Un hombre miniaturizado en un experimento es inyectado accidentalmente en otro hombre, que debe frustrar a unos delincuentes para salvarle la vida.Un hombre miniaturizado en un experimento es inyectado accidentalmente en otro hombre, que debe frustrar a unos delincuentes para salvarle la vida.Un hombre miniaturizado en un experimento es inyectado accidentalmente en otro hombre, que debe frustrar a unos delincuentes para salvarle la vida.
- Ganó 1 premio Óscar
- 2 premios ganados y 5 nominaciones en total
Opiniones destacadas
Why INNERSPACE was not the hit it should have been will remain a mystery for years to come. And old concept (FANTASTIC VOYAGE) is given an update with spectacular (for the time, but still good) special effects and an excellent cast. Martin Short is a real delight as a neurotic supermarket clerk who at first thinks he's possessed, only to discover that the only thing in his body is a miniaturized Navy test pilot, Dennis Quaid, who was accidently injected into him instead of a lab rabbit. Meg Ryan is cute as ever, and Robert Picardo co-stars in one of his best roles, The Cowboy. The late screenwriter Jeffrey Boam keeps the story simple but allows for some good suspense and laughs, and director Joe Dante keeps the pacing just right. The battle between Quaid and an enemy inside Short's stomach is the highlight of the film. I remember how much I wanted to be Quaid's Tuck Pendleton (and have his little pod) when I first saw the movie. The ending seems obvious for a sequel, but due to the film's surprising box office failure, it was not to be. Still, this is a really fun movie for the whole family, and I hope a Special Edition DVD is not far away.
This is an updated "Fantastic Voyage" and interestingly done, I thought. Joe Dante directed a number of fun movies to watch.
It's not the innocent Steven Spielberg "E.T."-like movie I expected because of the language and several sex jokes. In other words, this is not a kids' movie.
Dennis Quaid stars and plays his usual cocky self. (He's mellowed in recent years.) Meg Ryan is her usual cute-but-of-little-substance self and Martin Short is just plain funny - the best guy in the movie.
The film offers a good combination of humor and science-fiction suspense. It's a fun movie I would rate higher if it weren't so silly in spots.
It's not the innocent Steven Spielberg "E.T."-like movie I expected because of the language and several sex jokes. In other words, this is not a kids' movie.
Dennis Quaid stars and plays his usual cocky self. (He's mellowed in recent years.) Meg Ryan is her usual cute-but-of-little-substance self and Martin Short is just plain funny - the best guy in the movie.
The film offers a good combination of humor and science-fiction suspense. It's a fun movie I would rate higher if it weren't so silly in spots.
What a funny thrill ride this movie is! A man (Dennis Quaid) volunteers to be shrunk down to the size of a cell and injected into a rabbit. But terrorists are after this scientific breakthrough and by various hijinks he winds up being injected into the butt of a nervous grocery clerk, played by Martin Short. And that's just the beginning.
Innerspace shows Dennis Quaid at his most winning, and Short at his funniest. And of course, there's a very young Meg Ryan as their love interest. The jokes resonate with both kids and adults, and unlike most action-adventure films, the plot here is never short of ideas. And the effects are pretty neat too: as we see Quaid's character wander within the human body, we feel as much amazement and wonder as he does. LOTS of movies attempt to put you in outer space and worlds far away, but I can't think of one that has made the creative attempt of exploring our inner space.
I first saw "Innerspace" when I was 11. I didn't know who any of the lead actors were. I'd never seen Saturday Night Live. And I thought it was a great movie. Twelve years and hundreds of movies later, I still think it's wonderful.
Innerspace shows Dennis Quaid at his most winning, and Short at his funniest. And of course, there's a very young Meg Ryan as their love interest. The jokes resonate with both kids and adults, and unlike most action-adventure films, the plot here is never short of ideas. And the effects are pretty neat too: as we see Quaid's character wander within the human body, we feel as much amazement and wonder as he does. LOTS of movies attempt to put you in outer space and worlds far away, but I can't think of one that has made the creative attempt of exploring our inner space.
