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IMDbPro

9 1/2 semanas

Título original: Nine 1/2 Weeks
  • 1986
  • R
  • 1h 57min
CALIFICACIÓN DE IMDb
5.9/10
46 k
TU CALIFICACIÓN
POPULARIDAD
3,376
1,430
Kim Basinger and Mickey Rourke in 9 1/2 semanas (1986)
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Reproducir trailer2:35
1 video
99+ fotos
Steamy RomanceDramaRomance

Una mujer se involucra en una aventura con un hombre. Ella, quien sabe poco sobre la vida del hombre, sí conoce de los juegos sexuales que juegan, así que la relación comienza a complicarse.Una mujer se involucra en una aventura con un hombre. Ella, quien sabe poco sobre la vida del hombre, sí conoce de los juegos sexuales que juegan, así que la relación comienza a complicarse.Una mujer se involucra en una aventura con un hombre. Ella, quien sabe poco sobre la vida del hombre, sí conoce de los juegos sexuales que juegan, así que la relación comienza a complicarse.

  • Dirección
    • Adrian Lyne
  • Guionistas
    • Elizabeth McNeill
    • Patricia Louisianna Knop
    • Zalman King
  • Elenco
    • Mickey Rourke
    • Kim Basinger
    • Margaret Whitton
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    46 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,376
    1,430
    • Dirección
      • Adrian Lyne
    • Guionistas
      • Elizabeth McNeill
      • Patricia Louisianna Knop
      • Zalman King
    • Elenco
      • Mickey Rourke
      • Kim Basinger
      • Margaret Whitton
    • 152Opiniones de los usuarios
    • 53Opiniones de los críticos
    • 50Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 nominaciones en total

    Videos1

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    Trailer 2:35
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    Elenco principal54

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    Mickey Rourke
    Mickey Rourke
    • John
    Kim Basinger
    Kim Basinger
    • Elizabeth
    Margaret Whitton
    Margaret Whitton
    • Molly
    David Margulies
    David Margulies
    • Harvey
    Christine Baranski
    Christine Baranski
    • Thea
    Karen Young
    Karen Young
    • Sue
    William De Acutis
    • Ted
    Dwight Weist
    Dwight Weist
    • Farnsworth
    Roderick Cook
    • Sinclair - the Critic
    Victor Truro
    • Gallery Client
    Justine Johnston
    • Bedding Saleswoman
    Cintia Cruz
    • Whore
    Kim Chan
    Kim Chan
    • Chinatown Butcher
    Lee Lai Sing
    • Angry Chinese Customer
    Rudolph Willrich
    Rudolph Willrich
    • Chinatown Shopper
    Helen Hanft
    Helen Hanft
    • Flea Market Shawl Seller
    Michael P. Moran
    • Flea Market Chicken Seller
    Raynor Scheine
    Raynor Scheine
    • Flower Delivery Boy
    • Dirección
      • Adrian Lyne
    • Guionistas
      • Elizabeth McNeill
      • Patricia Louisianna Knop
      • Zalman King
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios152

    5.945.7K
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    Opiniones destacadas

    brandonsites1981

    * * *1/2 out of 4.

    Two successful, but lonely yuppies embark on a sexual odessey for 9 and a 1/2 weeks. All people seem to talk about when it comes to this movie is about the sex scenes and the nudity in the film. This film is not about sex and nudity in my opinion. It is about control and power. I found this film to be intelligent and stylishly done and yes very erotic. Rourke and Basinger make a steamy couple and the ending and the events that unfolded in the film lingered with me long afterwards and left me thinking for a while. This is one film that actually seems to have gotten better with time.
    8skhuffman

