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IMDbPro

The Bold and the Beautiful

  • Serie de TV
  • 1987–
  • TV-PG
  • 19min
CALIFICACIÓN DE IMDb
3.5/10
8.7 k
TU CALIFICACIÓN
POPULARIDAD
1,867
22
Heather Tom, Thorsten Kaye, and Katherine Kelly Lang in The Bold and the Beautiful (1987)
Ver Sneak Peak Trailer
Reproducir trailer0:17
6 videos
99+ fotos
DramaRomanceTelenovela

La saga del glamour de la alta costura, el honor, el romance, la pasión y, lo más importante, la familia.La saga del glamour de la alta costura, el honor, el romance, la pasión y, lo más importante, la familia.La saga del glamour de la alta costura, el honor, el romance, la pasión y, lo más importante, la familia.

  • Creación
    • William J. Bell
    • Lee Phillip Bell
  • Elenco
    • Katherine Kelly Lang
    • Ronn Moss
    • John McCook
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    3.5/10
    8.7 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,867
    22
    • Creación
      • William J. Bell
      • Lee Phillip Bell
    • Elenco
      • Katherine Kelly Lang
      • Ronn Moss
      • John McCook
    • 190Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 139 premios ganados y 474 nominaciones en total

    Episodios9585

    Explorar episodios
    DestacadoLos mejor calificados

    Videos6

    Sneak Peak Trailer
    Trailer 0:17
    Sneak Peak Trailer
    The Bold and the Beautiful
    Trailer 0:27
    The Bold and the Beautiful
    The Bold and the Beautiful
    Trailer 0:27
    The Bold and the Beautiful
    Conflicted
    Video 2:11
    Conflicted
    Friends
    Video 2:22
    Friends
    Track Record
    Video 2:34
    Track Record
    His Idea
    Video 2:26
    His Idea

    Fotos3119

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    Elenco principal99+

    Editar
    Katherine Kelly Lang
    Katherine Kelly Lang
    • Brooke Logan…
    • 1987–2025
    Ronn Moss
    Ronn Moss
    • Ridge Forrester
    • 1987–2015
    John McCook
    John McCook
    • Eric Forrester…
    • 1987–2025
    Susan Flannery
    Susan Flannery
    • Stephanie Douglas Forrester…
    • 1987–2018
    Hunter Tylo
    Hunter Tylo
    • Dr. Taylor Hayes…
    • 1990–2019
    Jacqueline MacInnes Wood
    Jacqueline MacInnes Wood
    • Steffy Forrester…
    • 2008–2025
    Scott Clifton
    Scott Clifton
    • Liam Spencer…
    • 2010–2025
    Thorsten Kaye
    Thorsten Kaye
    • Ridge Forrester…
    • 2012–2025
    Don Diamont
    Don Diamont
    • Bill Spencer Jr.…
    • 1993–2025
    Heather Tom
    Heather Tom
    • Katie Logan…
    • 2007–2025
    Darlene Conley
    Darlene Conley
    • Sally Spectra…
    • 1988–2006
    Winsor Harmon
    Winsor Harmon
    • Thorne Forrester…
    • 1996–2023
    Jack Wagner
    Jack Wagner
    • Dominick Marone…
    • 2003–2025
    Annika Noelle
    Annika Noelle
    • Hope Logan…
    • 2018–2025
    Kimberlin Brown
    Kimberlin Brown
    • Sheila Carter…
    • 1992–2025
    Adrienne Frantz
    Adrienne Frantz
    • Ambrosia Moore…
    • 1997–2012
    Bobbie Eakes
    Bobbie Eakes
    • Macy Alexander Forrester…
    • 1989–2003
    Daniel McVicar
    Daniel McVicar
    • Clarke Garrison
    • 1987–2017
    • Creación
      • William J. Bell
      • Lee Phillip Bell
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios190

    3.58.6K
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    Opiniones destacadas

    1whitefam-84955

    Hope losing Beth! Ridiculous

    How much longer is this show going to make Hope be in pain over losing Beth? I am about to stop watching this show. Then this show is going to have Steffy adopt Hope's baby!! That's wrong as wrong can be!!! Your story line is Ridiculous and I hate it!!!
    dingoberserk

