Lung foo fung wan

City On Fire is a fine HongKong-actionmovie about a cop, who goes undercover to arrest a bunch of criminals. Chow Yun-Fat plays the cop with his usual style and class. Director Ringo Lam has created an explosive actionmovie that inspired Tarantino to make "Reservoir Dogs". Good story, good action and good actors! 8,5/10

This movie is the predecessor of many American movie storylines in which an undercover cop, in his effort to assimilate to the world of crime, loses himself. "Donnie Brasco" and "Rush" are such movies with a similar theme.

Tarantino very obviously lifted the plot for his "Reservoir Dogs," even though Tarantino's movie is more notable for its snappy dialogues and unbearable torture sequences. "City on Fire" develops the characters more, and gives them a background.

But other than that, the major difference between the 2 movies is that, ultimately, there's a very different take on the notions of honor, loyalty, and brotherhood - I was surprised by both endings, in very different ways.

This movie is also a good companion piece to "The Killer" by John Woo. Chow Yun-Fat and Danny Lee star in both movies, but in reversed roles of cop and thief.

I'm gonna try to keep my comments relatively brief, this is a huge point I'm trying to come across with) and direct them at the issue of Quentin Tarantino's (with Avary) Reservoir Dogs, not at my opinion that City on Fire stands as great film of noteable orginality.

This is about a relationship which exists, between two films by different directors from different backgrounds, solely because Tarantino 'borrowed' ideas from Ringo Lam.

After seeing Reservoir Dogs for the first time many years ago, I was blown away. You have to give it to Tarantino, he was in the right place at the right time and Reservoir Dogs blew everything that was going on in American cinema, at the time, out of the water. There is no denying that through film enthusiasts who saw Pulp Fiction and then later sought out Dogs, that a whole new generation of directors and writers came out of the wood work, inspired by his work and tried to imitate what they came to praise as an icon of cinematic originality in what would be come a pop culture of new wave gangster films.

However, that is where, in my opinion, praise of Tarantino should stop. Sometimes I think people get confused between two things. Those two things are being a obsessive film enthusiast and being an original artist. I think that one problem, in my opinion (although many may not agree), with the general film watching public and many producers, is that they have not been exposed to much of foreign cinema, let alone most of the independent films which gain huge followings but go unnoticed by the general public, and therefore someone who markets an idea properly, be it original or not, can get away with taking someone else's idea which was truly original, but not immensly popular, and turning that into success, or even in some cases, a cult film. The latter evokes some laughter on my part, because having a cult film being based on the original work of another cult film, really says something about the audience who follows such an unoriginal film without trying to truly discover its roots.

Now, does this take anything away from Reservoir Dogs or City on Fire for that matter? No. I believe that generally most who will see either film will, and should for that matter, go on to enjoy both films to the extent that they are impressioned by them for their originality and substance without caring about these 'minor details'.

However, after seeing both films and actually taking them for their worth, I believe that it is clear in what classes, either enthusiast or artist, to put Lam and Tarantino in.

I sought out this film once I learned it was a major inspiration Reservoir Dogs, which I already loved. After seeing City on Fire, I have to say I have even more respect for Tarantino now than I did before. City on Fire is a very good film with its own merits, which many people have already mentioned; however, to call Reservoir Dogs a rip-off of City on Fire insults both films. They are two separate films, telling different stories in different ways. Tarantino took the few most compelling elements of City on Fire, and then built an entirely different film around them. This is certainly an inspiration that deserves credit, but it is Tarantino's skill as a writer and director, as well as the amazing actors, that made Reservoir Dogs as great as it is. Even the most directly lifted scene, the Mexican stand-off, is an entirely different experience in each film. The way it is framed, the dialogue, and the resolutions are unique to each. Both films have their own strengths and weaknesses, and deserve to be judged independently. Don't lump them together by criticizing one great film for being inspired by another.

I have seen this movie and it really shows Chow Yun Fat's acting ability. The story is great and director Ringo Lam really shows how life is between opposite sides of the law.