Good morning Babilonia

A drama by Taviani brothers. Although the depressing poverty and brutality against animals, core elements in their harsh "Padre Padrone", were also present in "Good morning, Babylon", the latter is, most of the time, a light-hearted film, until the sad resume. Their adventures in Hollywood amuse. Something intereeting tonbe renarked is that Charles Dance was able to make us be sympathetic to Grifitth (off course that fact that he was directing "Intolerance" and not "The birth of a nation" helps).

The film is historical and quite moving, encapsulating the experience of Italian Immigrants adjusting to a new life in the New World. The two brothers, and other characters, are well-developed. The film has excellent timing, breathtaking cinematography and a gripping storyline.

the last scene was the key to enter the whole fact of the film. Two brothers in 2 fronts against eachother, but the brother from US holds his hands up to show he is defeated by the other brother. But the film tells us why it shows us these brothers story: FILM...which makes people eternal on the celluloids. It shows us people in different centuries who worked on that church but the only ones whom we know are these brothers, because they curved themselves on the film which was in a camera around. Wow, the Film was softly striking... I wanted not to watch at first, but the first scene grabbed my heart and make me stay to watch it completely...

1st watched 1/19/1997 - (Dir-Paolo Tavioni & Vittorio Tavioni): Good story and interesting characters. About two inseparable brothers and their encounters when coming to America in the early 1900's and their way into a D.W. Griffith movie.

The idea, at least, was intriguing: to recreate the magic and decadence of early Hollywood as seen through the eyes of two innocent, impoverished Italian stone cutters working on the set of D.W. Griffith's monumental 1916 epic 'Intolerance'. It's the perfect setting for a meditation on the end of Hollywood's precocious adolescence (Griffith's film was the first and most ambitious megabuck box-office flop), but rarely has a film launched with such promise landed with such a thud. In their first English language feature the Taviani brothers evoke none of the heady freedom that followed movie-making out West. Their Hollywood is a pitiful facsimile, patched together from a few myths and daydreams into an artificial costume drama, with cardboard characters mouthing dialogue that (one hopes) suffered in translation. The brief glimpse of footage from 'Intolerance' itself only underlines how little the Tavianis aspired to and how limited their resources were.