L'homme qui plantait des arbres

Animation is not a favorite genre of mine but this film took my breath away. I believe I first saw it at a film festival. The animation is done with the light, breathy movements of an impressionist painter. The narration of Christopher Plummer in the English version is so fitting in tone and style to the story, I became totally engrossed in every word. The story itself is beautiful; a soft, warm story, with just a touch of something timeless and magical to bring a tear to one's eye. It touches the soul. I pray that this film will once again become available for purchase; I was fortunate to purchase one copy of the English version in VHS but it has since become unavailable.

"the man who planted trees" stunned me. it's been a long time since i cried with joy for an idea ... a very deep, satisfying spiritual experience.

i've wanted to see this movie since i read that TAKAHATA isao -- co-founder of studio ghibli, director of "grave of the fireflies," producer of MIYAZAKI hayao's works "nausicaa of the valley of wind" and "laputa: castle in the sky" -- takahata wrote a book about "the man who planted trees," he was so moved by it.

i'm not associated with them, but i think "direct cinema limited" distributes the video in the united states.

Frédéric Back's 30 minutes long Oscar winning animated film "The Man Who Planted Trees" is astounding work of art with its beautiful story and the images that equal it. The story written by the French writer Jean Giono that tells about Elzeard Bouffier, a quiet shepherd, and later bee keeper who never talked much but over 35 years of hard work singlehandedly cultivated a magnificent forest in a desolate area of Provence, France and made it a peaceful and happy home for over 10, 000 people, is highly moving, inspirational, and life-affirming. It makes a viewer proud of what a man can achieve if he is determined to create, not to destroy. Every frame looks and feels not like a flat drawing but like a beloved painting of a celebrated impressionist painter (Monet, Sisley, Morisot, and Pissarro, the "purest" impressionists come first to mind). To achieve this effect, Back worked on unpolished acetates using crayons and modulating the colors. During the film, the colors change dramatically from barren and lifeless desert like palette in the beginning to the tender glowing delicate colors of blossoming eternal Spring in the final scenes. I was absolutely mesmerized by Back's visual style and his ability to beautifully translate such a literally story to the screen and not to lose any of its appeal but on the contrary to enrich it with incredible taste and unique exquisite beauty and tenderness of his images. For the first time, I came across the work of animation that reminded me so much of my all time favorite animated film "Tale of Tales" by Yuri Norstein, artistically and spiritually. It was not surprising for me to find out that Norstein and Back have met, respect and admire each other work and that Norstein studied Back's techniques and took with him to Moscow Back's acetates and coloring pencils that he was going to use while working on his ambitious project, full feature animation "Overcoat".

There is one question that pops up from time to time on the different IMDb boards, "Is there any movie that all viewers would love and cherish"? I am always skeptical and up until tonight used to believe that the universally loved movie simply does not exist. I am happy to admit that I was wrong. I don't think that anyone who saw this little marvel may not be affected by its clear message, its kindness, beauty, and artistry.

I can't remember the last time I was so moved by an animated film. It is truly a work of art, lyrical, and inspired. The story is a very nice parable, but the way it was told by the artist here is incredibly moving. Many years of work (eight?)by the team of animators headed by Frederick Back created this 30-minute film. Only the loving product of the heart and of the right brain could yield art like this. Christopher Plummer's voice evokes the wise elder of the film's subject, and the music provides a background that blends well with the gentle crayon and charcoal drawings that form this work, but it is the drawings that are the centerpiece, in my opinion, although some might say it was the story. The work moved me to tears without any of the manipulation of most modern films. I could imagine children and teenagers being inspired and moved by this, also, and I think it should be shown to all children. I echo other viewers' recommendation that this would make a wonderful gift for someone you love, at any age.

THE MAN WHO PLANTED TREES was the Academy Award winning Best Animated Short for 1988. However, I did not see the original French language version (narrated by Philippe Noiret) but the English language one (narrated by Christopher Plummer). Plummer's voice was very sweet and melodious--perfect for this gentle little film.

The film is a supposedly true story about an odd man who lives in the middle of nowhere--planting trees and living very contentedly with the land. To heighten the effect, the film is gorgeously hand rendered using what appear to perhaps be colored pencils--making a wonderfully colorful and artistic tapestry--something you could never achieve with traditional animation. Perfect for the film and truly an amazing piece of art--like something that should be in a museum exhibit.

A lovely little tale about ecology and mankind. It's not exactly exciting--see it for its beauty and for its strong emotional impact. If by the time you've finished watching this film if you aren't touched, then you are probably dead!