Agrega una trama en tu idiomaThe coach of a college tennis team is given an ultimatum: put together a winning team, or else.The coach of a college tennis team is given an ultimatum: put together a winning team, or else.The coach of a college tennis team is given an ultimatum: put together a winning team, or else.
- Dirección
- Guionistas
- Elenco
Donald Gibb
- Ripper
- (as Don Gibb)
Neal MacMillan
- Tennis Player - Red Team
- (sin créditos)
Faith Minton
- Big woman in bar
- (sin créditos)
Garth Shaw
- Casino Gambler
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Hunky Los Angeles college tennis player Scott Strader (as "The Kid") likes to party more than practice, so straight-laced pal Perry Lang (as Jeff Andrews) is worried about their championship possibilities. When coach Richard Roundtree (as Chip Williams) takes the team to Las Vegas, the nightlife threatens to ruin the tennis team's chance to bring home L.A. College's first trophy ever
Steve Carver's "Jocks" are an undeniably likable group, but their story is filled with dead humor. Don't expect any more than ONE good topless "girls gone wild" moment.
*** Jocks (1987) Steve Carver ~ Scott Strader, Perry Lang, Richard Roundtree
*** Jocks (1987) Steve Carver ~ Scott Strader, Perry Lang, Richard Roundtree
"Jocks" is indistinguishable from dozens of 80s teen comedies. Even such names as Christopher Lee (what is he doing here??) and Richard Roundtree can't give it much class. It's tame, it's predictable....but it's not dislikable. I'll give it a low rating (*1/2), but fans of such comedies would rate it higher. Those tennis scenes could've been handled better, though.
There's a little gem of an eighties film collecting dust in your friendly neighborhood mom and pop video operation that deserves a better fate. Jocks, a 1987 entry into the then-rapidly dying eighties film movement is exactly the way to go out.
The film epitomizes the 80s-college-boys-looking-for-kicks genre; it's unapologetically formulaic, crude, misogynistic, and campy. It features slovenly, under-achieving protagonists, all-too-dastardly villains, a road trip to Vegas, blasphemy, and of course, that staple of all 80's flicks staples: tits. And lots of them.
The lean, mean, air-tight, joke-a-page script is bolstered by one of the most eclectic casts ever assembled. What other movie out there can boast names like Christopher Lee (the guy IS Dracula, okay?) and the TRUE John Shaft himself Richard Roundtree?! You'll also see familiar faces like Stoney Jackson--jheri curls and all--whooping it up on camera to great effect. Don Gibb as the maniacal Ripper is in top form, giving a tour de force performance that nearly surpasses his masterful turns as Ogre in "Revenge of the Nerds", and Ray Jackson in the martial arts watershed "Bloodsport."
If that isn't enough to sell you on Jocks, you've got a young Tom Shadyac hamming it up deliciously as one of the snide, weasely, trust-fund baby villains before he sold his soul to Satan (or Jim Carrey, anyway) and went on to become Hollywood comedy lenser du jour. "Big Wednesday's" Perry Lang is in this mother too--hey, if Milius cast him, he MUST be that damn good (and guys named Perry just rock!). And last, but certainly not least, is Trinadad Silva, Mexico's greatest export to the U.S. in the role of Chito "The Human Backcourt."
All the shilling in the world can't do this movie justice. Seek Jocks out--it's the truth, and it shall set you free. Until the next time, save us those goddamned aisle seats.
The film epitomizes the 80s-college-boys-looking-for-kicks genre; it's unapologetically formulaic, crude, misogynistic, and campy. It features slovenly, under-achieving protagonists, all-too-dastardly villains, a road trip to Vegas, blasphemy, and of course, that staple of all 80's flicks staples: tits. And lots of them.
The lean, mean, air-tight, joke-a-page script is bolstered by one of the most eclectic casts ever assembled. What other movie out there can boast names like Christopher Lee (the guy IS Dracula, okay?) and the TRUE John Shaft himself Richard Roundtree?! You'll also see familiar faces like Stoney Jackson--jheri curls and all--whooping it up on camera to great effect. Don Gibb as the maniacal Ripper is in top form, giving a tour de force performance that nearly surpasses his masterful turns as Ogre in "Revenge of the Nerds", and Ray Jackson in the martial arts watershed "Bloodsport."
If that isn't enough to sell you on Jocks, you've got a young Tom Shadyac hamming it up deliciously as one of the snide, weasely, trust-fund baby villains before he sold his soul to Satan (or Jim Carrey, anyway) and went on to become Hollywood comedy lenser du jour. "Big Wednesday's" Perry Lang is in this mother too--hey, if Milius cast him, he MUST be that damn good (and guys named Perry just rock!). And last, but certainly not least, is Trinadad Silva, Mexico's greatest export to the U.S. in the role of Chito "The Human Backcourt."
All the shilling in the world can't do this movie justice. Seek Jocks out--it's the truth, and it shall set you free. Until the next time, save us those goddamned aisle seats.