    Glamorous, glitzy and cheesy

    Two things tickle me in relation to this never-ending saga: the illogicality of many situations, and the blatant inconsistencies, hypocrisies, contradictions and double standards displayed by most characters. These two ingredients combine to make up an insidiously alluring cocktail, which may explain why B & B, in spite of its cheesiness, has the potential for becoming addictive, as exemplified by so many testimonials, both within my own social circle and elsewhere (for example, on this website). The principal characters, who are rarely seen engaged in normal activities (such as work), are prone to proclaim their undying loyalty to one another, backed by strong moral principles, family values, marriage etc., then break their promises and behave like alley cats, just a few weeks down the track. One example amongst hundreds: when Brooke is confronted by Taylor with the question: 'How could you sleep with Nick the night you thought your husband had died?', she contrives to look dutifully repentant and says something like 'I don't know how to explain it'. Not very convincing. The endless proclamations of belief in the sanctity and permanence of marriage are contradicted with monotonous regularity by the behavior of most characters. In spite of this, all second, third etc. weddings take place in a chapel in the presence of an (ostensibly Christian) celebrant. Christianity of course, or at least the traditional view of it, is frequently set aside when characters indulge in bitching about one other, undermining the reputation of others, cheating in various ways, etc. The most common method of rumbling the frequent conspiracies is by eavesdropping behind a half-closed door, then charging into the conspiratorial environment and confronting the conspirators with dramatic remarks. Again, not very convincing. There seems to be a tendency, on the part of the scriptwriters, to demonize female characters to a greater extent than male ones. There are no male counterparts to Sheila, Stephanie or Sally Spectra, just to name a few. The glitzy ambiance and would-be glamorous surroundings are an obvious smokescreen, designed to hide the basically vacuous lives of the majority of characters, deprived as they are of any authentic ideals. The mirage works quite well. And one could continue ... in spite of all the above (and more), B & B remains an entertaining soapie which will be missed when, inevitably, the final curtain falls. PS. Incidentally, have any of the characters ever heard of contraception?
    2gadsdee

    Taylor the Bobblehead is worse than the constant consistency

    If it wasn't for the fashion I won't watch this 15min show....commercials make it 30mins. The content is so repetitive it gives me a headache! These stars can do better than repeating themselves 50 times. And stop making Taylor a clueless bobblehead. A renound physiologist? The cashier at IL Guardinos could do better!
    3maryninvt

    BORING.... DRAWN OUT WAY TOO LONG

    I used to like the show but the way it's drawn out with this soap and the Hope/baby story is boarding on absurdity. Week after week goes by and finally someone gets a conscience to tell the truth and then they change their mind. Are the creators and writers of this program so unimaginative that they can't come up with the new storyline, and therefore drag this on and on and on for months? I used to watch it faithfully but now I just tune in once in a great while to see if the truth has come out., but no dice. I guess maybe that'll happen when the kid goes to college. End this stupid storyline and get on with it!!!!
    elshikh4

    "Oh Mom ! You Slept With My Brother !!"

    ..And that's maybe not the worst yet!

    Since the 1950s, soap operas, in radio and TV, had their lovers. However, (Dallas) came out in (1979) to make a great effect on the TV soap operas with its wicked formula of manipulating everybody and everything just for having you on your seat for years! Watch that effect on next soaps like (Knots Landing - 1979) or (Falcon Crest - 1981). But some goods, when outlive for more than their competence, transform into envenomed!

    At first, (B & B) was another, late 80s, so TV-ish, daytime soap. Namely hot, melodramatic and yeah.. boring! But after that, it turned - while keeping itself outwardly glossy - into ugly huge farce.

    I can't say it's a diary of a family. I can't say it's fine thrilling melodrama. I just can say that it's a living exploitation of soap. And you know what? It's successful. So successful indeed!

    (The Bold and the Beautiful), after 22 years and counting, is a real fine example of the kind of drama which some viewers need everyday like a requisite meal to satisfy their hanger; for living a romance, feeling rich, beating enemies.. etc. whatever the acting was, and whatever the manipulation is.

    I somewhat caught on its formula: a sexual desire, a sinful love, a separation between 2 lovers, a wicked plot and a surprise. Then another round. Then another one. Then another with other characters, with new characters, then between the old and new characters, then between them and us maybe!, then the same formula again with the same characters afresh, going on and on, till the end of you, the end of days, or the end its time on screen (meaning: its cancellation!).

