Piratas

This film is one of Polanski's masterpieces. He did to pirate movies what Sergio Leone did to western: showing the opposite of the usual sancticised glamorous movie portrayal of an era, yet achieving an epic effect, and images you want to see again and again.

But a difference to Leone, beyond a high dose of irony and situation comic, is the bittersweet ingredient of the Central-Eastern-European experience, of lack of success and constant failure, constantly hitting all of our heroes in the film.

Memories of living under communism might have also played a role in the (for me) most memorable part of the movie, the failed mutiny followed by the successful mutiny aboard the Spanish ship: the way the aristocrats have power over the people, and make Captain Red and The Frog eat the rat. And then, hilarious juxtaposing, the mutiny is like a parody of a communist revolution.

But the best thing about the film are the actors. Walter Matthau is at his best as the grumpy old liar Captain Red, Damien Thomas is terrific as Don Alfonso the hyper-arrogant Spanish aristocrat who'll never loses his superiority, Roy Kinnear the embodiment of ugliness as the Dutch, and also the young no-names Cris Campion (playing The Frog, the naive young Frenchman at Captain Red's side) and Charlotte Lewis (playing the even more naive daughter of the governor).

Back when I was a kid, this was one of the movies we taped from TV and watched several times. Turns out it's so obscure the imdb search function doesn't even turn it up when you write the exact title..

As an adult, I learned that the critics hated it for being messy, jumbled, and for Polanski's morbid sense of humor. This didn't really surprise me - as a kid I could never get a grasp of the plot, but I remembered the rat dinner scene *very* well, and I didn't laugh.

Rewatching it as an adult, I agree it's messy and has tonal issues. Is it an action/adventure movie, a light comedy, or a black comedy? There's a kind of nihilism to it, but then there's also a lot of innocent slapstick. Either way the sets and costumes remain fantastic, the acting is uniformly excellent (with one important exception), and there are a lot of great details, especially in the Captain's interaction with other characters, that I didn't discover before. I also enjoy the score.

However, another thing that strikes me as an adult, is exactly how terrible Cris Campion's performance as the Frog is. The man doesn't act. He has this sad-eyed/gloomy/tired look that you sometimes think is his acting, but then you realize he has that same expression all throughout the movie! And with his role being so central, and the others acting so well, he really stands out. And it really hurts the movie, not least the love story. (Except the moment when they kiss under that bed. I...like that moment.) I realize it was Campion's first movie, and that's probably why, but what was Polanski thinking, casting a newcomer in a lead role like that?

Come to think of it, it reminds me of Orlando Bloom's casting in the equivalent "passionate lover" role in Pirates of the Caribbean. They hadn't realized yet what a terrible actor he is, because as Legolas he was meant to be stone-faced. I'm not sure who was worse... Maybe Campion.

One more thing: Anyone else find the "eating the Frog" scene ridiculous? Yes you'd feel thirsty, but the hunger dulls after a while of starving, and even if you felt the hunger, there's no way you'd have the energy to chase someone like that after days (weeks?) on a raft. You'd be exhausted from the sun.

Oh well. It was fun to see the movie again.

Captain Red (Walter Matthau) runs a hardy pirate ship with the able assistance of Frog, a dashing young French sailor.

Featuring a peg leg, cannibalism, a mutiny... this has everything that a pirate film should have. Fans of the Johnny Depp films may like this -- many of the scenes look like the exact same sets were used.

Written and directed by Roman Polanski and unlike anything else he has down. I could draw a line to "MacBeth" because of the period costumes, but that is the biggest connection i can force. Roman Polanski conceived this film several years before he actually made it. He had hoped to cast Jack Nicholson as Captain Red, and himself as The Frog. I think I would have enjoyed that more.

Roman Polanski's Pirates, starring Walter Matthau as the avaricious Captain Red, is an absolutely hilarious comedy/adventure. The cast of characters is varied and interesting and the sets appear very authentic. The movie contains excellent dialogue, good swashbuckling choreography and plenty of physical humour which borders on the bawdy at times. The story is simple and dynamic and is completely driven by the characters.

I like this movie for its characters. Each one's desires become the focus of fanatical efforts. Throw in some fascinating (though often exaggerated) character quirks, and the cast makes this movie. The rough, oafish Captain Red desires gold. The handsome, quiet Frog desires Dolores. The stiff, foppish Don Alfonso desires power. In the end, who will get what he desires? Most assuredly not EVERYONE.

I only have ONE favorite movie and this is it. I know it is not for everyone (my wife hates it). However, for Matthau fans, or fans of the historical genre, this movie is a fun night out with plenty of laughs. I recommend it strongly.

I agree with many of the comments here, but most have opted to concentrate on Walter Matthau's (forgive the spelling if it's wrong) delicious performance as Captain Red. While it is undeniably brilliant - a few dodgy accent moments aside - especially when you consider how few risks many actors take with their casting, I would like to draw attention to a fine performance by Cris Campion as The Frog. When I was watching this again the other day and getting my girlfriend to watch it, she at first despaired when I told her the frog was the romantic lead. I told her to have patience, and at the end she could, after all, see why he was the object of Dolores' love. Head and shoulders above nearly all young actors around at the moment, Campion exudes passion, swashbuckling- derring-do and smouldering charm as well as being an excellent foil for Matthau's comic exertions. This makes his love story with Dolores all the more heightened and genuinely affecting. In many modern "buddy" films, the onscreen duo have no chemistry and are simply put together to maximise box office interest, but Matthau and Campion are a perfectly matched pair, the frog's unfaltering loyalty to his captain matching Red's utterly selfish backstabbing. You get the feeling that if there is one person in the world that Red would not betray, it might be the frog - even if he might eat him!