I first saw "Innerspace" when I was 11. I didn't know who any of the lead actors were. I'd never seen Saturday Night Live. And I thought it was a great movie. Twelve years and hundreds of movies later, I still think it's wonderful.
Everyone remembers that eighties sci-fi classic 'Back to the Future,' because - let's face it - it's awesome. It deserves it's spot in pop culture. Yet many people don't seem to hold that other eighties sci-fi popcorn flick 'Innerspace' in such quite high regards. And that's a shame... in my humble opinion, because it really is quite good fun.
In these days of 'shared universes' (thanks, Marvel!) I find myself seeing films that look like they could belong in the same 'universe' as others (like 'Universal Soldier' and 'Terminator 2' - again, just my opinion). And, after my most recent re-watch of 'Innerspace' I couldn't help but thinking how much it would fit alongside that time-travelling DeLorean and uber-cool hoverboard.
It's about a test piolt (Dennis Quaid) who gets miniaturised inside a pod during a lab experiment and then (inadvertantly) injected into some random guy's backside (Martin Short). The two of them form an unlikely bond as they try to reverse the effects before Quaid runs out of oxygen (or the baddies get hold of them!).
Now, it's fair to say that 'Innerspace' didn't set the Box Office as on fire as its producers would have liked. I don't think it bombed, but the film-makers were hoping for something akin to 'Back to the Future' in terms of success-levels. However, there's just something so fun about it that it deserves to be remembered, especially during this period of eighties nostalgia.
It's first strength is that it never slows down. It's perfectly edited so that you get almost straight into the action and learn to love the characters without any need for lengthy exposition or backstory. And the action flows thick and fast. There's one chase scene that reminded me of 'Indiana Jones and the Kingdom of the Crystal Skull.' In 'Indy 4' they had to rely on awful computer graphics whereas 'Innerspace' managed it with stunts.
Another thing that's worth mentioning is how when there's no action, there's humour. And this is down to the rapport between the actors. Everyone plays their part well. And, possibly the most important thing about 'Innerspace' is that it's a film that the whole family can enjoy. There's no need for violence or bad language. It acomplishes everything it needs to without any over-the-topness.
If you saw this back in the day, give it another go. Or if you're just looking for something to entertain the kids on a wet weekend, this should be enjoyed by all (even if you're not part of this current eighties revival!).
In these days of 'shared universes' (thanks, Marvel!) I find myself seeing films that look like they could belong in the same 'universe' as others (like 'Universal Soldier' and 'Terminator 2' - again, just my opinion). And, after my most recent re-watch of 'Innerspace' I couldn't help but thinking how much it would fit alongside that time-travelling DeLorean and uber-cool hoverboard.
It's about a test piolt (Dennis Quaid) who gets miniaturised inside a pod during a lab experiment and then (inadvertantly) injected into some random guy's backside (Martin Short). The two of them form an unlikely bond as they try to reverse the effects before Quaid runs out of oxygen (or the baddies get hold of them!).
Now, it's fair to say that 'Innerspace' didn't set the Box Office as on fire as its producers would have liked. I don't think it bombed, but the film-makers were hoping for something akin to 'Back to the Future' in terms of success-levels. However, there's just something so fun about it that it deserves to be remembered, especially during this period of eighties nostalgia.
It's first strength is that it never slows down. It's perfectly edited so that you get almost straight into the action and learn to love the characters without any need for lengthy exposition or backstory. And the action flows thick and fast. There's one chase scene that reminded me of 'Indiana Jones and the Kingdom of the Crystal Skull.' In 'Indy 4' they had to rely on awful computer graphics whereas 'Innerspace' managed it with stunts.
Another thing that's worth mentioning is how when there's no action, there's humour. And this is down to the rapport between the actors. Everyone plays their part well. And, possibly the most important thing about 'Innerspace' is that it's a film that the whole family can enjoy. There's no need for violence or bad language. It acomplishes everything it needs to without any over-the-topness.
If you saw this back in the day, give it another go. Or if you're just looking for something to entertain the kids on a wet weekend, this should be enjoyed by all (even if you're not part of this current eighties revival!).
