Lionheart

I'm sure this movie was meant to be more exciting, but at less than 2 hours, it still drags. Perhaps it's because of the mediocre acting, or the low budget, or all the American accents, or the perpetual gray background. Okay, I understand that these were terrible times, but can't there be a little bit of brightness? You can watch evildoers get taken out by bits of rock, and just hope someone muffles the background music once in a while - trust me, it gets really distracting. And who wants to see hordes of starving and dying children? Overall, a tremendous disappointment.

This shockingly obscure film, especially when considering the talent behind the camera, and the lavish production design, stands as an average fantasy adventure without any of the magic of EXCALIBUR. It oddly borrows a few of the same cast members, namely Nicholas Clay and Gabriel Byrne playing very similar character. Byrne, no surprise, snarls his way through the film while our star Eric Stoltz isn't exactly the most engaging or charismatic, but does a fine job with his character of a cowardly knight who finds his true calling protecting children after fleeing the battlefield.

The overall themes track much more closely to the lower-budget EXCALIBUR knockoff that was HEART AND ARMOR in that it focuses heavily on the battles between Moors and Christians. There's even some vague history involving the real-life Children's Crusade and the rampant child slavery of the day thrown in for good measure, though don't expect this film to enlighten you too much as it never goes beyond the surface level. The battle scenes never get too bloody, though it's a violent enough of a film to not seem aimed squarely at young viewers. There are plenty of goofy scenes sprinkled in, like the little flags on a fortress roboticly raising and lowering depending on who's in charge.

I can see why this film failed to find the legacy audience of FLESH + BLOOD or LADYHAWKE (made around the same time) as it's not as gritty and realistic as the former nor romantic and anachronistic as the latter. However I had to say I enjoyed it far more than either of those. At least there's not any sexual assault or Matthew Broderick gumming up the works.

This movie is perfect in almost every way, but one thing ruins it. First the good stuff: we have action, romance, evil, great locations and sets, a great Jerry Goldsmith score, and an original plot: what happens to children in war?

So how come the movie doesn't work? It's the pace. Everything in this movie happens at AN INCREDIBLY SLOW PACE. You'll get impatient and frustrated. And that ruins the wonderful feel everything else has built up.

What a shame. What a real shame.

This movie seemed to be a little slow at times, and im just like "come on, whats happening?" but, the acting (especially by stoltz and byrne), the scenery, the action, and the romance was built for a great movie. i did enjoy watching this movie, though, it was decent. 7.3 out of 10.

It's the end of the 12th century. The young pious Robert Narra (Eric Stoltz) sets out to join The Third Crusade with King Richard the Lionheart. On route, he runs away from a battle. He encounters two escaped performers/thieves Michael (Dexter Fletcher) and his sister Mathilda (Deborah Moore). Michael would like to go to Paris. They seek shelter at a monastery where they're told about The Black Prince (Gabriel Byrne) who captures and sells children to the Muslims. The Black Prince is a disillusioned former crusader. In Paris, they are captured by the orphans of the Underground City. The Black Prince kills the mayor of the Underground City and plans to capture the army of orphans as they go off to join the crusade.

The Children's Crusade is not a happy story. The problem is that the goal is not well conceived. In order for this to work for a modern audience, they need to find a nicer place for them to strive for. I don't know why anybody would root for the kids to get to the crusade. Also this doesn't feel real enough to be gritty or fanciful enough to be magical. It operates in a weird middle ground where neither is satisfied. Jerry Goldsmith brings an epic score to this not-so epic movie.