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Hansel y Gretel son abandonados después de la huelga de hambre en el pueblo y se quedan atrapados en la casa de la bruja Griselda, que desea engordar a Hansel para que pueda ser horneado en ... Leer todoHansel y Gretel son abandonados después de la huelga de hambre en el pueblo y se quedan atrapados en la casa de la bruja Griselda, que desea engordar a Hansel para que pueda ser horneado en un delicioso pan de jengibre.Hansel y Gretel son abandonados después de la huelga de hambre en el pueblo y se quedan atrapados en la casa de la bruja Griselda, que desea engordar a Hansel para que pueda ser horneado en un delicioso pan de jengibre.
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Opiniones destacadas
I watched this film when I was about 6 or 7 and absolutely loved it. I used to rent it along with two other films from the same company, Puss in Boots and Snow White. When I was about 11 the video shop closed down and since then I have been searching for this film. I can still remember the words to the songs and I am now 21! Finally I have found a copy of it and cannot wait til I get it. I'm sure my son will enjoy it as much now as I did then. It is well recommended for children of all ages, although some children may find the witch a little frightening, it just depends on the child. It is a hard film to find but I would recommend looking for it and the other titles I mentioned earlier, it will be a well loved film for children and for adults!
I LOVED this film as a kid. I would dream of the gingerbread house yet have nightmares about the witch. Me and my sister's watched it loads then it just seemed to disappear from TV.
I recently found it on Netflix and watched it with my kids - aged 2, 3 & 5. I was excited to rewatch it and to also see their reactions as I do with all of my childhood favourites. Firstly, as the film got going, I was thinking "is that the bird from 90s Eastenders?". Sadly, I was also thinking "what is this bag of s***?!?"
However much I found myself disliking this film as an adult I couldn't help notice my kids all being transfixed to the screen as I must have been when I was their age. Suddenly I found myself enjoying the film again but as a parent both sharing a memory and making one new ones for little minds at the same time.
Whether child or adult, by the end of the movie I was craving some gingerbread and being badgered by the kids to make a gingerbread house. Roll on Xmas and their Aldi special!
I recently found it on Netflix and watched it with my kids - aged 2, 3 & 5. I was excited to rewatch it and to also see their reactions as I do with all of my childhood favourites. Firstly, as the film got going, I was thinking "is that the bird from 90s Eastenders?". Sadly, I was also thinking "what is this bag of s***?!?"
However much I found myself disliking this film as an adult I couldn't help notice my kids all being transfixed to the screen as I must have been when I was their age. Suddenly I found myself enjoying the film again but as a parent both sharing a memory and making one new ones for little minds at the same time.
Whether child or adult, by the end of the movie I was craving some gingerbread and being badgered by the kids to make a gingerbread house. Roll on Xmas and their Aldi special!
I remember this being on the Disney Channel in the late 80's and mid 90's. It is the most terrifying version of the story that you will ever see. Based on the Brothers Grimm story, it follows two children named Hansel(Hugh Pollard) and Gretel(Nicola Stapelton). Theyb are sent out into the forest to pick berries and they stray from the "safe" woods and enter the forbidden North Woods were they meet a witch named Griselda (Cloris Leachman). They think they have found shelter, but have really landed in the liar of an evil witch who likes to eat children.
The opening is not faithful to the Brothers Grimm story, but it is forgivable, because of the terrifying last half, Cloris Leachman's performance, Nicola and Hugh as the two children, and some nice sets and music numbers.
Keep this one away from children under age 7.
The opening is not faithful to the Brothers Grimm story, but it is forgivable, because of the terrifying last half, Cloris Leachman's performance, Nicola and Hugh as the two children, and some nice sets and music numbers.
Keep this one away from children under age 7.
"Hansel And Gretel" is the best 'movie tale' Cannon Films produced. This version of the story is taken from the Hunperdinck opera, but its's still a recognizable rendition. The cast is fine, Hugh Pollard as Hansel, Nicola Stapleton as Gretel, David Warner and Emily Richard as the parents. But the REAL treat here is Cloris Leachman, as Grizelda, the Witch. This veteran actress is simply terrific, whether coaxing the children inside her gingerbread house, or threatening them with death. She also sings well, something she has rarely done in films. The production is tasteful, as are the new songs, adapted from the opera. A bit tense at times for young kids, "Hansel And Gretel" is nevertheless, a classic!
The Cannon Movie Tales adaptations of famous fairy tales is an interesting little series, and while there are some faring better than others and a few that are less than brilliant, others are well done and charming. Hansel and Gretel is one of the finer examples of the latter, and gets my vote as the best of the series.
