Mata payaso, mata

Got High On Life, and sat and watched the movie with Gene, we're cool now.

Plus it's got that one guy, dressed as a clown, and Bush, not sixteen stone either, the real deal.

I feel like Gene was just watching me the whole time, which was kinda creepy, at first I kinda missed the aerobics show with Denise Richards and Paul Walker (RIP!), but, this was pretty good. I'd say if your into weird stuff from the 80s, give it a shot. It might be as good as Killer Clowns From Outer Space, but then maybe not. I dunno, neither are as good as Over The Top, but, who could ever beat that?? Maybe like, the Bodyguard, or like, that really bad biker movie with Brian Bosworth, that I still watch every now and again cause it's a guilty pleasure.

A young woman (Itona Salochek) comes back from college to find her parents missing and their home vandalized. She suspects the worst since her dad was in charge of foreclosing on local farms for the bank. The local sheriff is less than helpful though (he's much more interested in his softball league). Meanwhile, she finds herself the object of rather obsessive attention from her former childhood boyfriend and his oddball, mentally challenged brother (Tiny Tim) who sings creepy songs and dresses up like clown (the "Marvelous Mervo").

For some reason, slasher fans don't seem to care for this movie, perhaps because the first murder doesn't occur until some forty minutes in. They're certainly suitably bloody though with victims being tied up upside-down and their throats slit so they can be bled like pigs. There's also a lot of time for character development, which in the case of Ms. Salochek fortunately means many long, completely gratuitous, full-frontal nude scenes (She's actually not that attractive with her clothes on, but wait until she takes them off. Wow!) This is also kind of an unusual setting for a slasher movie. If John Cougar Mellencamp ever made a horror movie it might look something like this. The director, Bill Rebane, is one of these guys who can't really be called "good" or "talented", but his movies are always interesting. He once dressed a VW Bug up as a giant spider in "The Giant Spider Invasion". "The Capture of Bigfoot" was one of the most wacko of many wacko 70's bigfoot movies. "The Demons of Ludlow" was the touching story of a small Midwestern town and their demonically-possessed grand piano. This movie is pretty much the same way, especially considering the main stars were a never-to-be-seen-again Eastern European actress who can't keep her clothes on for five minutes, and Tiny Tim, a VERY odd folk singer from the late 1960's. (He's surprisingly good though).

It does have its flaws. It's pretty slow in places, and the identity of the killer is pretty obvious as there are only two or three possible suspects (and one them is the reddest herring imaginable). Still, I saw this movie back-to-back with "Nail Gun Massacre", a movie slasher-movie fans really rave about, but I liked this one far better. Recommended, no matter what anyone else says.

Extremely odd flick about a young woman (Itonia Salochek) who returns from college to discover that her parents are missing. Her neighbors are none other than preppy Dean West and his brother played by that lovable minstrel Tiny Tim, who may or may not know what has happened. Meanwhile, a masked killer slaughters whoever comes near the woman and just who it is becomes more and more obvious to the viewer past the first thirty minutes. Despite being notorious for Tiny Tim's one and only starring feature, this film is comprised mostly of hopeless time filler. Tiny Tim is fairly decent, however, as the creepy clown-faced weirdo who skulks around the farm. In fact it's his antics, Salochek's abundant nude scenes, and relatively realistic special effects which save this less than thrilling time waster. The only really effective scene is the opening sequence; featuring Tiny Tim squawking a tune in the dark. That's guaranteed to make your skin crawl in any film.

Basically there are only two reasons to see "Blood Harvest" First, the falsetto wonder that was "Tiny Tim", playing "Marvelous Mervo", a drooling, slack jawed, giggling clown. Second, Itonia Salachek playing a naked girl throughout the film. Forget plot and acting skills, live with the fact that this is not the viscera-stained, sex, sleaze, and horror epic it is claimed to be. What "Blood Harvest" is, is a curiosity, much like a crowd would be drawn to a carnival sideshow, you sort of have to keep watching for the next "Mervo" appearance, or excuse for Itonia to lose her clothes. Certainly watchable, but just barely. - MERK

'60s ukulele-playing pop-star Tiny Tim's contributions to horror: that disturbing 'Tiptoe Through The Tulips' song featured in Insidious (2010) to great effect, and this late '80s slasher, in which the falsetto singer dons clown make-up and garb to play Mervo, a crazy weirdo who may or may not be a psycho killer.

The film begins with beauty Jill (Itonia Salchek) returning to her hometown to visit her parents, who have been harangued by the locals on account of her father working at the bank that is overseeing the foreclosure of several farmsteads. When she gets home, Jill's parents are nowhere to be found and the walls are daubed with threatening graffiti; the local sheriff does little to investigate. Old childhood friend Gary (Dean West) tries to calm Jill's nerves, but she feels increasingly uneasy, especially with Gary's oddball brother Mervo hanging around and snooping on her. To make matters worse, other people in Jill's life start to disappear, including her boyfriend Scott (Peter Krause) and best friend Sarah. Is Mervo responsible?

Wisconsin-based horror auteur Bill Rebane fails to keep up the brisk pace necessary for such nonsense, and some stretches are duller than watching wheat grow, but he knows well enough to include plenty of nudity courtesy of sexy Salchek, and some decent gore to keep viewers watching, the blood-letting including some convincing throat slashings (the effects far better than I expected). Rebane also makes the most of Tiny Tim, who proves effectively unsettling throughout, singing a few creepy ditties and generally acting convincingly deranged.

It's far from a top-tier '80s slasher (but then few late'-80s slashers are), but there's just about enough fun to be had to make it of interest to fans of the genre. 5/10.