Jardines de piedra

After 'Apocalypse Now', it's hard to believe that this film was directed by Francis Ford Coppola with such sensitivity. Truly a testament that in many ways demonstrates that Coppola is one of film's greatest directors.

This film shows the lives of many different people and their backgrounds in opposing the Vietnam war. James Caan is a military officer working as a home guard at Arlington National Cemetery during the casualties of America's most tragic conflict. It shows his relationship with Anjelica Huston and James Earl Jones as his closest friends. D.B. Sweeney and Mary Stuart Masterson are great as the younger and more naive observers of the times.

Part documentary style, part sentiment and all inclusive drama showcase its impact in a more sedated manner than most other films dealing with its subject but worth a look as an alternative.

This is a very underrated movie and belongs up there with some of Francis Ford Coppola's best movies. The movie has a great cast that includes James Caan, Anjelica Huston, James Earl Jones, Dean Stockwell and several more people. Caan plays a solider who fought in Korea and Vietnam but is now in charge of Arlington national Cemetery and wants to train young soldiers going into Vietnam but is turned down. Huston is Caan's girlfriend and Jones is his friend who fought with him in Vietnam and now serves with him. Stockwell is the man in charge and D.B. Sweeney is a young soldier who can't wait to get to Vietnam. It's a really great movie that is one of Coppola's best films.

I caught this film on TV laaaate at night recently. I was intrigued by the fact that it was directed by Francis Ford Coppola...so I decided to check it out. Uhhhh...is there a more horribly shot film in the history of films directed by great (well...that might be an overstatement...Coppola is kind of a one-trick pony in my opinion...) directors?? It has the look and feel of a made for TV movie; really boring cinematography, some silly dialogue, and truly unremarkable direction. I don't know...maybe it had a really great story, and it DID have a great cast...perhaps I was just too distracted by the creepy, cheap-looking presentation to get into it.

An excellent film. The subject matter is not one that I thought would hold my attention....but I was wrong. The characters in this movie will involve you in their lives, so be prepared to stay awhile. The writing is first-rate. But I was most impressed with the directorial abilities of Coppola....and here's the reason why: he reined in the actors so that they gave marvelous, realistic performances (James Caan and Dean Stockwell are not always the most subtle of performers - but here, they are perfect). There is one exception - Coppola allows Angelica Huston to shine, and brings her out to full advantage (what is the opposite of 'reining in?'). For all the actors to turn in such great portrayals says something about the director, I think.

It's the military funeral of Jackie Willow (D.B. Sweeney) as he recounts his journey. It returns to Jackie's first day at Fort Myer which provides soldiers for Arlington National Cemetery and he's gungho to fight in Vietnam. He's the son of a friend of Sgt. Clell Hazard (James Caan) who tries to talk him out of Vietnam. He helps screw-up Wildman (Casey Siemaszko) from platoon Sgt. Flanagan (Laurence Fishburne). Sergeant Major Goody Nelson (James Earl Jones) and wife Betty Rae set up Hazard with anti-war Washington Post reporter Samantha Davis (Anjelica Huston). Pete Deveber (Elias Koteas) is a clerk and Homer Thomas (Dean Stockwell) is the commander. Jackie marries Rachel Feld (Mary Stuart Masterson), the daughter of a colonel.

Francis Ford Coppola revisits Vietnam with something less epic and more traditional. There are great actors. The thing I remember most is the story of the Vietcons fighting helicopters with arrows. This is certainly not as iconic as Apocalypse Now. It doesn't mean that it's not a worthwhile watch. For a war movie, this surprisingly has little war action. That's probably what throws most people off.