Friendship's Death

I saw this on tv many years ago,I might have seen it at the cinema.

The British Film Institute,who backed the film,have released it on blu ray.

I just watched the blu ray.

I give no plot spolilers.

A dialogue heavy film with 2 actors in every scene.

This film is a real nostalgia piece for me.

In the 1980s I spent many hours in the Filmhouse Edinburgh which was/is the art house cinema for the city.

I saw all sort of BFI sponsored films with strange plots and locations and scripts.

Like in a film I was fascinated by a young women who seemed to be at all the films I went to back then.

I wonder was she a film professional,a critic,was she Tilda Swinton one of the stars of this film.

One oddity of the film,there are many,is that Swinton is listed as the star but Bill Patterson was much better known than she was then.

Odd mix of quasi-science fiction with "My Dinner with Andre", plenty of inane babble which is rarely inspired or inspiring, utilizing a "Year of Living Dangerously" theme. Very stagy, with some intriguing shots, but very static and dry. Seeing a young Tilda Swinton -- fresh from theatre -- is the film's main attribute.

What I love about SF is the focus on the question: What is a human?

This question does not each sifi-movie ask. But this one does. For today it may be a bit boring, because there is not much new in the dialogue. This didnt bother me at all, because I like repeat. You can hear one sentence from 100 people and you get 100 sentences, because they said it diffrently. It is intresting what they say in the movie but it is mostly intresting how they say it and who. Tilda Swinton makes an atmosphere that drinks you in this hotelroom, where the conversation is placed.

I just saw it. And tomorrow I want to watch it again.

This film is now an incredible film to watch with so much hi ndsight it talks of AI and the problems of the Palestinian people, it has once again become relevant but probably not a socially acceptable film. I saw this when it came out and enjoyed the performance of an alien viewing Earth as a highly developed humanoid robot, that is appalled at our lack of compassion. The story now once again is relevant and there are surprising echoes of modern issues in it's dated story. I recommend this film and dare you to feel unmoved by what you see now of a problem we still see in the middle east today.

There is a kind of subtle trilogy of cult classics and subtle fantasy; Man facing Southeast (1986) The Man from Earth (2007) and Fiendship's Death (1987) I have to confess that I've seen them recently and I loved them very much because of what they have in common: the way in which the movie deals with that which has about science fiction. They base their speech on the dialogues and avoid making use of any super-special-effect to reinforce the plot, the meaning itself. They do not pretend that the story needs more technology than the mere word. All the aesthetics, the first and main sense of the film, rests solely on the story explained by the main character. This protagonist has a message for us and wants to make us think. It's a common premise in all three films and, frankly, it works. Even so, these films do not forget style and are elegant because of their restrained form. I celebrate that they don't want to embarrass me with empty spectacularity and that the magic holds on the words.