Y Dios creó a la mujer

Roger Vadim's remake of his own film opens with a ridiculous jail break from what appears to be a soccer mum in a mullet and tracksuit and leads to a number of other embarrassing sequences that are at least saved with an early nude scene from Rebecca DeMornay. The moment is quickly ruined by a music sequence or however else Vadim over idealises his leading lady. It turns out this scene indicates DeMornay's desire to escape from prison and pursue her realistic dream of being a famous rock and roll star. The whole experience starts getting humorous when DeMornay is sent back to prison and arranges to marry a young carpenter to beat parole on the advice of Frank Langella, a candidate running for governor of New Mexico that ran into DeMornay during her failed escape from prison. Despite the obvious predictability of the love triangle that film will pursue the film is redeemed from plenty of comedic moments thanks to the strong performances from DeMornay and a whole cast of unknown actors. It turns out irresponsible screw ups are a great source of comedy. However, plenty of embarrassing moments continue to show up in the film including a cringe worthy disrobing of some random actress who rocked up to work in granny panties and a nauseating navel gazing Langella. It is pretty depressing seeing how easily the men in this film can be led just because someone is attractive regardless what a terrible human being said person is. I think the film is meant to be a farce, it's all very light hearted with some tacky New Romantic 80s pop thrown in.

One thing I've always admired about 80's movies is that they all have that "Miami Vice look". The groundbreaking show featured hip clothing for the time as well as lots of music playing (hits or otherwise) when there was no dialogue. Today, we don't have that in films or T.V., but in the last great decade, it was everywhere. I've wondered if there ever was a true 90's movie?

And God Created Woman continues this trend. This film was made during the "hip" trend of the late 80's, when people gave up their feathered mullets and ugly tank-tops and started wearing the suits, hats, and skinny ties that were in style. The ladies would wear acid-wash jeans and what-not.

This story is a different version of the original Bardot film that made Roger Vadim a star. In this one, Rebecca De Mornay plays Robin Shea, a convict who wants to make it big as a rock 'n roll star. However, she is doing time for something and she has to wait for her parole. The story that unfolds is the kind of unbelievable pap that came out in the 50's but is set in the 80's. It's just a fairy tale. The story is too mundane to even explain, because you've seen it before.

I will say that the acting is mediocre at best. Only Vincent Spano, who plays a decent guy who ends up in cahoots with De Mornay delivers a good performance. Frank Langella sleepwalks his way through his role as a prospective candidate for the governship of New Mexico who also gets involved with De Mornay. De Mornay herself is very cute, but plays a rogue who nobody would approve of. Everyone else is just a cardboard extra. The soundtrack is decent (all movies came out with a soundtrack, it seemed). All in all, not good, but better than the crap coming out today, I guess.

I've been watching movies for over 50 years and I've been a member of IMDB for many years, but I've only written a handful of reviews because of IMDB's restrictions on review length. I don't suppose anyone will ever read this review as the movie is over 30 years old, but I've just watched it for the first time tonight so I'm going to write a review anyway.

The good: 1. It's Rebecca De Mornay.

2. It's directed by Roger Vadim who made the original movie of this title featuring the goddess Brigitte Bardot.

3. Did I mention that it stars Rebecca De Mornay?

The bad: 1. No one in this movie can act.

2. There is no discernible plot.

3. Everyone in the movie has a horrendous 80's haircut.

4. The point of the movie seems to be about Rebecca De Mornay being some sort of musical talent, but the music is awful.

To sum up; it's a terrible movie, but despite the mullet, it's still Rebecca De Mornay.

Robin Shea (Rebecca De Mornay) escapes from a New Mexico prison. She hitches a ride with James Tiernan (Frank Langella) who is running for governor. It turns out he's visiting the prison and he tells her to sneak back in. She runs into carpenter Billy Moran (Vincent Spano) who helps her and has sex with her. She calls up Tiernan who tells her to get marry for a better chance at parole. She offers $5k to Moran to marry her. She gets parole and moves in with him who lives with his son Timmy and his brother Peter. The usual relationship struggles.

This is notable for director Roger Vadim revisiting his iconic creation. It starts like an erotic B-movie with a naked De Mornay and women's prison. Then it become awkward with an angry Billy Moran. There is so much cheese that it is irredeemably bad. Even the rock music playing is cheesy. Robin Shea is not a compelling character and I don't like their relationship. There is very little appealing about this movie.

I couldn't stop laughing, this could easily become a cult classic for it's over the top writing, acting, music, everything. There were some hotter erotic scenes that were probably the only reason anyone ever watched the entire film. So predictable and ridiculous that it's one chuckle after another, so I guess I enjoyed it a little, but most likely not for the same reasons the film was made.

Apparently I need to write 10 lines of text to be considered a full review, I thought I summed it up in 2 sentences. This movie has no direction, it wants to be too many things and ends up nowhere. My only comment on De Mornay is that although she had her moments, on stage and being sultry, it seems to me she has about as much talent as most strippers.

This film is basically a failed attempt at anything, and a disgrace to the original.