El imperio del Sol

I can see that a tale told from a child's point of view how it would stir the imagination of one Steven Spielberg. Empire Of The Sun is a really imaginative story of a young boy stuck in World War II China in a truly terrible situation cut off from his parents. Yet young Christian Bale turns the whole thing gradually into an adventure of sorts.

Up to the age of 11 young Bale has lived in the British quarter of Shanghai and in fact has never seen the United Kingdom, his father Rupert Frazer owns a textile factory. Bale and his parents live in luxury among the millions of Chinese.

What one should remember when watching Empire Of The Sun is that since the Opium War of 1841 western powers and Japan joined them took small little nibbles out of China and in fact were granted by the weak Chinese governments special treatment in their quarters. Frazer, Emily Richard his wife and young Bale lived under British law and did not answer to the Chinese. The other powers did the same, even the USA had its own quarter in Shanghai as well as other large Chinese cities. That only ended with the Communist takeover in 1949.

It ended a bit prematurely for the west in 1941 when the Japanese attacked America, Great Britain, the Netherlands. That's when Bale's well ordered world falls apart.

I had to marvel at how when Bale came home and the parents were gone and some looting had occurred how his reactions were. Without any dialog Bale runs through a gamut of emotions. Great job of acting and directing.

Later on Bale is rounded up and taken to an internment camp next to an airfield. Fascinating how Bale who had an interest in aviation looks at the Japanese planes and become almost worshipful of the enemy. He even makes friend with some of the Japanese, a group not known for treating prisoners well in World War II.

Joe Pantoliano and John Malkovich are a pair of American adventurers, no better than they ought to be. They're caught along with Bale and sent to the internment camp. Our adult eyes see them as a pair of bottom feeders. But we see them through the child's eyes also and they become sort of devil may care rogues that one reads in pulp fiction the kind Bale no doubt read.

Steven Spielberg did a marvelous job of recreating wartime China and it certainly helped to shoot the film there. Just part of the People's Republic's post Mao entry into the community of nations.

The adult performers are fine. Empire Of The Sun got a flock of Oscar nominations in technical categories, no gold though. But it did inaugurate the career of Christian Bale who's done pretty well for himself as an adult actor too.

This one is highly recommended for its realism and encouragement of imagination.

This movie was a visual, character driven movie of superior quality, even for Steven Speilberg. Some say that Speilberg has too much the eye of a child, but I tend to disagree. Too many filmmakers today are producing slick, throw away action flicks that at first seem promising but eventually fall into predictable, fluff and special effects laden, thinly plotted, dialogue-poor, characterless movies that are gone before the popcorn. Yes, this film has a lot of great Special Effects (So did Schindler's List.) Moreover, a lot of great action to keep the story pace from dragging. The idea of a movie is for the actors and directors to show their stuff (Hopefully around some good writing.) This movie did it for me. I have to agree with all those who praised Christian Bale for his performance in this movie. He was brilliant. In addition, I got to see Ben Stiller in an unusual role for him. I thought that John Malcovitch acted perfectly for this film and yes he was a Han Solo/Indiana Jones character, but with even less depth. His role was pivotal only in so far as it affected the boy. We were not as concerned with his character in so much as his shadow was cast on Jim through out the movie. The war was bigger than this little boy was and it was exquisitely done. Steven Speilberg gives us wonder, mystery, action, adventure and history in everything he does. He's the consummate filmmaker.

Reading through the reviews, there were a lot of people who didn't understand this film. This is Spielberg's venture into the realm of art in cinematography. This film is a visual masterpiece and you are swept along from beginning to end. Yes, the tale gets a bit loose in spots and you never know what's going to happen next. But, if you're willing to give up warm and fuzzy for lush visual images and startling leaps of character, you'll see what Spielberg's trying to accomplish. This film makes use of the talents of Miranda Richardson and gives some early exposure to the likes of John Malkovich and Ben Stiller, but young Christian Bale steals the show. The reviewer that commented on the "gothic" effect of the Tai-Pan's going to the costume ball being driven through Shanghai was right on. This film is rife with such scenes and does not disappoint. It's wholly misleading to look for some kind of action story underlying this film. The tale, taken from the book, is straightforward enough: a young boy's boost into manhood through the second world war. The film is full of memorable moments and visually very, very pleasing. As art, it is excellent. That's likely why it wasn't a blockbuster, as say, e.g., Poltergeist, Close Encounters and the Jurassic Park films, were. But, hey. That's the cost of creating art as opposed to crap. And, crap does draw a lot of flies...

I had put off watching this until recently, I do not know why, I had not read reviews and for some reason imagined it to be a movie about a young Japanese prince(!!).

I was captivated by the performance of Christian Bale as a privileged young boy named Jim Graham, growing up in Shanghai, very far removed from the poverty and despair all around him. When war breaks out, this changes him forever and hence the story.

After some harrowing experiences he winds up in a prisoner of war camp where he befriends some interesting characters and quickly adapts to a life of conniving and subterfuge to survive.

The transformation of Jim is beautifully captured, Steven Spielberg is a gifted director of child actors and gets a maximum performance always.

I was enthralled from beginning to end, young Jim was forever changed by his experiences and this change is portrayed starkly here when he is finally reunited with his parents.

8 out of 10 for equally impressive performances from John Malkovich and Miranda Richardson, but Christian Bale's performance deserved an Oscar.

This is the first time I commented on a film. I saw this yesterday night for the first time. And I just cried.

I cried for Jim. I cried for the pain our country caused in the innocent civilians. (Japan can be so stupid!) I cried for the pilots of the Zero-sen.

I've read and seen lots of movies of these pilots. They're called tokoutai in Japanese. They get on their planes knowing they will die. It's a suicide mission, and they were very proud of it. I know if you're on the winning side you may not sympathize these pilots, but they were just fighting for their country. In those days, the emperor was everything. They taught you to die for the emperor at school when you were only in 1st grade.

But I don't know the war. I've never experienced it. I can't understand the concept of dying for your emperor. So I sympathise with Jim. Jim is a symbol. A symbol of innocence, of the horrors of war. His singing proves that too. He's also the ray of light for these prisoners. His energy and vitality are important aspects. It brings out some human characteristics in the sergent as well.

Christian Bale was remarkable. He should be commemorated or something for this performance, cause it was just brilliant. So was John Malcovich.

Overall it was great. One of the best movies I ever saw. It made me think, a lot. About war, about Japan, about history, and about humans in general.