Maurice

I ran into this movie a long, long time ago, watching the TV news one evening back in 1987. I felt as I couldn't miss it as soon as I realized it had been shot in Cambridge, my favorite place in the world, but all my feelings went much beyond that when I saw it. I didn't feel uneasy about homosexuality at all but it was with that movie that I finally realized it was only love, no matter whether it involved a man and a woman, or two men, or two women.... The set is magnificent, the actors at their best (a great Hugh Grant who was so great as to show how Mr E.M.Forster had become tired with Clive...), and I must say that Mr Ivory did a pretty good job with his version of the story, very well adapted. In fact I do believe the book is superior in many moments but, on the other hand, the film is far far superior in many other moments, and you can't really say this all the times. I suggest everybody should watch it and enjoy it, no matter what your sexual preferences are. A masterpiece, indeed!

This is the most emotional love story I have ever viewed. I first saw the film when I was about 14, and I had no problem sitting through the entire two and a half hours of rich period drama. Merchant and Ivory are two of the best filmmakers ever, and they treat this delicate subject with grace and tact. It makes being a gay teenager a little more bearable, because it is one of the few movies in which the gay lead finds love, and survives. An altogether edifying experience.

"Maurice" (prononced "Morris") is the film adaption of the book by E.M. Forster and stated to be semi-autobiographical of his life. The book was banned for many years and it wasn't until 1987 that this visually splendid film was released from Merchant-Ivory - ("A Room With A View", "Howard's End"). Set in early 19th century England, it details the coming of age story of Maurice Hall, an upper-class aristocrat who falls in love with fellow classmate Clive Durham (Hugh Grant). Shortly after their romance begins, a fellow student is entrapped and imprisoned for soliciting a military officer. Out of fear of losing his inheritance and political future, Clive decides to get married. Although hurt and feeling very alone, Maurice continues a close platonic relationship with Clive. After attempts to "cure" his homosexuality fail, Maurice finds himself falling in love with Clive's gamekeeper, Scudder. With the threat of exposure and blackmail always a real possibility, they must risk everything to build a future together. Supporting performances by Denholm Elliot, Helena Bonham Carter and Ben Kingsley help make this a true classic. The lush and elegant score is available as part a 3-disc set of Merchant-Ivory film scores. Guys, if you're looking for a great "first-date" video, it really doesn't get much better than "Maurice"!

I saw MAURICE when it first appeared in theaters in the mid-80s and enjoyed it. I was surprised on a second viewing on DVD last night at how much I had forgotten about this film. This story of a thwarted love affair between two upper- class men during their years at Cambridge is a deeply absorbing and entertaining adaptation of Forster's posthumously published novel, which I read at in 1971. I thought the book rather dull. The movie seems anything but, which makes me wonder if I shouldn't pull it off my library shelves and give it another go.

Though James Wilby's Maurice Hall is the main character, it is Hugh Grant young aristocrat that is most intriguing here. Clive Durham (Grant) is a spoiled and deeply entrenched member of Britain's snobbish ruling class. It is Durham who pursues Wilby (not the other way around as some of these reviews would have you believe). Initially spooked by Durham's admission of his love for Maurice, he pursues Durham with a naive passion. But that passion is ruined when a fellow classmate from Cambridge is set up by a soldier in a bar and arrested by the police. This young man's future in politics and society is ruined (horrified, Durham says no to him when he asks to testify on his behalf), and he is found guilty and sentenced to six months in jail and hard labor. His picture is splashed across the headlines of London's tabloids. The realization that this could happen to him forces Durham to reject Maurice, pursue and marry a young girl from his class and move himself deeply into the closet. So much for the politics of homosexuality in Britain, circa 1912.

Maurice is devastated by his friend's rejection of him. Miserable, he seeks every avenue he can to reverse and cure his own homosexual longings. He even subjects himself to the quackery of a hypnotist-therapist (Ben Kinsley in a hilarious turn). Maurice finally gives in to his feelings when he finally falls deeply in love with the gamekeeper of Durham's estate (well played by the young and very handsome Rupert Graves).

This Merchant-Ivory film is, typically, gorgeous to look at, its pacing is novelistic and deeply rewarding. Hugh Grant showed early star appeal as the superficial and ultimately defeated victim of his class and society. He would rarely get the chance at so fine a part in the future despite his great success as a light comedian in a string of international hit movies (ABOUT A BOY being one such terrific film performance from this very appealing actor). James Wilby is pitch perfect as the perplexed and emotional Maurice. The expert supporting cast under the commanding direction of James Ivory delivers this period piece superbly. It's period look is typical of Merchant-Ivory productions--detailed, richly appointed and very beautiful. Kudos also to Kit Hesketh-Harvey's excellent screenplay.

One viewer here complained that ending was far too upbeat and unrealistic for its time, but I really didn't see it that way. There were many men and women who set up housekeeping in both London and New York, living their lives in discreet harmony under the noses of hostile societies. Still others preferred to move abroad to live their lives in discrete peace and tranquility. I prefer to think this is just what Maurice and Scudder do. If Maurice were as much of a snob as Durham, this might not have worked. But we see Maurice's slow understanding of the hypocrisy of his class in the aftermath of his affair with Durham, and he comes to realize that even he is somewhat constrained by his own upper-class upbringing in his initial interactions with Scudder's far lower standing.

This is a deeply affecting movie and holds up superbly. Highly recommended.

Similar to goldilocks-78, I watched Maurice again - I saw it when I was in my 20s, when it was first released. There is some very good acting, and a very good sociological recreation of the Edwardian period. Maurice, the novel, might well not be considered as EM Forster's finest work. But similar to Lady Chatterley's Lover (not considered among Lawrence's best), the work raises issues of class, gender, and sexuality. The three leads are good - Hugh Grant gives a plausible portrayal of a more refined, upper-class man, who denies his homosexual urgings and marries. He clearly shows (after this conversion of sorts) his ambivalence and almost forced denial. Hugh Grant, almost effortlessly, shows the two sides to this character. James Wilby,as Maurice, moves from self-disgust, despair and guilt, to self-acceptance. Rupert Graves as Scudder (similar to Mellors) is really good. The scenes he shares with James Wilby are not forced. The supporting cast are good - the women, Simon Callow (who introduces us to the Edwardian conformist ideology) are equally good. And Ben Kingsley, as the hypnotherapist nicely shows the push-pull in the then-British psyche. My favourite Merchant-Ivory film is Room with a view. Maurice is darker, but just as well filmed, with enough humour to balance the seriousness of the film. The naive, happily-ever-after ending (EM Forster's) doesn't quite work, but leads to good discussion. Of all the DVD-shown deleted scenes, the final 'confrontation' between Maurice and Durham should be, in my opinion, restored. It's a fine film, both engaging and unsettling. Sensitively adapted, directed, acted and shot. Kudos