CALIFICACIÓN DE IMDb
7.1/10
15 k
TU CALIFICACIÓN
La desorientación sexual de un cineasta pone en peligro su último proyecto.La desorientación sexual de un cineasta pone en peligro su último proyecto.La desorientación sexual de un cineasta pone en peligro su último proyecto.
- Premios
- 10 premios ganados y 3 nominaciones en total
Fernando Guillén
- Inspector de policía
- (as Fernando Guillen)
Nacho Martínez
- Doctor Martín
- (as Nacho Martinez)
Bibiana Fernández
- Ada - madre
- (as Bibi Andersen)
Rossy de Palma
- Locutora tele.
- (as Rosy Von Donna)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw this film after having seen Bad Education, and there are many plot lines similar in both. I loved this film, not only am I a huge fan of Almodóvar, but in this film, the easy and simple beauty of the shots stood out. The acting was good, not amazing but good, particularly from Pablo and Tina. As well as directing beautifully, Almodóvar knows how to infuse a scene with sex, even if no sex is actually taking place-for example, when Antonio lights his cigarette of Pablo's. The film does become melodramatic towards the end, but I don't see this as a failing, melodrama, if done well, as it is here, need not be ridiculous
One of director Almodovars early films--and one of his best. A gay writer is basically stalked by a psychopath. The films manages to weave together comedy, drama and tragedy and make them all work! Also it manages to work in fairly explicit gay sex scenes and male nudity without it being exploitative--it just fits the storyline and characters. The movie takes a serious misstep about halfway through, throwing in a murder, but manages to regain its footing. The acting is pretty good--not great. Antonio Banderas is so-so as the psycho. I give him credit for engaging in gay sex scenes with no hesitation (I'd love to know what he thinks about this movie now!). The best thing about the movie is the direction--even when the story bogs down in spots, there's always something to look at on screen. Almodovar knows how to make films look beautiful and he, somehow, manages to have the settings fit the tone of the scene. How many directors can you say that about. An excellent film--well worth seeing. But if you're offended by explicit gay subject matter, stay away.
You will find all the familiar Almodovar devices here: telephones, drug use (cocaine in particular), dysfunctional families, sexual ambiguity, pedophile priests, and hospitals. These themes permeate his work, but they are woven intricately throughout this film.
Pablo (Eusebio Poncela) is a writer/director of fantastic movies. He gets into the snares of an obsessive (Antonio Banderas in a great performance) who has a fatal attraction and will kill for his love. At the same time, he has to deal with his transvestite sister played by Carmen Maura (Volver, Women on the Verge, Matador) in another magnificent role.
It is a melodrama about love as that is the overriding need for Banderas and for Maura, who has given up on men since her father left her. It is also about family. Of course, there is a crossing of genres as there is some comedy, but that is minor.
Another magnificent Almodovar film.
Pablo (Eusebio Poncela) is a writer/director of fantastic movies. He gets into the snares of an obsessive (Antonio Banderas in a great performance) who has a fatal attraction and will kill for his love. At the same time, he has to deal with his transvestite sister played by Carmen Maura (Volver, Women on the Verge, Matador) in another magnificent role.
It is a melodrama about love as that is the overriding need for Banderas and for Maura, who has given up on men since her father left her. It is also about family. Of course, there is a crossing of genres as there is some comedy, but that is minor.
Another magnificent Almodovar film.
This is my second favourite Almodovar film, after "Hable con Ella". It reveals the depth of the characters' feelings with such subtlety and delicacy that as viewers we find ourselves unable to judge the characters' actions. We are puzzled by the intensity of their desire, love and misery in the same way that we are puzzled by Benigno's deep loneliness and longing for love in "Hable con Ella". In "La ley del Deseo," murder and suicide become extreme natural consequences of the characters' love and suffering. We cannot condemn the murder any more than we can condemn the rape in "Hable con Ella".
Outrageous, extremely enjoyable, over-the-top melodrama about a straight psychopath (Antonio Banderas) prepared to go gay to further his career with a homosexual film director (Eusebio Poncela). A feast of familiar faces for anyone familiar with Almodovar's career. Carmen Maura as the director's transsexual sister, happily dispensing cocaine to hospital patients, knocking out policemen and engaging in the in-scene to end all in-scenes with the beautiful Bibiana Fernandez, the mother of her adopted daughter, when anyone in the know would recognize Fernandez as Spain's most famous transsexual in real life! About halfway through, Almodovar's loopiness slips into high gear and the laughs come thick and fast. Just don't expect too much believability towards the end. Interesting to see so many faces from Almodovar's pitch-black comedy Matador, made the previous year and in this viewer's opinion far superior. Still, Law of Desire is too way over the top not to be enjoyable. Just don't throw your popcorn at the screen.
¿Sabías que…?
- TriviaThe iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly.
- Citas
Pablo Quintero: It's not your fault if you don't love me and its not my fault if I love you.
- Créditos curiososPedro Almodóvar appears in a scene as an employee in a DIY shop and serves Banderas's character.
- ConexionesFeatured in Schau mir in die Augen, Kleiner (2007)
- Bandas sonorasSymphony No. 10 in E minor, Op. 93
Composed by Dmitri Shostakovich (as D. Shostakovich)
Performed by Orquesta Sinfonica de la Flarmonicade Mosou
Conducted by Kirill Kondrashin (as Kirill Kondrachine)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Law of Desire?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 72,442
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,399
- 13 ago 2006
- Total a nivel mundial
- USD 101,773
- Tiempo de ejecución
- 1h 42min(102 min)
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta