Una francesa se pone en contacto con su ex amante para hacer una película sobre su romance.Una francesa se pone en contacto con su ex amante para hacer una película sobre su romance.Una francesa se pone en contacto con su ex amante para hacer una película sobre su romance.
- Dirección
- Guionistas
- Elenco
Marie-Sophie L.
- Marie-Sophie
- (as Marie-Sophie Pochat)
Philippe Leroy
- Professeur Thevenin
- (as Philippe Leroy-Beaulieu)
- …
Thierry Sabine
- Self
- (material de archivo)
Opiniones destacadas
Twenty years after their affair, the promoter of the Paris-Dakar race Jean-Louis Duroc (Jean-Louis Trintignant) is called by the producer Anne Gauthier (Anouk Aimée) to Paris. After producing a movie that was a complete failure in audience, Anne intends to make a movie about their love. Meanwhile, a serial killer escapes from the hospital, and is found dead, together with the wife of his doctor. "Un Homme et Une Femme" is a delightful and charming classic romantic movie. Unfortunately, director Claude Lelouche decided to make this sequel, using the same cast, twenty years later. I do not dare to say that "Un Homme et Une Femme, 20 Ans Déjà" is a bad movie. However, it kills, for example, the magnificent open end of the original movie, showing what has happened with Jean-Louis Duroc and Anne Gauthier along twenty years. Further, there is a parallel story, and many sub-plots that are completely out of the context, mixing a romantic story with a thriller and a drama. Jean-Louis Trintignant aged too much, and Anouk Aimée is still very beautiful and elegant, but the wonderful chemistry between them is completely lost. My vote is seven because there are some good points, mainly the filming of the romance of Anne and Jean-Louis, like a movie-in-a-movie.
Title (Brazil): "Um Homem. Um Mulher: 20 Anos Depois" ("A Man. A Woman: 20 Years Later")
Title (Brazil): "Um Homem. Um Mulher: 20 Anos Depois" ("A Man. A Woman: 20 Years Later")
Having exquisite memories of the first film, "A Man and a Woman", I looked forward to seeing the sequel, "A Man and a Woman: 20 Years Later."
Yes, there were the famous faces and superb actors (Aimee and Trintigant), looking very little the worse for wear; in other words, wonderful. So expressive, both of them, in facial expression, mood expressions and fantastic acting. However, they are in a losing vehicle, with this film. It is so unmoving, that it relies on several subplots to impart to it some action. Hardly fair to two such stellar actors! They deserve better. And the viewer, alas, deserves better. I am, however, grateful for small things - and if seeing those two magnetic characters again thrilled and elated me...what's a plot? Yes, I would recommend it to any viewer who feels as I do about great actors. Just don't look for anything more; simply bask in their respective glows. Hence, my title: A Bittersweet Viewing Experience.
Yes, there were the famous faces and superb actors (Aimee and Trintigant), looking very little the worse for wear; in other words, wonderful. So expressive, both of them, in facial expression, mood expressions and fantastic acting. However, they are in a losing vehicle, with this film. It is so unmoving, that it relies on several subplots to impart to it some action. Hardly fair to two such stellar actors! They deserve better. And the viewer, alas, deserves better. I am, however, grateful for small things - and if seeing those two magnetic characters again thrilled and elated me...what's a plot? Yes, I would recommend it to any viewer who feels as I do about great actors. Just don't look for anything more; simply bask in their respective glows. Hence, my title: A Bittersweet Viewing Experience.
Often it goes like this - big love come into existence and it is unshared. Often it goes also like this - the feelings between (at least) two lovers are not the same and start at a different point.
People say that is harder for the man to live through separation rather than a woman. He felt it in the beginning weakly but with time the lack becomes a pain and the pain - in crisis. It was absolutely opposite for the woman. In the beginning she felt awfully but with time compared to man she got on her feet in searching another rogue.
For good or for bad this movie makes this stereotype in pieces by showing the more realistic variant of a such possible experience. Was it because of the refinement of a cinema woman and (surprisingly) of a race driver or it was because of the soberness of the producer - this is what I do not know - but the movie was very real, charming, romantic till its end. Was it because of the samba of Vinicius or because the love of a blond - this is what I do not know.
Both protagonists, step back in front of the ambition to take main role in life, find equal language which lead them to the natural end of such adventure. But right then, the feelings which run through us, guiding us as we are their marionettes take part; the feelings of which we are slaves. With them the expected end becomes hard to be predicted.
What about twenty years later? Who knows? Who knows where will lead us our life path. Will it make clear our desires or will present to us new ones. In every case such a try to predict this end grows pale in front of the present intensity of sensual forgetfulness and dottiness but stays very good model of thinking plots, real or not.
http://vihrenmitevmovies.blogspot.com/
People say that is harder for the man to live through separation rather than a woman. He felt it in the beginning weakly but with time the lack becomes a pain and the pain - in crisis. It was absolutely opposite for the woman. In the beginning she felt awfully but with time compared to man she got on her feet in searching another rogue.
For good or for bad this movie makes this stereotype in pieces by showing the more realistic variant of a such possible experience. Was it because of the refinement of a cinema woman and (surprisingly) of a race driver or it was because of the soberness of the producer - this is what I do not know - but the movie was very real, charming, romantic till its end. Was it because of the samba of Vinicius or because the love of a blond - this is what I do not know.
Both protagonists, step back in front of the ambition to take main role in life, find equal language which lead them to the natural end of such adventure. But right then, the feelings which run through us, guiding us as we are their marionettes take part; the feelings of which we are slaves. With them the expected end becomes hard to be predicted.
What about twenty years later? Who knows? Who knows where will lead us our life path. Will it make clear our desires or will present to us new ones. In every case such a try to predict this end grows pale in front of the present intensity of sensual forgetfulness and dottiness but stays very good model of thinking plots, real or not.
http://vihrenmitevmovies.blogspot.com/
Hi just greetings.. I was born in 2002, and it is amazing to see how time flickers... hope all reviewers have a good life.
Sometimes Claude Lelouch makes good films or masterpieces, sometimes not at all.
This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...
But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.
In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.
As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.
This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...
But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.
In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.
As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.
¿Sabías que…?
- TriviaSalomé Lelouch's debut.
- ConexionesFeatured in Rémy Julienne: 50 ans de cascades (2013)
- Bandas sonorasUn Homme et une Femme
Music by Francis Lai
Lyrics by Pierre Barouh
Performed by Richard Berry and Liliane Davis
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- How long is A Man and a Woman: 20 Years Later?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- A Man and a Woman: 20 Years Later
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 227,510
- Tiempo de ejecución1 hora 52 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Un homme et une femme, 20 ans déjà (1986) officially released in India in English?
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