    91/2 weeks

    I have seen this movie many times. I find it to be, not a sexual movie. It does have depth and symbolism if you are able to get passed the simple sex scenes. My favorite part is when Elizabeth goes to visit Fransworth, the artist.If you really think about it just as he is at the gallery opening of his show, so is she "a fish out of water".It can't survive and in the end neither can she.I love the way this film was shot.This movie is more about stepping out side your comfort zone. You know about her family and life, but you don't learn about his until it is to late.People need to get passed the sex scenes and realize this movie is about human limits.All of us feel this inside, but are afraid, like Elizabeth to try it.
    8keziaglazer

    very complex intense movie

    I am very surprised reading several negative reviews about this movie. Probably this is not a movie made for the American audience, which many times react in a bad way when a movie push a little bit too much the envelope. This movies was a very big hit in Europe when first came out. It was the most talk about movie of the year because of his extremely unique and modern approach to sexuality in a film. I was very young when this movie came out, but i still remember the big fuss about it. The director is one of the best director, he challenged himself constantly, his movies are never boring or dull and he like to take chances which many directors are very afraid to do it. Nine and 1/2 weeks is a very interesting movie to watch, because it is about what is going on between this 2 people, in an emotional level. Which can be pretty scary for the intensity of that. It is not about sex, it goes beyond that. It is a very innovative movie that it would always be remembered for changing the rules about making movies that are considered erotic. Too bad that not everybody is Adrian Lyne, and the majority of the films of this genre are horribly bad.
    thegypsyspirate

    Curious but entertaining

    I find it interesting that people can get so many different feelings and experiences from one movie, but then; this is exactly the type of movie that would cause such disparity. The question really is, are you watching the movie for entertainment, or to critique it? There are wondrous scenes of erotic intimacy here (unfortunately not as fully developed as they could be) - and glimpses into just what two people "in lust" will allow themselves to be led into... The sensuousness of the relationship is the key - not the believability of the surroundings or the rest of the 'plot'. Is it believable? It certainly is conceivable... Liz (Kim Basinger) studying slides at work, so distracted by her thoughts of intimacy with a man she hardly knows that she can't keep her hands off herself... John so taken with her that he will spend exorbitantly for a gift - to give a woman he doesn't know - but feels that he must meet. The passion and need for these two lonely people that lets them open doors to their inner selves and allow another in BEFORE thinking of the consequences (there are ALWAYS consequences, in film and life; for opening "those" doors). Is it believable that they would win the fight with the street thugs? No. Is it believable that the adrenaline rush, the release of the flight impulse and fear, the closeness found in 'defeating a common enemy'; could possibly lead to the intensity of sexual closeness and climax in a semi-secluded spot (under falling water at that)? Yes. Are the other scenes believable? It's entertainment, not a psychology class... They are conceivable, certainly. Ever been really mad at your partner, and that anger leads to words then breaking dishes then apologies then hugging then closeness then sex? How about anger leading directly to sex? It can happen, and it does. It is not so much a rape as it is a purging of desire. The scene with Liz blindfolded, and the whore coming in to the room - you share the tenseness Liz feels. Will she be stimulated? Of course. Will she let John know it turns her on? He already knows it does. He wants HER to know that he knows it will.

    This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?

    This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
    8classicalsteve

    A Film About the Destructiveness of Sex Obsession

    I think most people don't understand this movie. This is not a love story, at least not in the conventional sense. "9 1/2 weeks" is about sexual desire and intimate sensuality run amok and becoming the monopolizing forces in a relationship, and the ultimate demise of that relationship as a result. Certainly the physical pleasures and sensuality of sex are aspects that make a relationship fulfilling and gratifying but they are not the only facets. A relationship purely based on sexual desire is doomed to failure. At first it seems like a game, but later on the intensity is too much for the relationship to withstand, largely because if love and caring are sacrificed for the sex, it will die.

    You almost couldn't find more suitable casting than Mickey Roarke and Kim Bassinger. Roarke plays John, a sexually-driven finance executive who is not satisfied with winning over the woman he wants. He craves continual heightened sexual excitement from his "lady friend". And he uses subtle coercion to achieve his goals. For Elizabeth, played by Bassinger, John is the ideal lover. He makes her breakfast, buys her clothes, brushes her hair. He takes care of her in an interesting role reversal. But nothing is free. In return, John wants Elizabeth to be in his complete control and engage in sensuous sex games. And each game is more intense than the last.

