The Gunfighters

I really enjoyed watching this film - it had a lot going for it. I particularly liked the piece of instrumental music playing and the song - Gunfighter (?). If you're at home and simply wish to chill out, grab this film as I'm certain you'll enjoy it - especially if you like Westerns. Earlier oaters are my favorite (eg. Roy Rogers, Tex Ritter, Tom Mix, and early John Wayne), however, for a change, I bought this film on DVD and was not disappointed. Boy! Was the West tough.

The actors were good - I especially liked "Dutch" and "Matt" Everett. The film is pretty well fast paced and some of the filming techniques are unusual. There is quite a lot of scenery for those who enjoy the great outdoors and the horses were nice to look at. The film brings up some good moral dilemmas, as too issues somewhat relevant still today.

A direct-to-video pilot for a cowboy series that apparently didn't sell. Pretty conventional TV Western benefits from plenty action sequences and straight-forward acting by all concerned. Improbable plot twists manage to get salvaged by general motivational drive and inherent decency of main characters. Good to see George Kennedy make one last film as a heavy.

Some nice location camera work. Editing is professional and the script not too talky.

One minor drawback: the pacifist character Dutch is a real bore, and played by the weakest actor in the cast. Fortunately his lectures are kept to brief lines about "violence never solves anything." Other than Dutch, the characters are pretty likable and fast on the draw.

Wholly unmemorable, but not a complete waste of time. Still, feels like a throwback to another era - more than a little out of date, even given its release year.

The Canadian TV movie "The Gunfighters" was apparently made to also be a pilot for a prospective weekly television series. Apparently the network decided against this, and I have to say, "Thank goodness!" This is a really bad TV movie, pilot or not. The production values are really poor, ranging from clothing that looks nothing like cowboy garb found in the 1800s to cheesy indoor sets. The musical score is sour, and at one point plagiarizes several bars from Ennio Morricone's score for "A Fistful of Dollars". The acting is sub par, with even George Kennedy (who obviously knocked off his scenes in a few days) unable to generate much enthusiasm. But the worst thing about the movie has to be the script. It is filled with one cliché after another, from the actions of the characters to their dialogue. The icing on the cake is the unbelievable final few minutes that gives us a deus ex machina resolution of sorts (though leave some plot points unresolved.) I find it hard to believe any western fan would be entertained by this.

One of the best westerns I have seen in a long time. Makes you wonder who was worse the outlaws or the law. The story was very convincing and makes you want to know more about the western families. The Everetts were able to understand what would happen when they took the law into their own hands. It tells how the rich were able to get the law to work for them. The common rancher has no chance against another rich rancher. The common rancher was not believed even when he had facts to back him up The rich rancher could pay the law to do what he wanted done. The Everetts did not want to kill and only wanted to be treated right and not cheated out of their land. The youngest was accused of murder only when he was defending himself and was framed by the law.

Look at any western and you can tell when it was made. How? Simply look at the haircuts and judge when they were in style. Two of the protagonists in this movie have eighties-style hockey-hair, and the older protagonist has kept his hippie-days hair. That means the film was made in the eighties. The costumes and makeup are also terribly anachronistic with Matt wearing a Levi's low cut jean jacket and tight jeans and his old girlfriend wearing lip gloss. And is that Ronnie Hawkins singing a nauseating bluesy crossover country tune from the start of the film to the end? Did they sing like that in 1870 which this film is trying to depict? The story jumps from one melodrama to the next, bouncing from a power hungry evil villain stopping honest cowpunchers from watering their cattle, to a bar fight with whips, to a self-defense killing, to stage-coach robbing, to train robbing, to jail-train breaks, to... well, when the three are assisting a birth for a hapless woman on a runaway stagecoach you get the feeling you are watching a combination of ER and the Titanic, with horses floating around in the background. One asks when they might resort to yelling "Code Blue, Ranch Shack Six, Stat" with the jiggle-cam jumping to odd corners of the room at violent jerky angles. Everything in this movie was done before, in several genres! Like Sam Goldwyn said, "Gimme some new cliches." I must find a hobby. One which requires the usage of glue and unusable DVD's. It would be a better way to spend my time.