La chica de rosa

Possible spoilers: To hell with the Duckie vs. Blane question. Steff's the only interesting one.

1. He's fearless: Duckie's afraid to tell Andie he loves her, Blane's afraid of his friends, but Steff walks up and hits on her right in front of his friends without caring what they'll think. He exploits Blane's shame about Andie but clearly feels no shame himself.

2. Duckie's suffering puppy love, Blane's just curious, but Steff has been after Andie for years. When he says it's "not *only* for sex," he's probably telling the truth, in his own sarcastic way. Key scene, when Blane and Andie walk in on Steff and Benny Bimbo, and Steff clearly wishes he were with the hot geeky girl, instead of the vapid blonde, even if Benny is better-looking, sexually available, and approved by his friends. And it's not only the challenge attracts him to Andie: despite his arrogance, he's probably been turned down before. He just suspects that with Andie, he'd have something real, and with Benny, whether her ecstasy is real or faked, it will be conducted according to "Cosmo."

3. He's willing to fight for what he wants, i.e., sabotaging Andie's relationship with Blane. OK, he's fighting dirty--but he's fighting at all. The others are about as decisive as Hamlet.

Right, enough deep thought devoted to what should probably be regarded as another teen movie. I give full credit to Spader, who fleshed out what could have been a one-dimensional baddie by making him really interested in Andie in his own sociopathic way, instead giving lip-service to a script that could have been played with the character being vicious solely out of hurt pride and snobbery.

John Hughes knows the 80's. And this proves it. The film is a drama/comedy about a teenage girl and her problems in social and family life. Though I am a guy, I identified with a lot of the problems and I thought there was so much to like in this film. It's just that this is a little softer than the other Hughes films. Maybe cause he didn't direct it. Molly Ringwald gives her best yet and Harry Dean Stanton has never been more tender. Good 80's film, but not in the best column. By the way, Andrew Dice Clay appears as a bouncer, so pay attention to his part which highlights the film for me. A

It is hard to believe that this was 13 years ago. Has it really been that long since we said goodbye to the Brat-Pack? When I watched Pretty In Pink it made me laugh, but more importantly it brought me back to a time that was fun, had less pressure ( in some ways ), and there were a plethora of films that were made aimed at us teens. The early 80's will at least partly be remembered as a time when teen flicks ruled. Everything from Fast Times and Porky's to The Breakfast Club and Pretty In Pink, they were all there and they all tried to do the same thing. Entertain. Sure John Hughes always seemed to have some heavy issues in his films, but ultimately his films were there for us to enjoy for 90 minutes. Pretty In Pink is one of the best at accomplishing that.

What makes this film such the standout that it is, is everything really. The actors were fresh and cool. The dialogue was smart and easy for us to relate to. The situations of love covered areas that we have probably all been through. There was the unobtainable love that just seemed like a fantasy. There was the two really good friends, one male and one female, that just weren't meant to be lovers and the heartbreak that one is inevitably going to experience. There was perhaps not being accepted by your love interests peers and so on. Watching this film I could understand how Duckie felt. I could feel his anger when he watches his best friend, and his secret love interest, date the personification of what ( and Andie ) consider the personification of snobbery. She has probably complained many a night about how she is tired of being treated unfairly just because she wasn't born with a silver spoon in her mouth, and now she dates one. I could feel Ducky's pain. And that can be attributed to John Hughes for writing a brilliant script, but also to Jon Cryer for making his character what he is. You can sense his insecurities and his undying devotion to a girl that he knows he will probably never get. And when he sits with Andies dad and chats about love, there is one of the greatest lines in the film. Jack ( Harry Dean Stanton ) tells him that you can't force love, it is either goging to happen or it isn't. You can't control these things. And that is what makes love so painful. While you may be perfect for someone, that someone wants the perfection of someone else. And that sucks, love's a bitch Duck. Love's a bitch.

Pretty In Pink epitomizes everything that made the 80's a great time for teen flicks. Secret loves, proms, a great soundtrack and John Hughes. What more can you ask for? This is one of the best.

Okay, I understand that John Hughes apparently changed the ending to this film at the last minute because he didn't want to send the message that rich people and poor people don't belong together or something. Now, I'm not saying that the supposed point of the movie as it stands isn't a good one--that social and financial differences should not come between two people in love. The problem here was simply that the whole film up to the very end was designed with Duckie in mind as Andie's final choice, and that influenced the plot and characters greatly.

For the current ending to work, the director would have needed to alter both the male leads a bit, adding a stronger character to Blane and making Duckie a little less endearing and a little more annoying (and perhaps putting a little more effort into finding him a substitute love interest...that thing with the blonde at the prom just came off as kind of annoying). I don't know about anyone else, but I was too busy feeling sorry for Duckie to really enjoy the relationship between Andie and Blane, although it might have had some potential otherwise.

Although John Hughes didn't direct this film, his steady hand is evident all throughout in this much more serious story about a poor girl and a rich guy who want to be together despite all odds against them. Despite the more serious tone of this movie, it still has some funny and touching scenes, most of them featuring Duckie, the best friend of Andie and perhaps the man that truly loves her. However, she has her heart set on Blane, the rich preppie who claims he doesn't act like his snobbish friends do but it is hard to tell at times.

What makes this movie so great is how it is willing to treat all these kids as adults in real situations and real emotions. The acting accentuates these overtones with Molly Ringwald in perhaps her most sophisticated role, Jon Cryer as the lovable Duckie, Andrew McCarthy as Blane, and James Spader in a perfectly devilish role as Steff, the worst of the bunch by so smooth and relentless, it is hard not to be impressed by him. All in all, this is one of the better 1980s teen movies and one that I think people will remember more fondly as it isn't so overtly unique that people can relate to the characters and feel for them. Unfortunately, it was essentially the end of the Molly Ringwald-era, but her memory in these three Hughes movies will always stay with us.