Ola de sangre

A million dollars... A million dollars... I could have made a better slasher flick with the Blair Witch budget! I was having a pretty peachy day when I found out that my favorite bad movie cost approximately one million dollars to make. What kind of idiot gave this guy a million dollars? And to make thing worst he made two sequels. It is the best worst movie of all time, but it was a lot better when I thought an amateur adult film director made this flick with about the same amount of money his past projects cost. Sorry if I have insulted anyone, but after all my pick for the worst film of all time is not even on a single list.

After reading the other reviews of this film, it seems many people measure quality by the amount of money that went into a production. Go figure... Truth or Dare? - A Critical Madness was indeed made on a shoestring, but writer/director, Tim Ritter displays more imagination in 5 minutes than any of today's big budget horror films can manage in 2 hours. Ignore the naysayers and see this little gem from the 80s. Serious horror fans need only apply.

This film is truly one the crown jewels in the kingdom of So Bad It's Funny. This charmer was shot in the mid 80's and it follows the exploits of Mike Strauber, a schmuck who has the worst luck with women. Upon returning home from work he finds his big-breasted hottie wife doing the nasty with their best friend, he obliges them with a hilarious dramatic reaction before taking off in his gold Firebird to, uh, drive around for a long, long time. As the story unfolds, we see poor Mike suffer a nervous breakdown that results in hallucinations and self-mutilation. It's all the more tragic because this poor slob can't even get an IMAGINARY girl to score with him! Anyway, we spend the rest of the movie finding a masked, disfigured, murderous Mike out to exact revenge upon his good-for-nothing cheating wife with the great tits. Of course along the way he manages to kill a number of innocents including: a group of old people at a Bus Stop, a little leaguer, some cops, a couple of "punk rockers" and even a baby in carriage using a number of weapons including a submachine gun and a battle mace! "Truth Or Dare" showcases some of the worst acting, wrting, and music ever committed to film, and believe me, it all works in this film's favor! If you're looking for 90 minutes of sick, jaw-droppingly bad horror hilarity, this is the film for you!

Truth or Dare is a campy, sadistic, truly warped horror movie. Shot on videotape and transferred to film, it actually benefits from its amateurishness, resulting in a genuinely disturbing experience that really packs a punch. This is one of the very few movies where video photography actually contributes the atmosphere instead of destroying it. It's incredibly gory and shows things that mainstream films wouldn't even imply. Where else are you going to see a baby run over by a car and a little boy chainsawed? And what's really interesting is that you never know where it'll go next. You think it's going to be a standard get-out-of-the-asylum-and-terrorize-the-ex-wife stalker plot, but things take a series of unexpected twists, with the bloodbath getting more and more demented. There are many moments where you don't know whether to laugh, scream, or get sick.

There are the usual bad-movie routines. The acting is variable--Kerry Ellen Walker, as the frizzy-haired hitchhiker chick, seems to have been plucked directly from a high-school production of Bye Bye Birdie. At the climax, the copper mask pulsates when the killer breathes. Still, it's all so numbingly brutal and unsettling that you can suspend disbelief ("hmm...very thin copper, apparently") and get dragged along on the bloody joyride. Kay Reed sings the hyper-dramatic theme song, "A Critical Madness," which is the source of my summary quote. Truly unforgettable, and not for the faint of heart or those concerned with "taste." As if children are immune to death!

I was at the video store with my friend, and while trying to find a third movie, I mentioned this, and she took it from the shelf and said, "We're getting this. Come on."

Ugh, of all the movies....

There are bad horror movies (which I've had my fill of) and there is this. This movie probably could have been disturbing or bizarrely entertaining, but it just sort of came off as tiresome and plodding.

If you've read the other reviews, you've gotten some idea of the plot. I hadn't really understood what the movie was about, but it's as basic as it seems. A guy comes home to find his wife cheating on him with another man. He leaves, and slowly goes insane (well, actually, it's pretty quick) and begins playing these sick Truth or Dare games, first with a hitch-hiker he imagines and goes on a camping trip with, and then in the mental hospital with two inmates after he kills his wife's lover and tries to kill her. He eventually breaks free from the hospital, wearing a weird copper mask, and goes on a senseless, inane killing spree. Throw in two detectives and a return trip to finally kill off the wife, and you've got a movie. Not a very good one, but a movie.

Yes, the film is gory at times. There's gratuitous violence, a few scenes of nudity, and virtually no structured plot. Some people can appreciate that. Yet, somehow, this is a really boring movie! It all gets so routine and actually quite slow that you'll find yourself getting quite tired. It's also quite ridiculous. People are being killed in public, and no one else notices. (ie: the three people at the bus stop) And it's also a bit tasteless. (Come on, running over a mother and baby?)

The one thing I feel almost obliged to note is the song during the closing credits, properly titled "A Critical Madness," sung by some hack and her choir from a church (!) Listen to this song, I dare you, it's almost disturbing. I found it to be the only entertaining part of the movie.

Do I recommend this? What do you think? I guess if you need to see it to see what the deal is with this movie (like I did) sure, see it. But really...you could do better.