Death Nurse

I've seen some classic shot-on-video movies from the 80's, such as Blood Cult, Dreamaniac, Boardinghouse, GoreMet Zombie Chef From Hell, Cannibal Campout, 555, etc. All these movies in which could have some laughable entertainment value and noticeable effort to make a film on literally a zero budget. But then we have Death Nurse.

This movie, well, why even call this a movie? There was no effort put into making this mess. like the previous reviewer has stated, it seems they had filmed this film and ripped the tape right out of the camcorder and thats exactly how it feels. The editing must've been done on two VCRs, and a good 15 minutes of the film are clips from the Directors previous film, Criminally Insane, keep in mind this movie is only about 55 minutes long, not even a full length movie. Its quite obvious that this film was made to fill the box art it came in.

The only reason to watch this film is for the learning experience on how low cinema could go just to cash in a buck. This is absolutely the lowest your going to find. I once thought that Blood Lake was the worse, well, Death Nurse takes the cake.

I didn't even know this movie existed until recently and now that I've seen it, I know why! What a horrible, hideous, god-awful waste of time and effort this one is! Just like it's predecessor "Crazy Fat Ethel 2" "Death Nurse" is shot on video. It is also a pseudo-sequel to "Criminally Insane". Talk about milking a story to death! Obviously Nick Millard aka Nick Phillips was totally devoid of all thoughts and ideas at this point and simply decided to recycle the same old lousy story for a third time. To make matters even worse, he put even less effort into this "film" (and I use that term loosely) than in the previous sequel. Once again we get recycled, crappy footage from "Criminally Insane" and a rapidly aging Priscilla Alden cast in the lead. The storyline in this 'film' is not even remotely related to that of "Criminally Insane" and Priscilla Alden's character has a name change which makes all of the footage from "Criminally Insane" seem awkwardly out of place. There is nothing about this "film" that makes any sense and I really do not get the point of wasting time making it!

You know how in most god-awful B-movies, directors try (and usually fail) to come up with some kind of creative solution when they can't find the location or prop they're looking for? A boiler room can double as a prison, a school classroom can fill in for a police station, an ambulance can just be the production van after a quick paint-job: it's a lot of work, but it seems like one of the perks of low-budget filmmaking. "Death Nurse" director Nick Millard however takes the bold decision of simply not giving a damn. His screenplay requires some kind of clinic but screw it, his dilapidated house will probably be fine. I'm not sure which state this is set in, but please don't get sick over there. Whether you're an alcoholic, a terminal tuberculosis patient (who, I kid you not, is walked to the clinic) or a woman whose illness is never explained and probably just doesn't have a bed at home, you'll always be sent to some dirty, rat-infested house in the suburbs with just one doctor and one nurse (a death nurse at that). Oh yeah, that clinic whose patients without any exception are never seen again and where they call a regular kitchen knife a scalpel: if those people can't help out, who can?

Nick Millard is an incessantly intriguing filmmaker because he takes not caring to such a bizarre level: his only goal is to fill an hour of videotape, and he's not keen on hiding it. Almost a third of this movie is stock footage from Millard's earlier (and much better) work "Criminally Insane", but it's not even really stock footage: he literally just plays the movie on his TV and films the screen. Even with just forty minutes of new footage, the padding keeps on coming. Death nurse makes tea, the doctor digs a hole and then makes himself a sundae, that doesn't need to be shown in real time for an audience to understand but Millard takes no chances. Then suddenly, an hour of your life has vanished and you get the most ridiculous non-ending you've ever seen...thank God you also have "Death Nurse 2". Nick Millard is one hell of a drug.

This movie was horrible. It looked like bad porn! It was supposedly shot by the same party behind CRIMINALLY INSANE, but compared to that tarnished little jewel, this film is utter and complete trash. Unedited, unscripted, and un-acted, this piece of VHS video was obviously ripped clean out of the camcorder and thrown onto video store shelves without even the most rudimentary post-production tinkering.

The film supposedly takes place in a state-run "clinic," although the viewer soon wonders why the state would refer patients to a tacky tract house with cottage cheese ceilings and bad wood paneling.

Terrible. Simply terrible. And disappointing, too. Quite sad, actually. I'm crying right now because of this film. That's how bad it was.

This was not a real film. This was a home movie.

Death Nurse (1987)

Some more amateur gore filmmaking...this time emanating out of San Francisco, and the remarkable Millard family, whose history with exploitation movies dates back to the 1920s. Family patriarch S.S "Steamship" Millard was one of the original 'Forty Thieves' of the roadshow era, exhibiting fare like 'Is Your Daughter Safe?' and 'Pitfalls of Passion' across the states in the twenties, and earning a spell in San Quentin for his troubles. His son, Nick Millard, was a chip off the old block too, directing tons of trippy, dreamlike porn throughout the 1960s and 1970s, with the occasional foray into horror. Satan's Black Wedding (1976) might be the closest Millard ever came to making a legitimately 'good' film, but it is 1975's Criminally Insane (aka Crazy Fat Ethel) that remains his most well known and notorious movie.

By the late 1980s, Nick Millard had taken the step down to shooting on video, with senior cast members who look like they should be turning up to play bridge with the director's mother rather than starring in a gore film. 1987's Death Nurse retains Millard's heavyset star of Criminally Insane, Priscilla Alden, who brings a degree of professionalism and insult spitting malice to this tale of a murderous doctor, who along with his crazy fat nurse sister, runs a bogus medical clinic out of their suburban home. The clinic is, of course, a front for them to do away with sick, rich patients by suffocation, stabbing and one of the largest hypodermics seen outside of The Amazing Colossal Man.

Filmed at the director's own SF home (note all the film cans in the doctor's garage) and padded out with scenes from Criminally Insane, irregardless of the ten year plus age gap in the footage or the fact that Criminally Insane was done on film and Death Nurse on video. Meaning that whenever Nurse Alden has one of her bad dreams she is ten years younger and dreaming on film, only to then wake up in a shot on video world. Millard also put his mother Frances in Death Nurse, thoughtfully casting mum as a "drunk bitc*" who demands sex from the significantly younger Doctor. An aspect to the role that Mrs. Millard presumably enjoyed and took to heart....in the early 2000s, when she was in her nineties, Frances Millard became a porn star.