Los Autobots deben detener a un colosal robot consumidor de planetas que persigue la Matriz de Liderazgo Autobot. Al mismo tiempo, deben defenderse de un ataque total de los Decepticons.Los Autobots deben detener a un colosal robot consumidor de planetas que persigue la Matriz de Liderazgo Autobot. Al mismo tiempo, deben defenderse de un ataque total de los Decepticons.Los Autobots deben detener a un colosal robot consumidor de planetas que persigue la Matriz de Liderazgo Autobot. Al mismo tiempo, deben defenderse de un ataque total de los Decepticons.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
- Unicron
- (voz)
- Kranix
- (voz)
- Astrotrain
- (voz)
- Prowl
- (voz)
- …
- Grimlock
- (voz)
- Spike
- (voz)
- …
- Cyclonus
- (voz)
- …
- Quintesson Judge
- (voz)
- (as Rege Cordic)
- Jazz
- (voz)
- Inferno
- (voz)
- (escenas eliminadas)
- Perceptor
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Peter Cullen will always be perfect as Optimus Prime, a stern but gentle presence who always feel like the ideal leader because of his kindness rather than his stoicism. Judd Nelson as Hot Rod is a worthy successor, he has the ideals and heart of Prime but the maturity isn't there yet, a perfect contrast.
The biggest downside to the film is the few comic relief characters who mostly consist of talking nonsense at a very fast pace, usually in a high pitched voice to make them even more grating. Eric Idle is probably the best and definitely the least annoying but still a real waste of talent on what could've been a genuine scene stealer.
Nelson Shin's direction is really good, it peaks early on with a first 30 mins that's one extended battle sequence with genuine stakes and the transformations are so satisfying and comprehensible. The animation looks good overall, maintaining the look of the show with a bigger budget but struggles in a few places.
The soundtrack is amazing, the most 80s songs ever created will just randomly play whenever action happens and it enhances rather than detracts. The Touch and Dare appear twice simply because they're the best and the Transformers theme itself is just beautiful.
If you think I'm going to get all gooey and teary-eyed then go into nostalgia overload then forget it because I'm not. I say this with a straight face and a critic's eyes: this is a good film. It may be a two hour toy commercial. It may have made zip at the box offce. It may get bad press from idiotic fossils that just aren't prepared to make the effort to tap into the universe the film is set in. But the fact remains that to anybody that's grown up with Transformers, this film is marvelous. Why? Because it does it right! The characters act right. The style is right. It's all done so perfectly that no right minded Transfan could possibly complain. How many Batman fans (and I mean real Batman fans) can honestly say the same thing about their film franchise.
It's easy to get preachy about the violence in a film aimed at kids. It gives the moral majority something to do other than examine each Disney film for subliminal messages. I found it refreshing to actually see this kind of film refuse to pull its punches. It's an action film without tapping into the over-sentimental gushy stuff that usually turns kids off anyway. This is a war. Death and violence are part of it. Will it effect the children that watch it. Maybe, but I don't know which way. I saw first saw the film when I was 7. I saw all of my favourites get blown apart. I saw my absolute, total, complete and utter hero, the person that personified all that was good and noble to me (you know who I mean) get killed saving his friends in an ultimate display of bravery and courage. I cried. My mum cried. I still do. I think that one moment made me more afraid and ashamed of death and destruction than a dozen Private Ryans.
The animation is top notch, there's an amazing soundtrack and the voice talent is good too. Not perfect, but Nimoy's portrayal of Galvatron is incredible. Espicially when you consider that it was probably done as a 'For the money not the art' job. The script isn't bad either. It has a host of sharp, quotable one-liners that would put Bruce Willis to shame ("I've got better things to do tonight than die.") The story is a rip off of Star Wars but what isn't and who cares? It's cool. The animation is superb. I said that earlier but I really do believe that it's better than Disney at some points. Certainly better than the average output at the time. It doesn't compare with today's graphics but it hasn't aged badly at all. The sountrack can sound a little too cheesy at times but the energy and verve of the film is there and it backs up the visuals with ease.
In the end it won't matter. This film won't mean a thing to anybody that doesn't know who Jazz, Bumblebee and Soundwave were to begin with. They won't watch it. They won't like it. And you know what? We don't care. Those of us that can name all five mebers of the Stunticons know better. They gave us what we wanted. And we remain eternally grateful.
They should, however do a 2004 or 05 version revisiting OptPrime and MegaT - Imagine Pixar or whoever doing this movie it would look serious. Dinobots forever, (I dislike with a passion that stupid animal transformer series where Optimus Primal has to twist his whole body to transform. He looks rather stupid.
a must own for all animation fans.
¿Sabías que…?
- TriviaOrson Welles' final role. He completed his dialogue on October 5, 1985, five days before his death.
- Errores(at around 20 mins) When Optimus Prime arrives at Autobot City and begins wiping out Decepticons, he is seen shooting Soundwave. However, Soundwave is clearly seen later on unhurt, carrying Megatron's damaged body.
- Citas
[before their final battle]
Megatron: [surprised] Prime!
Optimus Prime: One shall stand, one shall fall.
Megatron: Why throw away your life so recklessly?
Optimus Prime: That's a question you should ask yourself, Megatron.
- Versiones alternativasMetrodome Distribution released a 'reconstructed edition' of the movie in September 2005. The film was completely restored from the original film image for this DVD release. Metrodome went back to the original 35 mm (1.33:1 ratio) full frame negative and placed it within a widescreen format of 16:9 by creating an anamorphic transfer that respects the film's full screen format. The result is a side-curtained 1.33:1 image within a 1.78:1 ratio that fully preserves the entire field of potential viewable negative and presents the complete image with the maximum amount of visual detail possible.
- ConexionesFeatured in Stan Bush in Concert with Vince Dicola: Botcon '97 (1998)
- Bandas sonorasInstruments of Destruction
Written by Ernest Petrangelo, Robin Ward and Steven Serpa
Performed by NRG
Produced by NRG
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Transformers: The Movie
- Locaciones de filmación
- Nueva York, Nueva York, Estados Unidos(Sunbow Productions)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,849,647
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,779,559
- 10 ago 1986
- Total a nivel mundial
- USD 5,862,568
- Tiempo de ejecución
- 1h 24min(84 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original aspect ratio)