El niño rata

Long ago, when I was a child, I had seen part of this movie. From what my memory had recalled, I had liked what I'd seen. Boy, was I wrong. I haven't seen this movie anywhere to rent for a long time, and then one day I saw it for sale for a few bucks in some discount bin in a video store. I'd figured I'd pick it up and see what I had missed since my original viewing. I watched it and was not sure what to think about it. First off I hated Sondra Locke. She was not funny, very annoying and had the worst outfits I have ever seen on a woman. The box of this movie promotes it as a comedy. Well I didn't really think that this rating was appropriate, since the only time I laughed was when the actors tried to act. Ratboy has no emotion (which was what the movie was trying to promote), and whenever he talked I couldn't understand what he was saying. Some of the supporting characters were alright, I enjoyed Nipsy Russell and Robert Townshend, and Gerritt Graham and Louie Anderson were okay, I also enjoyed seeing cameos from Bill Maher, John Lovitz and "Diz" from the TV show Out of Control. Other than that I feel that this movie should have never been made. But I cant change the past, so if your in the mood for a boring "comedy", and if you can find this movie anywhere, maybe you should check it out, but I don't recommend it.

When Clint Eastwood and Sondra Locke were still an item, Eastwood helped Locke make her directorial debut with this movie through his production company Malpaso. Though Eastwood has typically shown a good batting average when picking projects, this movie joins efforts like "Pink Cadillac" that have you thinking, "What were you thinking, Clint?"

Actually, much of the failure of "Ratboy" falls on Locke's shoulders. The first mistake she made was casting herself in the movie; Locke has never been a good actress, and this movie is no exception. As for her direction, the movie is a mess. Sometimes it's serious in tone, sometimes it's satirical, and sometimes its tone is downright farce. The movie never finds a consistent tone, so it's hard to get involved with what's happening.

It also doesn't help that the characters' actions are more often than not unbelievable, even when the movie tries to be serious. And while the title character can speak, there is surprisingly little effort to get into his head and learn what he's thinking or feeling.

In fairness to Locke, some of the mess was probably not her fault. The story, either through an inadequately written screenplay or (more likely) being hacked up in the editing room, has a number of moments where it's clear that certain plot details are blatantly missing. There are plot threads that seem to start in midstream, or are never resolved at all.

What all this results in is a real mess of a movie, and it's easy to see why Warner Brothers barely released it to theaters.

i like rats. i like boys. why wouldn't i like this film? i can't rank it as high as "return to oz" or "the neverending story" or any of the delightfully twisted cinematic acid-trips of my childhood, but it has its charm as a modern fairy-tale. one of few "family films" that actually doesn't make me want to wretch. not one of the worst movies ever made, but not one of the best either.

The idea must have looked bizarre on paper: a poignant comedy-drama about a half-human, half-rodent orphan found living in an LA dump, groomed to be a media sensation, and exploited by various Hollywood hustlers in search of a quick buck. It could have been an intriguing fantasy of show-biz manipulation, but like its title character the film cowers timidly in a corner, unwilling to break free from convention. Actress-turned-director Sondra Locke doesn't shy away from unflattering characterizations (she herself plays a ruthless opportunist using Ratboy as her ticket to fame), and wisely doesn't disturb the air of unreality around the story (no one, for example, shows much interest in Ratboy's origins). But the title character himself is never more than a transparent metaphor, and once that idea is exhausted nothing is left except a few gratuitous car chases and an ending drenched in post-E.T. pathos. The French apparently loved it, but keep in mind these are the same cinephiles who consider Jerry Lewis a comic genius.

Ratboy is, quite simply, one of the finest motion pictures ever made. It certainly earns its status amongst cinema's greatest achievements. Like It's a Wonderful Life and Freaks, Ratboy was a critical and commercial failure during its time, but will no doubt one day receive the accolade and recognition it so richly deserves. Sandra Locke's portrayal of Ratboy's friend/mentor is nothing short of galvanizing. Cinematography, direction, writing, and sound are second to none. And the whole atmosphere of the film (along with one of the most empathetic, intriguing, and likable protagonists ever), is nothing short of remarkable. Ratboy is a film that must be seen!