Foxfire

I really wanted to like Foxfire. I am a big fan of John Denver, and enjoyed his movie from a year earlier: A Christmas Tale, very much. Jessica Tandy was very good in Foxfire; I can't really say anything else good about it.

The dialogue was sub-standard and the scenes repetitive, but it was the unlikely, cynical and even shocking ending that killed this movie. The movie was going along well up to and including what should have been a fulcrum and the most critical scene of the movie: Harriet Hall (as Holly) criticised John Denver (as Dillard Nations) for being such a phony on stage. She was obviously in love with him, and the movie should have been re-written to have her lead Dillard to experience a change-of-heart about everything: The honesty of his relationships, his relationship to his work, his relationship to his mother and his relationship to the land, all of which are jaundiced and askew.

He has absolutely no appreciation for the appalachian life and land that he was raised on, and has no respect for the wishes of his mother. This is the first movie I have seen where John Denver plays a real self-centered creep: Did Dillard stop for one moment to think about what a trip to Florida could do to an old woman such as her? Did he think about how long she would last, being torn away from the land and memories that give her identity and roots? This is the cheapest, most callous ploy I have ever seen to get a free babysitter.

He had the opportunity, when Holly took-him-to-task, to get honest with himself and bring his children up there to live with her. He could have decided to help his mother, and respect her wishes, instead of fetch her to act as nanny in Florida to his then-motherless children.

When Jessica Tandy (as Annie Nations) decided to sell, it screwed with my head so bad, I threw the movie out. This would not, should not have happened, in real life. She would have lived her life there. I felt abused and betrayed by screenwriters Susan Cooper and Hume Cronyn. I haven't researched either of them, but what do you want to bet they are a couple of city slickers?

How can we feel good about Foxfire? A mountain girl like Annie would have lasted maybe 3 months best in the Florida high-rise retirement/tourist swamp.

(spit)

Foxfire could have been great, but instead of John Denver's character experiencing the transformation he did in A Christmas Tale, he remained the same careless, selfish lout he was at the beginning of the movie. I still love John Denver, but I'm sorry I watched Firefox. If you want to see a movie about appalachia, then watch Song Catcher, or Fire Down Below, instead.

Had not heard of this Award winning movie before but was given a DVD and found it a very interesting surprise. The writing by one of the stars is both powerful and observant - Hume Cronyn as writer/star, gives a strong performance as the feisty husband of Jessica Tandy (his real life wife) and father to John Denver's character, Dillard Nations. Denver is the son who left the mountain home of his youth following several disagreements with his father and settled in the city - now married with two children, he's just begun to build popularity as a singer/songwriter. I've always regarded Denver as a convincing performer and comfortable with comedy and drama (in fact one of the better singers to transfer into acting). Here, he's been booked to sing in his home town and has come to visit his Mom, his father has been dead several years and he's hoping to convince mother to sell up and move into a care facility in the city - allowing the family to visit often.

Mom has been carrying on conversations with Dad (who's buried in the family garden) this is a concern to Denver, who is also struggling with his own domestic situation back in the city - so, following various involved reminiscences, the families past dramas are relived and the two agree to come to an agreement about the future. It's a moving story, with Mr Denver getting a chance to sing several good new songs (seems these were written for this film as they form part of the storyline) The settings are visually impressive with all performances being fully professional - delightful Harriet Hall is perfect as a resident local

Only downside being the transfer to DVD that's rather heavy on the blacks but this can be compensated by lifting the playback contrast to lighten the shadows. Good mature family entertainment. Some have unfairly criticised it because it doesn't fall into the traps of clichéd, overly romanticised writing.

It would be hard to imagine how a movie could better capture the essence of Appalachia. Hume Cronyn and Jessica Tandy simply nail their parts, and no doubt the fact that they were married in real life helped. Hume Cronyn also wrote the script, and a nearly perfect script it is. All in all, it couldn't be more realistic, heartwarming and sad. And I should know, because I have strong ties with Appalachia and I lived there for a while as a kid. I knew real life equivalents to every character in this movie. Maybe those without my background won't see it, but I consider this movie to be a masterpiece of American culture.

Charming film about deep rooted memories of an Appalachian farm family. Tandy won an Emmy for her performance. She had won a Tony on stage in the play version which also starred Cronyn.

It's hard to think badly of a film like "Foxfire". It's so earnest that it's heartbreaking even when it goes a bit over the top. I watched this for Jessica Tandy, and she is good, but this is also the best I've seen of Hume Cronyn so far. The story itself is slight. There's a number of pretty ordinary clichés I've seen more than a few times in TV movies, i.e. the greedy real estate developer, the stubborn old homesteader, the country singer who lost his way. Two of these clichés are every bit as unessential as expected - Gary Grubbs plays a cardboard cutout, and John Denver is good, but too uncomplicated and underdeveloped here.

It's the relationship of Annie (Jessica Tandy) and Hector (Hume Cronyn) that provides the real meat of the film. Their interaction is so true, so painful that it's always emotional to watch. They carry the entire production, lifting it far above everything that surrounds. I almost found myself wishing that the story could have been told completely through them alone, perhaps with a few flashbacks interspersed. It's those flashbacks where much of the power is held. The last half hour of "Foxfire" hurts the most, brings the most joy. It's so pure.

The director, Jud Taylor, doesn't really bring much to the plate here, nor does the rest of the production crew. But you didn't come to see a great film - you came to see two great performers. And you got everything you were looking for.