Yuen Chun Hap yu Wai See Lee
- 1986
- 1h 23min
CALIFICACIÓN DE IMDb
6.7/10
2.1 k
TU CALIFICACIÓN
La acción se desarrolla cuando un policía y sus ayudantes luchan contra el hechicero de la Tribu Gusano, una horrible criatura con forma de bebé, y el "Viejo Ancestro", un esqueleto con ojos... Leer todoLa acción se desarrolla cuando un policía y sus ayudantes luchan contra el hechicero de la Tribu Gusano, una horrible criatura con forma de bebé, y el "Viejo Ancestro", un esqueleto con ojos azules que se transforma en un monstruo.La acción se desarrolla cuando un policía y sus ayudantes luchan contra el hechicero de la Tribu Gusano, una horrible criatura con forma de bebé, y el "Viejo Ancestro", un esqueleto con ojos azules que se transforma en un monstruo.
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If this had been the first Hong Kong action-horror film I'd seen, it would've stuck with me for the rest of my life. Unfortunately, The Seventh Curse comes on the coattails of some of the most crazy, awesome movies I have ever seen from the director Kuei Chih-Hung. Do you want a movie about a character that has a curse that causes wounds to appear on their body, and with gross worms? Watch Bewitched (Gu), which came out five years earlier.
And I know what you're saying, this movie is an adventure, not a Shaw Brothers film-which is definitely true. Seventh Curse often feels like the craziest Spielberg film you've never heard of. But I find it hard to keep thinking that when watching the more graphic and gross-out scenes, reminiscent of something from The Boxer's Omen.
All that being said, I still think it's at least a 6. The effects are great, the sets are particularly great, and Old Ancestor is probably my favorite movie skeleton. He's got that perfect mix of goofy, 80's glowy-eyes, and impressive editing hiding the transition from puppet to stunt actor.
So, is The Seventh Curse worth a watch?
If not for the fantastic skeleton (I seriously cannot state enough how great it is), I'd say no. I think there are other films that accomplish the same things this does with more interesting plots AND more fun. However, you guys gotta see the skeleton. You HAVE to see the skeleton. So yes, watch it.
And I know what you're saying, this movie is an adventure, not a Shaw Brothers film-which is definitely true. Seventh Curse often feels like the craziest Spielberg film you've never heard of. But I find it hard to keep thinking that when watching the more graphic and gross-out scenes, reminiscent of something from The Boxer's Omen.
All that being said, I still think it's at least a 6. The effects are great, the sets are particularly great, and Old Ancestor is probably my favorite movie skeleton. He's got that perfect mix of goofy, 80's glowy-eyes, and impressive editing hiding the transition from puppet to stunt actor.
So, is The Seventh Curse worth a watch?
If not for the fantastic skeleton (I seriously cannot state enough how great it is), I'd say no. I think there are other films that accomplish the same things this does with more interesting plots AND more fun. However, you guys gotta see the skeleton. You HAVE to see the skeleton. So yes, watch it.
I have seen many a horror film in my day; Americain, Canadian, European, Japanese, Korean and Hong Kong. The Seven Curses brings cheesey eighties horror to new heights for gore and blood. Not to say that this is anything remotely scary, but a couple of scenes are brutally gory. Best part of the film: check it out in slow-motion in the scene where they drive the jeep through the worm-tribe's hut and up the steps of the temple. Just after they drive the jeep through the hut, one of the extras is a little slow on his feet and gets PLOWED by the jeep! I can't believe they used that take! OUCH! Anyways, if you're a fan of cheesey horror, and like gore and splatter-fests, check it out. If you like doing the whole MST3000 thing, check it out. If you're a big fan of horror, check it out. Otherwise, find something else to watch...
THE SEVENTH CURSE is an unusual little film from Hong Kong, set in Thailand for the most part and featuring plenty of action and very little plot. It's a dark horror/fantasy that has its basis in the queasy Hong Kong horrors like BLACK MAGIC and HEX, as the central character discovers that he's been put under a 'blood spell' which spells imminent death unless he can kill the evil wizard who put him under it.
This is the most popular of the Chinese film series featuring the character of 'Wisely', a pipe-smoking professor who fights evil in his spare time. Chow Yun-Fat essays the role here, but as this was before he really hit the big time, he doesn't have a great deal of screen time, although he does make the most of when he appears and that bit at the climax is a hoot.
Chin Siu-Ho is a rather stolid lead, and the storyline gets saddled with an ultra-irritating Maggie Cheung as a reporter who tags along for the ride. But the supporting cast is much better: Joyce Godenzi (EASTERN CONDORS) shows up alongside Sibelle Hu, Kara Hui, Yasuaki Kurata, and best of all one of my favourite Hong Kong stars, Dick Wei, who ISN'T cast as the bad guy for a change! Seeing Wei rip up the screen on the side of good is a real treat, and makes this a film impossible to dislike.
Elsewhere, THE SEVENTH CURSE is a film fuelled by effects-enhanced mayhem, featuring all manner of bizarre creations. There's the usual army of black-clad cult members, some acrobatic Buddhist monks, a couple of living skeleton monsters, and creatures that look like the alien from ALIEN in both baby and adult form. The effects are rubbery but fun, and there's plenty of artery-spraying gore for the horror fans to enjoy. Alongside ALIEN, a big inspiration here seems to be RAIDERS OF THE LOST ARK, as THE SEVENTH CURSE has the same kind of madcap, action-heavy exotic adventure. It may not be high art, but it is a lot of fun.
This is the most popular of the Chinese film series featuring the character of 'Wisely', a pipe-smoking professor who fights evil in his spare time. Chow Yun-Fat essays the role here, but as this was before he really hit the big time, he doesn't have a great deal of screen time, although he does make the most of when he appears and that bit at the climax is a hoot.
Chin Siu-Ho is a rather stolid lead, and the storyline gets saddled with an ultra-irritating Maggie Cheung as a reporter who tags along for the ride. But the supporting cast is much better: Joyce Godenzi (EASTERN CONDORS) shows up alongside Sibelle Hu, Kara Hui, Yasuaki Kurata, and best of all one of my favourite Hong Kong stars, Dick Wei, who ISN'T cast as the bad guy for a change! Seeing Wei rip up the screen on the side of good is a real treat, and makes this a film impossible to dislike.
Elsewhere, THE SEVENTH CURSE is a film fuelled by effects-enhanced mayhem, featuring all manner of bizarre creations. There's the usual army of black-clad cult members, some acrobatic Buddhist monks, a couple of living skeleton monsters, and creatures that look like the alien from ALIEN in both baby and adult form. The effects are rubbery but fun, and there's plenty of artery-spraying gore for the horror fans to enjoy. Alongside ALIEN, a big inspiration here seems to be RAIDERS OF THE LOST ARK, as THE SEVENTH CURSE has the same kind of madcap, action-heavy exotic adventure. It may not be high art, but it is a lot of fun.
Loaded with dazzling kung fu, silly monsters, stunts, and cheesy gore, and even managing to throw in the occasional naked oriental chick, The Seventh Curse is sheer entertainment from start to finish.
Chin Siu Ho plays Yuan Chen, a brave adventurer who rescues a beautiful Thai woman about to be sacrificed by the evil (and squeaky voiced) Aquala (played by Cat III fave, Elvis Tsui), leader of a bloodthirsty 'worm tribe'. Unfortunately, as a result of his bravery, he becomes the victim of a curse, which causes a series of arteries to burst from his body. With the seventh 'burst', he will die. However, this fate is postponed (for one year) by Betsy, the woman he has saved (who feeds him part of her breast!).
When, 12 months later, the curse inevitably kicks back in, Yuan Chen must once again head to the jungles of Thailand in search of the cure for his predicament: magical grains of ash from the eyes of a giant statue of Buddha. Unfortunately, this statue is smack bang in the middle of 'worm tribe' country!
Helping Yuan in his quest is a spunky reporter (a young Maggie Cheung), a Thai warrior (Dick Wei), and an expert in witchcraft (Chow Yun Fat). And he needs all the help he can get, since he not only has to battle the 'worm tribe' and its leader, but also a gang of kung fu monks, blood ghosts (vicious little buggers created from the blood of 100 children), and 'old ancestor', a skeletal zombie that can morph into a bat winged monster.
The fight scenes are fast, furious and typically 80s in style (meaning that quite a few people crash through glass); the gore is frequent, OTT and very messy; and the monsters are cheap and cheerful rubber creations that are impossible not to find entertainingmeaning that The Seventh Curse is an unmissable treat for any fan of weird Asian cinema.
Chin Siu Ho plays Yuan Chen, a brave adventurer who rescues a beautiful Thai woman about to be sacrificed by the evil (and squeaky voiced) Aquala (played by Cat III fave, Elvis Tsui), leader of a bloodthirsty 'worm tribe'. Unfortunately, as a result of his bravery, he becomes the victim of a curse, which causes a series of arteries to burst from his body. With the seventh 'burst', he will die. However, this fate is postponed (for one year) by Betsy, the woman he has saved (who feeds him part of her breast!).
When, 12 months later, the curse inevitably kicks back in, Yuan Chen must once again head to the jungles of Thailand in search of the cure for his predicament: magical grains of ash from the eyes of a giant statue of Buddha. Unfortunately, this statue is smack bang in the middle of 'worm tribe' country!
Helping Yuan in his quest is a spunky reporter (a young Maggie Cheung), a Thai warrior (Dick Wei), and an expert in witchcraft (Chow Yun Fat). And he needs all the help he can get, since he not only has to battle the 'worm tribe' and its leader, but also a gang of kung fu monks, blood ghosts (vicious little buggers created from the blood of 100 children), and 'old ancestor', a skeletal zombie that can morph into a bat winged monster.
The fight scenes are fast, furious and typically 80s in style (meaning that quite a few people crash through glass); the gore is frequent, OTT and very messy; and the monsters are cheap and cheerful rubber creations that are impossible not to find entertainingmeaning that The Seventh Curse is an unmissable treat for any fan of weird Asian cinema.
THE SEVENTH CURSE (1986) is something of a companion feature to WITCH FROM NEPAL (1986) a similarly themed Hong Kong supernatural thriller which also features Chow Yun-Fat. CURSE is the more entertaining of the two, thanks to its frequent action and impressive gore effects, although WITCH had a more interesting premise and would have made a better film with more imaginative direction. CURSE has plenty of imagination, but not enough of a story to keep us involved in the twists and turns of the convoluted plot about a Hong Kong doctor seeking to rid himself of a blood curse by going back to Thailand to confront the sorcerer who cursed him. (WITCH was about characters from Nepal who come to Hong Kong to follow the central character.)
SEVENTH CURSE is a film in the `Wisely' series about a young expert in the occult, played by a different actor in each of the films (the others include LEGEND OF WISELY and BURY ME HIGH). Wisely, here called `Wesley' in the subtitles, is played by Chow Yun-Fat, who has only a supporting role as he is called on to help out his friend, the doctor, at various points. Chin Siu Ho plays the kung fu-fighting doctor and may be known to kung fu fans for his roles in the Jet Li films TAI CHI MASTER and FIST OF LEGEND. Maggie Cheung plays a nosy lady reporter, the kind that barges into every dangerous situation imaginable. Dick Wei, the Nepalese sorcerer in WITCH FROM NEPAL, plays a good guy here, a Thai warrior who helps the doctor in Thailand.
There are lots of action scenes involving kung fu combat or shootouts in which the heroes face down dozens of anonymous Thais. The white-faced sorcerer, Aquala, played by Elvis Tsui Kam-Kong, makes quite a formidable villain and has a pack of monsters at his disposal, all created with make-up effects similar to those used in the ALIEN series and numerous Hollywood monster films of the time. Given the lower HK budgets, the effects here are quite good. There is a Crypt-Keeper-style living skeleton called `Old Ancestor' who, at one point, sucks what appears to be the spinal cord from a man's back.
The problem with the gore effects is that no one really takes the monsters very seriously. Chow stands around smoking a pipe incessantly, even in the midst of peril. We're never actually scared by the over-the-top effects. Only Maggie reacts with fright and emotion, although her character is so quick to scream, like so many old monster movie heroines, that we don't really feel any tension. Still, HK fans will be hard-pressed not to drop their jaws at the sight of two of HK's greatest stars, Chow Yun-Fat and Maggie Cheung, battling bloodthirsty reptilian monsters in a giant cave in the film's finale.
There are cameo appearances by kung fu vets Wang Lung Wei, Yasuaki Kurata, and Kara Hui Ying Hung in the opening action scene, a terrorist/hostage/SWAT team standoff in an office building.
SEVENTH CURSE is a film in the `Wisely' series about a young expert in the occult, played by a different actor in each of the films (the others include LEGEND OF WISELY and BURY ME HIGH). Wisely, here called `Wesley' in the subtitles, is played by Chow Yun-Fat, who has only a supporting role as he is called on to help out his friend, the doctor, at various points. Chin Siu Ho plays the kung fu-fighting doctor and may be known to kung fu fans for his roles in the Jet Li films TAI CHI MASTER and FIST OF LEGEND. Maggie Cheung plays a nosy lady reporter, the kind that barges into every dangerous situation imaginable. Dick Wei, the Nepalese sorcerer in WITCH FROM NEPAL, plays a good guy here, a Thai warrior who helps the doctor in Thailand.
There are lots of action scenes involving kung fu combat or shootouts in which the heroes face down dozens of anonymous Thais. The white-faced sorcerer, Aquala, played by Elvis Tsui Kam-Kong, makes quite a formidable villain and has a pack of monsters at his disposal, all created with make-up effects similar to those used in the ALIEN series and numerous Hollywood monster films of the time. Given the lower HK budgets, the effects here are quite good. There is a Crypt-Keeper-style living skeleton called `Old Ancestor' who, at one point, sucks what appears to be the spinal cord from a man's back.
The problem with the gore effects is that no one really takes the monsters very seriously. Chow stands around smoking a pipe incessantly, even in the midst of peril. We're never actually scared by the over-the-top effects. Only Maggie reacts with fright and emotion, although her character is so quick to scream, like so many old monster movie heroines, that we don't really feel any tension. Still, HK fans will be hard-pressed not to drop their jaws at the sight of two of HK's greatest stars, Chow Yun-Fat and Maggie Cheung, battling bloodthirsty reptilian monsters in a giant cave in the film's finale.
There are cameo appearances by kung fu vets Wang Lung Wei, Yasuaki Kurata, and Kara Hui Ying Hung in the opening action scene, a terrorist/hostage/SWAT team standoff in an office building.
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- TriviaUnusual for the time, in Cantonese language versions of the film, the Ni Kuang wrap around scenes were seemingly shot in sync sound rather than dubbed in post. Ni Kuang's character is actually speaking Mandarin.
- Versiones alternativasThis film has at least 3 different endings in every of its release. In the original theatrical release, after the monster-killing climax, there's another by-the-pool-party scene (same pool as seen in the beginning of the film, but is supposed to be another party) in which Maggie Cheung's character (kind of) makes up with Dr Yuen. Then we cut to the original party scene that starts off the movie with Dr Yuen, Wisely, Ai Hong (Ni Kuang - the real author of the two pulp-novel series) and a bunch of beautiful girls. As the author finishes telling the movie's story to the girls, one of them asks if he has another adventure story to tell. The author replies, "Well, we have to see what exciting adventures Dr Yuen and Wisely are going to have." The two main characters come into frame, toast and finish their drink. Freeze frame and comes the music and end credits. In the first video release available in Hong Kong during the late 1980s-early 1990s, the last two scenes were completely cut out, so as the very last close-up of Bachu, the native girl. Instead it is replaced with a two-shot of her and her lover, while the end credits rolls halfly over its freeze frame, halfly over black. Also in that video release, the native girl's nude scenes were partly censored with the explicit body parts blacked out to make the film more "family-oriented". In the DVD edition, the second last scene in the original theatrical release is cut out, whilst the final scene is retained but with end credits rolling over. The original dialogues are replaced with the ending music. One would suspect the reason for the last two scene being cut out in later releases is because they drag on for quite a while, though narratively it is not a bad attempt as the two scenes mirror the beginning of the movie.
- ConexionesFollowed by La leyenda de la perla dorada (1987)
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