Agrega una trama en tu idiomaA young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.A young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.A young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Deborah Moore
- Mathilda
- (as Deborah Barrymore)
Opiniones destacadas
This is probably the best fantasy movie set in a historical period that has been made. The story does not insult the audience by assuming they are ignorant, and requires that people actually pay attention.
Yes, the accents aren't entirely accurate. Yes, some things are not explained. Tough. The arms, armor, and tactics are accurate and properly executed. The duel between Robert and Matilda is both amusing and impressive. No Wirefu, no anachronistic eastern martial arts, nothing in the movie that doesn't belong.
Music is also excellent, and unlike LadyHawk, appropriate to the feel of the movie.
The only reason I can figure for this movie not being a bigger success is that people confused it with the Jean Clod Van-Dummie movie of the same name.
Yes, the accents aren't entirely accurate. Yes, some things are not explained. Tough. The arms, armor, and tactics are accurate and properly executed. The duel between Robert and Matilda is both amusing and impressive. No Wirefu, no anachronistic eastern martial arts, nothing in the movie that doesn't belong.
Music is also excellent, and unlike LadyHawk, appropriate to the feel of the movie.
The only reason I can figure for this movie not being a bigger success is that people confused it with the Jean Clod Van-Dummie movie of the same name.
This shockingly obscure film, especially when considering the talent behind the camera, and the lavish production design, stands as an average fantasy adventure without any of the magic of EXCALIBUR. It oddly borrows a few of the same cast members, namely Nicholas Clay and Gabriel Byrne playing very similar character. Byrne, no surprise, snarls his way through the film while our star Eric Stoltz isn't exactly the most engaging or charismatic, but does a fine job with his character of a cowardly knight who finds his true calling protecting children after fleeing the battlefield.
The overall themes track much more closely to the lower-budget EXCALIBUR knockoff that was HEART AND ARMOR in that it focuses heavily on the battles between Moors and Christians. There's even some vague history involving the real-life Children's Crusade and the rampant child slavery of the day thrown in for good measure, though don't expect this film to enlighten you too much as it never goes beyond the surface level. The battle scenes never get too bloody, though it's a violent enough of a film to not seem aimed squarely at young viewers. There are plenty of goofy scenes sprinkled in, like the little flags on a fortress roboticly raising and lowering depending on who's in charge.
I can see why this film failed to find the legacy audience of FLESH + BLOOD or LADYHAWKE (made around the same time) as it's not as gritty and realistic as the former nor romantic and anachronistic as the latter. However I had to say I enjoyed it far more than either of those. At least there's not any sexual assault or Matthew Broderick gumming up the works.
The overall themes track much more closely to the lower-budget EXCALIBUR knockoff that was HEART AND ARMOR in that it focuses heavily on the battles between Moors and Christians. There's even some vague history involving the real-life Children's Crusade and the rampant child slavery of the day thrown in for good measure, though don't expect this film to enlighten you too much as it never goes beyond the surface level. The battle scenes never get too bloody, though it's a violent enough of a film to not seem aimed squarely at young viewers. There are plenty of goofy scenes sprinkled in, like the little flags on a fortress roboticly raising and lowering depending on who's in charge.
I can see why this film failed to find the legacy audience of FLESH + BLOOD or LADYHAWKE (made around the same time) as it's not as gritty and realistic as the former nor romantic and anachronistic as the latter. However I had to say I enjoyed it far more than either of those. At least there's not any sexual assault or Matthew Broderick gumming up the works.
I'm sure this movie was meant to be more exciting, but at less than 2 hours, it still drags. Perhaps it's because of the mediocre acting, or the low budget, or all the American accents, or the perpetual gray background. Okay, I understand that these were terrible times, but can't there be a little bit of brightness? You can watch evildoers get taken out by bits of rock, and just hope someone muffles the background music once in a while - trust me, it gets really distracting. And who wants to see hordes of starving and dying children? Overall, a tremendous disappointment.
This movie seemed to be a little slow at times, and im just like "come on, whats happening?" but, the acting (especially by stoltz and byrne), the scenery, the action, and the romance was built for a great movie. i did enjoy watching this movie, though, it was decent. 7.3 out of 10.
Although Franklin J. Schaffner's last film was considered to be a big disappointment, I would like to point out that the original score composed by the late Jerry Goldsmith for this film is a masterpiece which showcases the brilliance of the greatest film composer of all time. The work propelled two original score album releases issued by Varèse Sarabande, plus a subsequent album entitled "Lionheart: The Epic Symphonic Score". Written for orchestra and subtle electronics, the score presents Jerry Goldsmith in his most thematic, epic and romantic style. Performed in concert, the heraldic "Robert's Theme" remains one of the composer's most memorable compositions.
¿Sabías que…?
- TriviaThis is the final film that composer Jerry Goldsmith would compose for the director and his personal friend, Franklin J. Schaffner, who would direct one more film, Welcome Home (1989) before his death on July 2, 1989 at the age of 69.
- ConexionesFeatured in Survival Scars: Franklin J. Schaffner as Auteur (2023)
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- How long is Lionheart?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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