    At first the games seem innocent enough. He likes to blindfold her and play a touchy-feely game in which he introduces objects that she feels and/or tastes. But then the requests become more intense. He wants her to enact a strip-tease, to dress in a certain way without her consent, and to receive a spanking for being a "nosey parker". They have sex in the oddest of places, sometimes engaging in intimate contact in public. At first Elizabeth enjoys the attention and the excitement until she begins to lose the sense of herself as the relationship intensifies. And John eventually goes too far.

    At one poignant moment in the film, Elizabeth speaks with an artist-recluse. Because her job is at an art gallery, she helps coordinate artists for exhibitions. When she finds him in a rural area, she asks him if he remembered that his exhibition is coming up. He replies that when he is hungry he remembers to eat and when he is tired he remembers to sleep. She has lost the simpler pleasures of life, and this old man reminds her of that.

    Late in the film there is an interesting scene where Elizabeth's former boyfriend comes to the place she works--not to see her but he is now dating one of her co-workers. He's a plain man who does not have nearly the sexual allure of Roarke. But he seems kind and honest. Liz watches her co-worker and her former boyfriend leave and there is an expression on her face that speaks volumes: maybe she misjudged him after-all. For a moment, the two stare at each other from a distance, and you get the feeling that she was the one who left him. He is not the Mr Exciting that John is, but maybe he has other qualities that John could never have.

    This is quite a stunning film, certainly not for all tastes, and some of the steamy sex scenes could be misinterpreted as being only for pornographic sake. What saves it are the incredible and absolutely believable performances by the two leads, Roarke and Bassinger which strangely complement one another. Roarke plays his character right on the money, always enigmatic, never raising his voice, but always mysterious. His character is always just outside of reach. He constantly smiles, even when he is noticeable disappointed. Basinger is a perfect complement as one of the few actresses left who can be vulnerable and elicit a willingness to be under control that you don't see in many female performances anymore. Despite what may appear to be pornography, there is a point to the film I think, and that is that constant sexual control and nurturing relationships mix like oil and water. In the end you wonder if it was all a game.

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    Argumento

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    • Trivia
      Director Adrian Lyne used emotionally manipulative tactics on Kim Basinger during the shooting to elicit the performance he wanted from the somewhat new actress, which Basinger later criticized harshly. For example, Lyne did not allow Mickey Rourke and Basinger to talk to each other off-set. The two were kept isolated from each other and Lyne would tell Basinger rumors about how Rourke intended to make her like or dislike him so that she would carry that attitude into the scene. Lyne would also offer Rourke performance notes, but Basinger none, in order to unnerve her. In a very unusual and expensive move along these lines, Lyne shot the film sequentially, so that Basinger's actual emotional breakdown over time would be effectively translated to the screen.
    • Errores
      When John turns on his stereo to play Joe Cocker's "You Can Keep Your Hat On" for Elizabeth's striptease, the speaker switch on the power amplifier is in the off position.
    • Citas

      Elizabeth: How did you know? How did you know I'd respond to you the way I have?

      John: I saw myself in you.

    • Versiones alternativas
      117 minute uncut and unrated European version is available on DVD.
    • Conexiones
      Edited into Die Geschichte des erotischen Films (2004)
    • Bandas sonoras
      The Best Is Yet To Come
      Performed by Luba

      Written by Graham Lyle and Terry Britten

      Courtesy of Capitol Records, Inc.

      Produced by Narada Michael Walden for Perfection Light Productions

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    Preguntas Frecuentes

    • How long is 9½ Weeks?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de febrero de 1986 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Deseo, capricho, obsesión
    • Locaciones de filmación
      • 101 Spring Street, Nueva York, Nueva York, Estados Unidos("Spring Street Gallery")
    • Productoras
      • Producers Sales Organization (PSO)
      • Jonesfilm
      • Galactic Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 17,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 6,735,922
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 328,804
      • 23 feb 1986
    • Total a nivel mundial
      • USD 6,740,470
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 57 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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