Jocks is a production from those purveyors of good taste, Crown International Pictures. In fairness, these guys were responsible for some good movies but most of them came out in the 70's when they put their hand to trends of the day that seemed to work better for them. By the 80's though it appeared to be low budget comedies all the way, and it would not be uncharitable to describe a lot of these as being 'uneven'. Jocks is an example of one of the cinematic staples of the day - the teen sex comedy. Except, there really isn't all that much sex but there is a lot of...tennis. A college sports coach must get a group of misfits under his charge up to a good enough standard to win a tennis tournament in Las Vegas; needless to say, the city attractions coupled with the underhand machinations of their rivals prove a major distraction for his protégés.
Seemingly this one sat on a shelf for a few years, which kind of makes sense when you see that the date of the tournament was '84, yet the film was released in '86. Presumably it was on account of its low quality, although I have frankly seen worse from Crown from the period, although admittedly not that much worse. The comedy is pretty basic stuff and seems to be based primarily around gags that can be elicited from laughing at stereotypes, to that end we have, amongst others, a wild man (played by the guy who starred alongside Jean-Claude Van Damme in Bloodsport (1988) - to say this fella's acting range appears to have been a bit limited would be something of an understatement), there's also a Mexican and a Prince lookalike transvestite. I did chuckle occasionally although I can't actually now even remember what at. So, it's not totally without humour but it is of a very low-brow standard, i.e. an angry man with a beard hitting tennis balls aggressively, out-dated gay humour, etc. It is enlivened a bit by the introduction of some breasts though - by contrast to the humour, this sort of production value never seems to get old for some reason. The film also is kind of notable for improbably starring Christopher Lee as the college head. I think it seems that like many others such as Al Pacino, Harvey Keitel, flared trousers and beards, the 80's was a barren wasteland of a decade for Lee and so he pitched up in some rubbish, only to return with flying colours later on. In the final analysis, this isn't very good but it's not exactly terrible either - if you are a tennis loving Christopher Lee fan, you are probably the demographic that Crown were aiming for, in which case, batter in.
Seemingly this one sat on a shelf for a few years, which kind of makes sense when you see that the date of the tournament was '84, yet the film was released in '86. Presumably it was on account of its low quality, although I have frankly seen worse from Crown from the period, although admittedly not that much worse. The comedy is pretty basic stuff and seems to be based primarily around gags that can be elicited from laughing at stereotypes, to that end we have, amongst others, a wild man (played by the guy who starred alongside Jean-Claude Van Damme in Bloodsport (1988) - to say this fella's acting range appears to have been a bit limited would be something of an understatement), there's also a Mexican and a Prince lookalike transvestite. I did chuckle occasionally although I can't actually now even remember what at. So, it's not totally without humour but it is of a very low-brow standard, i.e. an angry man with a beard hitting tennis balls aggressively, out-dated gay humour, etc. It is enlivened a bit by the introduction of some breasts though - by contrast to the humour, this sort of production value never seems to get old for some reason. The film also is kind of notable for improbably starring Christopher Lee as the college head. I think it seems that like many others such as Al Pacino, Harvey Keitel, flared trousers and beards, the 80's was a barren wasteland of a decade for Lee and so he pitched up in some rubbish, only to return with flying colours later on. In the final analysis, this isn't very good but it's not exactly terrible either - if you are a tennis loving Christopher Lee fan, you are probably the demographic that Crown were aiming for, in which case, batter in.
Unless they can win a championship, LA College's tennis team will lose their scholarships, and their coach (Richard Roundtree) will be out of a job. At their next competition in Las Vegas, the players pull out all the stops to win, employing a variety of underhanded techniques in an effort to undermine their opponents' confidence, but find that the team from arch rivals Dallas Tech are just as devious in their methods.
An important factor of many decent teen comedies is a likable protagonist; Jocks, from director Steve Carver, not only features a thoroughly obnoxious lead character, a self obsessed douche by the name of The Kid (Scott Strader), but his friends are just as irritating, making the film a thoroughly charmless affair made all the worse by a lack of decent jokes, some really dull sporting scenes, and the pitiful sight of Christopher Lee slumming it as a strict college president (just one of the actor's many career low points).
The presence of the lovely Mariska Hargitay (as Dallas Tech babe Nicole, who inexplicably takes a shine to The Kid) makes matters a little easier to bear, as do the film's few moments of gratuitous female nudity, but as a whole, Jocks scores very few points.
An important factor of many decent teen comedies is a likable protagonist; Jocks, from director Steve Carver, not only features a thoroughly obnoxious lead character, a self obsessed douche by the name of The Kid (Scott Strader), but his friends are just as irritating, making the film a thoroughly charmless affair made all the worse by a lack of decent jokes, some really dull sporting scenes, and the pitiful sight of Christopher Lee slumming it as a strict college president (just one of the actor's many career low points).
The presence of the lovely Mariska Hargitay (as Dallas Tech babe Nicole, who inexplicably takes a shine to The Kid) makes matters a little easier to bear, as do the film's few moments of gratuitous female nudity, but as a whole, Jocks scores very few points.
¿Sabías que…?
- TriviaThis movie was shot guerilla-style at various locations without permits.
- Citas
Chip Williams: Chito, you're in charge.
- ConexionesFeatured in Maria's B-Movie Mayhem: Jocks/Classroom Teasers (2013)
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- How long is Jocks?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Jocks
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 120,808
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