characters who try to be smarter than smartness itself? Or why Academy Award winner Robert Benton would go forward in writing and directing such a strange project? The conclusion reached was that this was a way of doing something fun, a child's play. Hollywood indulging itself with plenty of fun in the making and hoping people notice that and perhaps enjoy it for what it is. In this department, as being a fun work, it succeeds despite the pros and cons. Today it's easier to make things like this and with better results ("Ocean's Eleven" is a living proof of this, a movie made among friends, very easy and it became quite profitable, going with two more sequels).

How come no one notices that in this film? It's not trying to convey messages or have a higher purpose, it's just a small entertainment, fine. It's the kind of story presented time and time again in countless pictures: Nadine (Basinger) testifies a murder, then she gets chased by people involved in it who want something she might have taken out from the victim, something that belongs to them. Endangered and with nothing better to do, she contacts her soon to be ex-husband (Bridges), a lousy bar owner drowned in debts and misunderstandings, who's desperately for divorcing his wife to marry his new girl (Glenne Headly) as fast as possible. Fun thing about this is seeing the story made in the 1950's, for whatever reasons.

Basinger and Bridges make a very exciting couple, they're pretty good together. Hearing their accents might be a problem to many, I think it's quite hilarious at parts. Not much of an intelligent, brilliantly written comedy, it just goes in presenting goofy situations and bright action sequences (final shootout is the best and also the bit with the snakes in the room). Final analysis: it never gets great as it could be and even gets weary in such short running time but it's an amusing film, well acted by everyone involved, and with a nice soundtrack. Let go of everything and just enjoy the show. It manages to save the day. 6/10

Robert Benton wrote and directed this daffy comedy about a Texas manicurist in 1950s Austin who enlists the aid of her estranged husband to help her retrieve some sexy photographs she had taken by a unscrupulous shutterbug; swiping blueprints for a new highway instead, the bickering couple are chased by both the police and a crooked kingpin who's out for blood. Sassy talk and gumshun are the highlights of this pleasant whiff of an idea--sort of an old-fashioned throwback to the cinema's second-feature--but it runs out of steam after an hour or so. Kim Basinger gets to show off her squirrelly side which is very appealing, and Jeff Bridges is a good match for her, but the ramifications of an early murder, the contents of the file, and the plot elements with the gun-toting villains, Bridges' new girlfriend, and Basinger's secret "condition" are not immediately captivating. Didn't Benton realize that the central relationship alone was more engaging than the chases and the overlong shoot-out finale in a junkyard? He was trying for a breezy screwball effect, but this approach is only successful in setting up the story. The rest is irrelevant. ** from ****

This film centers on an about-to-be divorced couple (Basinger and Bridges) in the Austin of 1954, who get thrown back together when Basinger accidentally comes into possession of the state's secret plans for a new highway. Bridges steals the plans from her and figures on using the information to get rich, until the arch-hustler criminal Torn gets other ideas. It's a classic mix of romantic comedy and caper movie, with a pair of thugs working for Torn who might be straight out of Home Alone. It's not as if the plot is all that thrilling, and in truth if it had been shot in black and white and were 50 years older, it wouldn't stand out from some of Jimmy Cagney's potboilers from the 30's. But the three main actors are all terrific (especially Basinger), and we even get a brief cameo appearance by George Costanza's father (Jerry Stiller), who winds up in a way that George Costanza might have dreamed about. Recommended.

I'm not sure where I was in 1987 when this film came out, but I saw it for the first time tonight, and I'd never heard of it. I found it highly entertaining.

Kim Basinger is Nadine, a pregnant, soon to be divorced woman living in small-town Texas in 1954. She posed for some "art studies" and wants to get them back from the sleazy photographer (Jerry Stiller) who told her that he knew Hugh Hefner. She's very insistent, so he lets her into his studio, even though he has an appointment coming, and sticks her in the back room. When he opens the door with what seems to be her file, he falls over, dead from a knife in the back. Nadine grabs her file and gets out of there. When she arrives home, the file has maps of an area of town in it. She lies to her ex-husband (Jeff Bridges) so that he will return to the studio with her; soon, they're on the run from the police - and the owner of the maps (Rip Torn).

This is a funny, fast-moving comedy with excellent performances from Bridges, Basinger, Torn, Stiller, Glenne Headley as Bridges' girlfriend, and Gwen Verdon, who plays Nadine's boss. Written and directed by Robert Benton, "Nadine" is a small film and an enjoyable one. Recommended.