It's not without its flaws, all of the films in the series do, some bigger and more serious than others. The low-budget does show in the less than inspiring and too-fancy-dress-like costumes and the witch's death underwhelms, instead of being nail-biting like in the story the way it's done here causes some unintentional humour.
Visually, however, on the most part Hansel and Gretel is actually one of the better-looking Cannon Movie Tales films. It's lovingly photographed and has charming, colourful settings and a fantastically realised Witch's House, its delicious to look at, but at the same time quite nightmarish, design being one of the standout set designs of the Cannon Movie Tales films. The songs, adapted from Humperdinck's wonderful opera, are simply lovely and are beautifully adapted, with the best performed being Sugar and Spice and the most effective melodically being A Fairy Song. The script is filled with fun and charm, and also with a real sense of dread in the second half, while the story adaptation-wise follows the Grimm story fairly closely while expanding on some parts, though actually it's closer to the story of the opera.
The storytelling is whimsical and charming, while also witty and poignant, the Witch and her scenes also effectively induces nightmares without distorting the tone (the Witch scenes are quite dark) and are pretty tastefully handled. The film's nicely directed, and the performances are solid with the standout being Cloris Leachman as the Witch. Her make-up is excellent, and Leachman clearly has a ball without over-compensating too much and is genuinely frightening. Hugh Pollard and Nicola Stapleton are appealing as Hansel and Gretel and David Warner does bring a touching degree to a character who could easily have been portrayed as an idiot going by how he was written.
Overall, a winner from the Cannon Movie Tales series and my vote for their best. 9/10 Bethany Cox
It's not without its flaws, all of the films in the series do, some bigger and more serious than others. The low-budget does show in the less than inspiring and too-fancy-dress-like costumes and the witch's death underwhelms, instead of being nail-biting like in the story the way it's done here causes some unintentional humour.
Visually, however, on the most part Hansel and Gretel is actually one of the better-looking Cannon Movie Tales films. It's lovingly photographed and has charming, colourful settings and a fantastically realised Witch's House, its delicious to look at, but at the same time quite nightmarish, design being one of the standout set designs of the Cannon Movie Tales films. The songs, adapted from Humperdinck's wonderful opera, are simply lovely and are beautifully adapted, with the best performed being Sugar and Spice and the most effective melodically being A Fairy Song. The script is filled with fun and charm, and also with a real sense of dread in the second half, while the story adaptation-wise follows the Grimm story fairly closely while expanding on some parts, though actually it's closer to the story of the opera.
The storytelling is whimsical and charming, while also witty and poignant, the Witch and her scenes also effectively induces nightmares without distorting the tone (the Witch scenes are quite dark) and are pretty tastefully handled. The film's nicely directed, and the performances are solid with the standout being Cloris Leachman as the Witch. Her make-up is excellent, and Leachman clearly has a ball without over-compensating too much and is genuinely frightening. Hugh Pollard and Nicola Stapleton are appealing as Hansel and Gretel and David Warner does bring a touching degree to a character who could easily have been portrayed as an idiot going by how he was written.
Overall, a winner from the Cannon Movie Tales series and my vote for their best. 9/10 Bethany Cox
¿Sabías que…?
- TriviaPart of the "Cannon Movie Tales" series, nine feature films based on classic fairy tales that were produced by Menahem Golan and Yoram Globus for the Cannon Group in the mid 1980s. All of the films featured well-known actors from the U.S. and U.K. and were shot on-location in Israel. Although the series was originally conceived to have sixteen films, production stopped at nine when Rumpelstiltskin (1987) flopped at the box office, and the remaining films were sent directly to video. Despite their commercial failure, the Movie Tales garnered a cult following after the Disney Channel began airing them as "Storybook Cinema" in 1988. The nine films in the series are: The Frog Prince (1986), La bella durmiente (1987), The Emperor's New Clothes (1987), Rumpelstiltskin (1987), Snow White (1987), Beauty and the Beast (1987), Hansel and Gretel (1987), Puss in Boots (1988), and Red Riding Hood (1987).
- Créditos curiososA gingerbread man is shown on the left side of the screen during the end credits. At the very end, he winks at the audience.
- ConexionesFeatured in Half in the Bag: Quarantine Catch-up (part 2 of 2) (2020)
- Bandas sonorasPunch and Judy's Dance
Music by Engelbert Humperdinck
from opera "Hänsel und Gretel"
Music Adaption by Michael Cohen
Lyrics by Enid Futterman and Nancy Weems
Performed by Punch, Judy, and Children
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Cannon Movie Tales: Hansel and Gretel
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- Tiempo de ejecución
- 1h 24min(84 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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