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6.4/10
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Un policía de homicidios obsesivo e insubordinado está convencido de que un asesino en serie anda suelto por el área de Hollywood y desobedece las órdenes para atraparlo.Un policía de homicidios obsesivo e insubordinado está convencido de que un asesino en serie anda suelto por el área de Hollywood y desobedece las órdenes para atraparlo.Un policía de homicidios obsesivo e insubordinado está convencido de que un asesino en serie anda suelto por el área de Hollywood y desobedece las órdenes para atraparlo.
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Opiniones destacadas
James Woods is our hardboiled detective as he navigates the dark web of a mass murderer. Woods' wife and child have recently left him, and he is under investigation at the police department. He is unwilling to give up the case, and no one is going to stop him.
"Cop" displays Film Noir disillusionment and it's bleakest and the dark ending (not going to be spoil it) only adds to the Noir-iness. In the 1980's Film Noirs started to come out again, beginning with remakes like "D.O.A.", and new originals like "To Live and Die in LA." In this revival, "Cop" is a crown jewel, a wonderfully mysterious tale of man willing to risk and loose everything to find a killer.
As a Noir enthusiast, I highly recommend this film. It may be overacted at times, and the detective may seem a little to gung ho to be believable. But, Woods'es excellent performance is able to hold the film together. It is a thriller from start to end, and overall a very enjoyable film. Watch it, trust me.
"Cop" displays Film Noir disillusionment and it's bleakest and the dark ending (not going to be spoil it) only adds to the Noir-iness. In the 1980's Film Noirs started to come out again, beginning with remakes like "D.O.A.", and new originals like "To Live and Die in LA." In this revival, "Cop" is a crown jewel, a wonderfully mysterious tale of man willing to risk and loose everything to find a killer.
As a Noir enthusiast, I highly recommend this film. It may be overacted at times, and the detective may seem a little to gung ho to be believable. But, Woods'es excellent performance is able to hold the film together. It is a thriller from start to end, and overall a very enjoyable film. Watch it, trust me.
If you are a big fan of James Wood's work than please go to your video store right now and rent this gem. You see I'm more into the performance side of a film, not the writing or story (even though it does help). Trust me, you've seen it all before. An over-the-top detective (Woods) gets caught up in a murder case which takes over his professional and private life. With the clues stacking up, Woods begins to believe that he is not only dealing with a murderer but a serial killer as well, who preys on females. This opinion on the matter doesn't sit well with his captain or coworkers, except one, a long time friend named Dutch. As the film moves along you begin to notice that Woods is a womanizer who usually ends up in bed with the witnesses. Everything Woods did made me laugh. I know this probably isn't "right" of me but he is just so FUNNY!! Even in a serious murder mystery such as this, I still can't help it. This film also contains one of the quickest endings I've seen in a long time. It's great!! Trust me though, I won't give it away. Thanks for reading.
Well, if you're a James Woods fan (which to me is the real reason to rent this) then you will love him in this movie. I haven't read the novel but I liked both this movie & Ellroy's L.A. Confidential. It is rare indeed to take a novel & translate it to the screen without losing something. Perhaps I'm lucky because I never read either novel before seeing the film.
One of the reasons I watch this movie over & over again is that it IS funny yet disturbingly dark at times. In one scene where Woods is trying to get laid by an uptight bisexual poetess, you can just see the boredom & apathy on his face as she drones on & on about her " knight in shining armor." This ties in with an opening scene when he's trying to convince his soon to be estranged wife that it's better NOT to delude their daughter with fairy tales that is just AWESOME writing. I cannot paraphrase it all, but he basically says that innocence kills. The idea that some man will come along to make it perfect is what kills deluded women. Which ties into the story because he ends up on a case that turns out to be a serial killer who specializes in killing innocent women.
There are some parts that are slow but over all this movie is well paced w/great actors and great acting. This movie is just as gripping as Training Day, just less well known. Either way, give it a try, you won't be disappointed if you like James Woods.
One of the reasons I watch this movie over & over again is that it IS funny yet disturbingly dark at times. In one scene where Woods is trying to get laid by an uptight bisexual poetess, you can just see the boredom & apathy on his face as she drones on & on about her " knight in shining armor." This ties in with an opening scene when he's trying to convince his soon to be estranged wife that it's better NOT to delude their daughter with fairy tales that is just AWESOME writing. I cannot paraphrase it all, but he basically says that innocence kills. The idea that some man will come along to make it perfect is what kills deluded women. Which ties into the story because he ends up on a case that turns out to be a serial killer who specializes in killing innocent women.
There are some parts that are slow but over all this movie is well paced w/great actors and great acting. This movie is just as gripping as Training Day, just less well known. Either way, give it a try, you won't be disappointed if you like James Woods.
There are times that this feels like a TV Movie. In fact, if it were not for the presence of James Woods that is all this would be, a good TV movie. As it is, Woods acts his socks off without overdoing it. He manages to pull this up to a much higher standard, very watchable stuff, in fact. There is nothing really ground shaking in the script and, to be truthful, it kind of gets a bit lost at a couple of points. Like others have pointed out, the dark twisted aspect of the original book do not quite come across to the screen, but nevertheless is a very passable transition. In summary, not one to watch for your main film on a Saturday night, but certainly worth a look on any other night.
Sometime ago a sadistically violent novel written by James Ellroy was published under the title 'Blood on The Moon.' Having read the book, I was most surprised to see the story up on the silver screen under the marquee of " Cop." The tragic tale was so woefully violent, I wondered how it's stark terror and black suspense would transferred to the Big Screen. However, I was pleased when I saw that James Wood would be the hero and it would be directed by James B. Harris. Woods plays detective Sgt. Lloyd Hopkins a hard-as-nails police officer seemly obsessed with solving an unsolved series of murders dating back years. Seemingly at a dead-end, he is frustrated and on the verge of giving it up, when a ray of hope inspires him to continue. As he does, he enlist the aid of Kathleen McCarthy (Lesley Ann Warren) a Feminist poet and his police mentor Dutch Peltz (Charles Durning) who is in line to become a police Captain. Despite his unorthodox methods, Hopkins gets results even if it means stepping on toes and challenging his superiors. The movie is powerfully dark, suspenseful and dotted with terrifying scenes which are not for the faint of heart. Still any Woods' fan is sure to enjoy the power and skill with the main actor and I for one look forward to this film becoming a milestone for Woods. Excellent rendition of the book and if one wants to peek under the ambulance sheet, I suggest you read the novel. ****
¿Sabías que…?
- TriviaThe novel "Blood on the Moon" upon which the movie is based was rejected by 17 publishers due to its violent content.
- ErroresHopkins goes to the initial murder scene by himself, even though the killer might still on the premises. Once there, he handles the doorknob, phone and other objects with his bare hands. No experienced police officer, even one who's supposed to be a bit of a loose cannon, would make such rookie mistakes.
- Citas
Lloyd Hopkins: [Last lines] Well, there's some good and there's some bad news. The good news is you're right - I'm a cop and I've gotta take you in. The bad news is I've been suspended and I don't give a fuck.
- ConexionesFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1987 (1988)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Blood on the Moon
- Locaciones de filmación
- Harper House - 1334 North Harper Avenue, West Hollywood, California, Estados Unidos(Julia Lynn Niemeyer's apartment building)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,984,315
- Total a nivel mundial
- USD 1,984,315
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