This is one of those "no bones" comedies that we can watch with the whole family without any fear of embarrassing or inappropriate scenes for kids or deeply critical grandparents. It's a film from the 80s, quite dated, but that's not a problem for people like me, who actually like old films.
The story is very good and revolves around an experiment that goes wrong and involves the miniaturization of a ship with a human occupant, which should be introduced into a laboratory rabbit: when the laboratory is robbed by bandits who want to steal that technology, one of the scientists escapes and ends up injecting the liquid containing the ship into the body of an inadvertent citizen. What happens next is quite hilarious.
Dennis Quaid does a decent job as the ship's pilot, a daring combat aviator who volunteers for the experiment. I thought that the actor doesn't leave his comfort zone, he doesn't have a complicated task, and he just brags. Better than him, Martin Short shone as the fearful and shy man who, by chance, was dragged into that mess after being injected against his will. The actor managed to give the character an interesting evolutionary arc, where the character gradually gains more confidence and an adventurous spirit. Meg Ryan has the worst material: she just needs to be attractive and look scared.
Joe Dante deserves a shoutout for the work he did on this film. He's not a director I know very well, but I think this film is in line with what he likes to do most. The film may not be the most scientifically rigorous in the world (never, I believe, has the scientific community thought of anything similar to miniaturizing objects or people), but it makes up for it with humor and an unpretentious and good-natured spirit. The effects team did an excellent job, whether in the moments in which the ship is miniaturized or in the filming inside the human organism, where the realism is well achieved.
The story is very good and revolves around an experiment that goes wrong and involves the miniaturization of a ship with a human occupant, which should be introduced into a laboratory rabbit: when the laboratory is robbed by bandits who want to steal that technology, one of the scientists escapes and ends up injecting the liquid containing the ship into the body of an inadvertent citizen. What happens next is quite hilarious.
Dennis Quaid does a decent job as the ship's pilot, a daring combat aviator who volunteers for the experiment. I thought that the actor doesn't leave his comfort zone, he doesn't have a complicated task, and he just brags. Better than him, Martin Short shone as the fearful and shy man who, by chance, was dragged into that mess after being injected against his will. The actor managed to give the character an interesting evolutionary arc, where the character gradually gains more confidence and an adventurous spirit. Meg Ryan has the worst material: she just needs to be attractive and look scared.
Joe Dante deserves a shoutout for the work he did on this film. He's not a director I know very well, but I think this film is in line with what he likes to do most. The film may not be the most scientifically rigorous in the world (never, I believe, has the scientific community thought of anything similar to miniaturizing objects or people), but it makes up for it with humor and an unpretentious and good-natured spirit. The effects team did an excellent job, whether in the moments in which the ship is miniaturized or in the filming inside the human organism, where the realism is well achieved.
¿Sabías que…?
- TriviaJohn Hora, who had previously worked as Joe Dante's cinematographer on all of his movies, was cast as Ozzie after Steven Spielberg suggested him to play the absent minded professor. Director Dante and producer Michael Finnell were very skeptical about that idea and Spielberg insisted that they give him a screen test to just to see and was cast after impressing Dante and Finnell.
- Errores(at around 55 mins) When Jack turns away from the mirror the picture in Tuck's pod should have turned with Jack's head, instead it stayed looking at Jack in the mirror.
- Citas
Lt. Tuck Pendleton: I'm right here, INSIDE you INSIDE YOUR BODY!
Jack Putter: [stands up] Oh God! Somebody help me! I'M POSSESSED!
- Créditos curiososThe Special Effects credit at the end of the movie states "Mr Short's Interiors by Industrial Light and Magic".
- Versiones alternativasIn the Blu-ray master, the opening and closing Warner Bros. Pictures logos were replaced with the 2003 variants.
- ConexionesEdited into The Green Fog (2017)
- Bandas sonorasTwistin' the Night Away
Written by Sam Cooke
Published by ABKCO MUSIC, INC.
Performed and Produced by Rod Stewart
Courtesy of WARNER BROS. RECORDS
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Innerspace?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 27,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,893,810
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,739,913
- 5 jul 1987
- Total a nivel mundial
- USD 25,893,810
- Tiempo de ejecución
- 2h(120 min)
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta