Ying hung boon sik

John Woo was responsible for creating a whole new genre with A Better Tomorrow in 1986: the heroic-bloodshed genre. ABT is a groundbreaking movie, and Hollowood blockbusters like "The Matrix" would never have existed, if it hadn`t been for A Better Tomorrow. Chow Yun-Fat was launched into superstardom, after his flawless role in this movie. CYF plays Mark Gor, a Hong-Kong gangster known for his coolness. The actionscenes introduced John Woo`s famous twingun-action, and the quality of the actionscenes is very high. The film is VERY violent, and is not recommended for young people. Though ABT is getting a bit old, it can still show American action-directors how to get things right. 7,5/10

When this film was made in the 1980's Hong Kong cinema was dominated by wushu films and bizarre swordplay movies involving people flying around and other acid flashback inducing scenarios. John Woo was a young director who had done a string of martial arts films, comedies, and musicals. In 1981 he split from Golden harvest and joined Cinema city, after a couple of comedies, He directed the modern day action film "Sunset Warrior" and it was held on the shelf and not released. After the failure of "Sunset Warrior" he was sent to Taiwan and directed another two comedies. Returning to Hong Kong, Woo had always wanted to make a modern day gangster film. Teaming up with friend and producer Tsui Hark, they made a film that would inspire countless films for years to come. Casting Chow Yun Fat who was mainly a television actor as one lead, an old school Kung Fu actor in another and a singer in the third lead role, it was a risky venture which paid off. The script is great featuring lines such as "Do you believe in God?" "sure i'm one, you are, a god is someone who controls their own destiny". There is strong characterisation of the characters, aided on by perfect performances from the actors, The action choreography was excellent and inspired virtually every film made involving guns ever since. It makes you realise that the only thing "the matrix" didn't take from this film and it's sequels is the plot. This is one of my favourite films of all time, and if everyone in the world saw this, I guarantee that the sales of matchsticks and toothpicks would soar.

In the 1980s, Chinese and Taiwanese films stormed into European and American art-house theatres, while for less fastidious audiences, Hong Kong provided cult action films, first Kung Fu pictures then gangster flicks. John Woo became the Crown Colony's hottest director through his kinetic crime flicks that filtered the lyrical violence of Sergio Leone, Sam Peckinpah, and Walter Hill through an Asian sensibility and re-exported it to the States where Quentin Tarantino became a major admirer. Woo's trademarks are the stand-off, where two or more gunmen hold each other at bay, and the ferocious gunfight in which dozens of people are killed and restaurants blown apart as the hero pirouettes and somersaults while blasting away with two automatic pistols to throbbing, synthesized Western music. "A Better Tomorrow" is a characteristic fable of male friendship, stoicism, courage, and men living by a personal code, in which women are marginalized. It made an overnight star of Chow Yun Fat, who appeared in most of Woo's pictures. The handsome, reserved, athletic Chow is the epitome of Hong Kong movie cool, a moral man in an amoral world, his character is much the same whatever side of the law he is on. The movie also introduced Leslie Cheung, who was to become an iconic figure in mainland Chinese cinema.

Two brothers (One a cop played by the late Leslie Cheung, the other a thief played by Ti Lung) become enemies after the death of their father while Chow Yun Fat plays a crippled assassin who teams up with Ti Lung to help protect Cheung from the mob boss that is looking to do him in, while at the same time try to redeem himself in the eyes of his police officer brother. A Better Tomorrow is often reported as the best movie John Woo has done and while it is certainly a superior staple on his resume, the movie's tone is a little off and although the movie is very well done the movie gets a tad too melodramatic at times. However that minor flaw aside A Better Tomorrow provides an unusually rich story that details a rocky relationship that seems to never be forgiven. Indeed even at the end, we doubt whether the brothers will ever be as close as they once were. Ti Lung and Leslie Cheung are very good in their roles but it really is Chow Yun Fat that sells the movie and his performance as an out of work assassin provides a tragic figure that is far more tragic than the relationship between Lung and Cheung. As noted the acting is flawless with Cheung turning in a flawless 180 degree turn in his character. A Better Tomorrow while not the best movie from John Woo, is still a rewarding tale.

* * *1/2 out of 4-(Very good)

In Hong Kong, the gangsters Sung Tse-Ho (Ti Lung) and Mark (Chow Yun Fat) are best friends. Ho's younger brother Sung Tse-Kit (Leslie Cheung) wants to be a police officer and does not know that his brother is a criminal. When Ho travels with another criminal to Taiwan for a negotiation, he is betrayed and arrested by the police. Meanwhile Mark kills the gang that betrayed his friend. After three years, Ho is finally released from the prison and returns to Hong Kong. He finds that Kit hates him and is investigating the Mafia and Mark is limped and in complete misery. But Ho promises that he would not return to life of outlaw and prefers to work as taxi driver. However he is haunted by his past and the need of protecting his estranged brother. .

"Ying hung boon sik", a.k.a. "A Better Tomorrow", is a great crime film directed by John Woo. The good storyline about brotherhood, friendship and loyalty is full of action. The screenplay is tight and Sung Tse-Ho is a nice character incapable to regenerate due to the corrupt system. In the 80's, this movie had a greater impact but it is still a great action movie. My vote is seven.

Title (Brazil): "Alvo Duplo" ("Double Target")