    It's a perfect scheme. So loved and long-lived. But who can stand endless storylines, everlasting dialogue, the silence of the actors before cutting to another scene or commercials, and - most of all - the changing of partners?? Whoever can stand all of this, for more than 5500 episodes, I'm surely not one of them. Why is that? Because I don't have non-critic mentality, a desperate passion for melodrama, and that PATIENCE!

    Speaking about the changing of partners thing, I recall a line was said by (Dean Stockwell) in one of (Quantum Leap)'s episodes talking about a soap opera: "Here Sam, everybody is sleeping with everybody!". (B & B) maybe broke this rule since in it everybody slept, sleeps, and will sleep with everybody! Sometimes I think that they have nothing to do in this world but sleeping with each other, then chatter and chatter and chatter, to re-sleep again yet with others. It's not the story of life, it's the life of very profitable story! I know that it got the power to make you sleep in front of it too!

    Did its success become a curse?! I don't completely think so. Not for the actors, since they're all well-paid. Not for the viewers, since they get what they want. But maybe for the writers. These people got to write one work for over than 2 decades?? OH MY GOD! This is, in spite of all the money in the world, so heavy mission to be done. So, based on my compassion, I'll forgive them for such events like the one of my title's line which was the first thing I heard when I tried to continue watching this series again, after years of losing any interest in it (Yes, first I felt panic, thinking that the mom slept with her own son, but I understood it right later!). However, when things reach this far, I invite you to do what I already did: Change the Channel. Believe me, you'll feel so bold and beautiful after!

    In the next episodes I bet you; the son will turn out to the real father of his sister, (Ridge) will turn out to be a brother of his mother, (Eric Forrester) will have a sex change operation, (Brooke) will turn into lesbian (if she didn't yet?!), and I can see the end right now; the aliens will take them all away (it kind of happened before, didn't it?!); and for that alone I'll salute the creative writers. Simply, what can a teleplay writer do.. More?!!!

    Originally, as much the viewers want it, as much it gains more time on air, and so.. that's what has to happen. Though it triumphed over any jesting - even its own - already, being the most-watched soap in the world, with an audience of an estimated 26.2 million viewers in more than 110 nations. So while I believe that it is provoking sitcom; running without laughing tracks or laughing, others don't, and that's in fact what makes it provoking. But everybody got their own classics. This show is classic for some. Classic nonsense for others. GOD!, it is classic both ways!!

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      As of 2025, John McCook and Katherine Kelly Lang are the only actors still in the show since the first episode from 1987.
    • Errores
      The interior of the Forrester mansion does not match the exterior of the house it was based on (creators William J. Bell and Lee Phillip Bell's); the front entrance is the same however from the outside you can see this part of the house is single-story only, whereas inside are high vaulted ceilings and a staircase to the right of the front doors leading to a second floor. The house also has large bay windows on either side of the entrance but these are not present in the interior set.
    • Citas

      Stephanie: You think this is all my fault? You have brought this on yourself.

      Brooke: All I ever did, Stephanie, was to love Ridge.

      Stephanie: And his father, and his brother, and your son-in-law. Is it any wonder Bridget is confused? I mean, is it any wonder your daughter would confuse natural feelings of respect and affection for romance? You have blurred the lines of socially-acceptable behaviour. And you stand here and you tell me you're proud. What are you proud of? Having your son-in-law's baby? I know what you're proud of. Chasing after a man whose wife's body is barely cold in the ground.

    • Conexiones
      Featured in Loufes, thrania & trella sholeia (1989)

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    Preguntas Frecuentes20

    • How many seasons does The Bold and the Beautiful have?Con tecnología de Alexa
    • What happened to Stephanie's daughter Angela?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de marzo de 1987 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • CBS
      • Official Facebook
    • Idiomas
      • Griego
      • Francés
      • Alemán
      • Español
      • Inglés
    • También se conoce como
      • Belleza y poder
    • Locaciones de filmación
      • Monte Carlo, Monaco(location shoot in 2013, 2014, 2015 and 2024)
    • Productora
      • Bell-Phillip Television Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 19min
    • Color
      • Color

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