Escape de la zona prohibida

The only thing I got to complain about Hell Comes to Frogtown is the fact that it did not exploit its potential to full extent. This is solid 80s cheese with lots of stupid but fun ideas, a cheesy show on a B-movie budget. On the other side of the coin the action and sleaziness factor is not that high - I know a lot of movies of the genre that provide here a higher level. Anyway, watchable for the connoisseur of cheesy post-apocalyptic B-movies. Starring Roddy Piper (They Live!), Sandahl Bergman (Conan The Barbarian, Red Sonja, She).

"Hell Comes to Frogtown" is an irresistible serving of 1980s cheese, a deliberately goofy send-up of the whole post-nuke action genre. It's engagingly silly from start to finish, with some choice bits of dialogue and fun performances. It offers more entertainment than a lot of mega buck Hollywood movies, beginning with its casting of wrestling star "Rowdy" Roddy Piper in his first starring role.

Piper stars as Sam Hell, a scavenger & drifter in a future wasteland who is discovered to be an incredible stud. This makes him extremely valuable because the world is in very short supply of fertile males, so the government lays claim to him, and sends him on a mission to rescue and impregnate a group of fertile females that have been kidnapped by humanoid frogs otherwise known as "Greeners". He does this in the company of uptight but sexy Spangle (Sandahl Bergman) and gung ho soldier Centinella (Cec Verrell), and does battle with villains such as Commander Toty (Brian Frank) and Bull (Nicholas Worth).

The filmmakers have a good time with their casting choices, including the legendary William Smith (one of Bergmans' fellow cast members in "Conan the Barbarian") as the thuggish Captain Devlin, the highly amusing Rory Calhoun as grizzled old miner Looney Tunes, and Kristi Somers as helpful Greener Arabella. Roddy is charismatic and terrific as our jovial hero, and has some decent odd-couple chemistry with Bergman. Verrell regularly steals her scenes.

Effective lighting, by Enrico Picard and co-story author / producer / co-director Donald G. Jackson, and good production design by Dins Danielsen help to create just the right futuristic look. Verrell supplies some eye candy by removing her top. The frog masks designed by Steve Wang are most impressive. And there are enough laughs to make this pleasant viewing.

Followed by the sequel "Frogtown II" (with Robert Z'Dar as Sam Hell).

Seven out of 10.

I love bad films. This film is horrible. Fiendishly so. You get drawn in. It sucks up your will to stop watching. You sit there absolutely positive that you won't get more horrified. But heck it's got Rowdy Roddy Piper in it as the main star. That has to tell you something, though for the life of me I can't tell what. Please avert your eyes as our hero, Sam Hell(Rowdy), gets, for lack of a better word, seduced by every female in the post-apocalyptic world including a mutant frog woman. It's scary...I screamed in terror. And don't even get me started on the dance of the three snakes...I'll never look at a frog the same way again.

'Hell' is the name of the hero of the story. He's a prisoner of the women who now run the USA after a nuclear/biological war. Results of the war are that mutants have evolved, and the human race is in danger of extinction due to infertility. Hell is given the task of helping in the rescue of a group of people from the harem of the mutant leader (resembling a frog). Hell cannot escape since he has a bomb attached to his private parts which will detonate if he strays more than a few hundred yards from his guard. Some cool special effects (the frog creatures look really good), bad acting, cheesy plot....Leave your brain at the front door, there's some entertainment to be found here.

True story: Rowdy Roddy Piper once put me in a choke hold (at my request - doh!) and damn near snapped my head off. It's a good job I didn't let him know what I thought about Hell Comes To Frogtown: he might have finished the job.

The basic concept for Hell Comes To Frogtown sounds like B-movie heaven: Sam Hell (Piper), one of the few virile men in a post-apocalyptic world, is forced to take part in a mission to rescue a group of fertile women from Frogtown, which is controlled by an amphibious mutant called Commander Toty (Brian Frank) and his army of frog-men. Steve Wang's remarkably cool creatures make the film worth a watch for fans of practical special effects, but they are really deserving of a much better film, the script for this cheeze-fest not nearly as crazy, as inventive, or as entertaining as it should have been.

Piper gets in poorly choreographed fist-fights, as does Sandahl Bergman, who plays Spangle, the Medtech agent assigned to ensure that Hell plays his part. There are lacklustre gunfights, a few explosions, some cheesy one-liners, and a bit of nudity (from Cec Verrell as Corporal Centinella), plus the rather unique sight of a one-eyed humanoid frog chainsawing off our hero's explosive chastity belt. Sadly, it's all so flatly directed by Donald G. Jackson and R.J. Kizer that it actually proves rather tedious for much of the time. It doesn't help matters that the bulk of the budget was clearly spent on the frog make-up and animatronics, which means that the rest of the film has a distinct air of cheapness about it (Frogtown is a derelict factory with a population of about twenty, and the climactic pursuit of our heroes involves just two vehicles).

As if to emphasise the general lack of inspiration, the action culminates at that popular sci-fi movie location, the Vasquez Rocks, as seen in every other low-budget straight-to-video flick of the '80s.

5/10. Passable nonsense, but not deserving of its cult status.