Piratas

Back when I was a kid, this was one of the movies we taped from TV and watched several times. Turns out it's so obscure the imdb search function doesn't even turn it up when you write the exact title..

As an adult, I learned that the critics hated it for being messy, jumbled, and for Polanski's morbid sense of humor. This didn't really surprise me - as a kid I could never get a grasp of the plot, but I remembered the rat dinner scene *very* well, and I didn't laugh.

Rewatching it as an adult, I agree it's messy and has tonal issues. Is it an action/adventure movie, a light comedy, or a black comedy? There's a kind of nihilism to it, but then there's also a lot of innocent slapstick. Either way the sets and costumes remain fantastic, the acting is uniformly excellent (with one important exception), and there are a lot of great details, especially in the Captain's interaction with other characters, that I didn't discover before. I also enjoy the score.

However, another thing that strikes me as an adult, is exactly how terrible Cris Campion's performance as the Frog is. The man doesn't act. He has this sad-eyed/gloomy/tired look that you sometimes think is his acting, but then you realize he has that same expression all throughout the movie! And with his role being so central, and the others acting so well, he really stands out. And it really hurts the movie, not least the love story. (Except the moment when they kiss under that bed. I...like that moment.) I realize it was Campion's first movie, and that's probably why, but what was Polanski thinking, casting a newcomer in a lead role like that?

Come to think of it, it reminds me of Orlando Bloom's casting in the equivalent "passionate lover" role in Pirates of the Caribbean. They hadn't realized yet what a terrible actor he is, because as Legolas he was meant to be stone-faced. I'm not sure who was worse... Maybe Campion.

One more thing: Anyone else find the "eating the Frog" scene ridiculous? Yes you'd feel thirsty, but the hunger dulls after a while of starving, and even if you felt the hunger, there's no way you'd have the energy to chase someone like that after days (weeks?) on a raft. You'd be exhausted from the sun.

Oh well. It was fun to see the movie again.

This enjoyably foolish romp was apparently a flop, and mauled by the critics. Why? Good question. I speculate three reasons: lack of an obviously American lead and presence, an opening set-up that pays off in the long run but doesn't provide a beginning with a bang, and an anarchic, politically incorrect, almost amoral tone that was not digestible to Disneyfied mainstream audiences. These, and the length of the piece, would have been strengths if this had been released as a children's book, and I further speculate that it would have been well received in such a format, as a homage to old stories like Treasure Island. It could then have been adapted into a hit movie (with more explosions and an ethically impeccable American hero who does get the girl in the end).

As it is, there is much to admire, delight and entertain, with legitimate criticisms being some of the dodgy casting and (lack of)linguistics (especially as regards the Spanish characters) - Walther Matthau's gloriously over-the-top performance honourably excepted - some lapses of logic in the plot (why doesn't the Frog just swim after the rowboat and bring it back when they get stuck on the chain?), and the fact that it is slightly too long.

Ripe for a sequel, if, like me, you ever wondered what happened to Cap'n Red and his beloved throne, and The Frog and his beloved Dolores.

Pirate movies are few and far between. Its hard to get people to buy off on a script containing ~40 minutes of "Arrrr" and "Aye Matie".

However, Pirates is just a great fun romp through being a nasty, dirty, pirate. This is one of Walter Matthau's best roles. He literally becomes Captain Red. At no moment do you associate this man w/ any of this other roles.

Too many jokes and gags to list, but not a comedy in the traditional sense. It is an adventure first with humor thrown in.

Less of a comedy and more adventure than Yellowbeard. Darker, deeper, better, and less glitzy than Cutthroat Island. All around, a great classic pirate movie and virtually defines the genre.

Roman Polanski's Pirates, starring Walter Matthau as the avaricious Captain Red, is an absolutely hilarious comedy/adventure. The cast of characters is varied and interesting and the sets appear very authentic. The movie contains excellent dialogue, good swashbuckling choreography and plenty of physical humour which borders on the bawdy at times. The story is simple and dynamic and is completely driven by the characters.

I like this movie for its characters. Each one's desires become the focus of fanatical efforts. Throw in some fascinating (though often exaggerated) character quirks, and the cast makes this movie. The rough, oafish Captain Red desires gold. The handsome, quiet Frog desires Dolores. The stiff, foppish Don Alfonso desires power. In the end, who will get what he desires? Most assuredly not EVERYONE.

I only have ONE favorite movie and this is it. I know it is not for everyone (my wife hates it). However, for Matthau fans, or fans of the historical genre, this movie is a fun night out with plenty of laughs. I recommend it strongly.

I agree with many of the comments here, but most have opted to concentrate on Walter Matthau's (forgive the spelling if it's wrong) delicious performance as Captain Red. While it is undeniably brilliant - a few dodgy accent moments aside - especially when you consider how few risks many actors take with their casting, I would like to draw attention to a fine performance by Cris Campion as The Frog. When I was watching this again the other day and getting my girlfriend to watch it, she at first despaired when I told her the frog was the romantic lead. I told her to have patience, and at the end she could, after all, see why he was the object of Dolores' love. Head and shoulders above nearly all young actors around at the moment, Campion exudes passion, swashbuckling- derring-do and smouldering charm as well as being an excellent foil for Matthau's comic exertions. This makes his love story with Dolores all the more heightened and genuinely affecting. In many modern "buddy" films, the onscreen duo have no chemistry and are simply put together to maximise box office interest, but Matthau and Campion are a perfectly matched pair, the frog's unfaltering loyalty to his captain matching Red's utterly selfish backstabbing. You get the feeling that if there is one person in the world that Red would not betray, it might be the frog - even if he might eat him!