La misión

This film is the finest expressions of the neglect or opposition of the spiritual in favour of political expediency I have ever seen.

The other comments for this film eloquently, or at least enthusiastically, extoll it's virtues and I can only rephrase what they have said...

Suffice to say that the Mission remains one of my favourite films. I saw it many years ago and my only regret is that I did not see it in the cinema. Regardless, the impression it made upon me has been indelible. As an artist, I only hope that I can create something that touches or moves my audience in such a way.

A wonderful film that, ever so briefly, absolves Hollywood of its sins.

THE MISSION is a history drama about the expulsion of the Jesuits' missions in South America in the middle of the XVIII century. By what I've learned the plot's background is accurate to history and all we see in this movie truly happened in real life, unfortunately! The search for slavery work was continuous at the time by Portuguese colonists and the Spanish in spite of slavery not being directly allowed by their crown they also used the indigenous slaves. The Spaniards which had been creating Indian reductions since the middle of the XVI century, as a form to convert and control those indigenous people, were followed by the Portuguese, and both built Jesuit reductions in their territories. But after the 1750 treatment the Jesuits would be expulsed because they refused to leave their missions where their lived together with the indians, in peace. And the indians themselves they didn't want to abandon the reductions too because they knew that in the main jungle they would be an easy target to slave traders (known as "bandeirantes" in Portuguese colony).

So it's just the main plot's topic of this movie which then focus on the personal story of father Gabriel (played by Jeremy Irons), a Jesuit missionary, and Rodrigo Mendoza (Robert de Niro) a former slave trader which was converted to the Christian faith (and to the Jesuits) after kill his brother (because of a woman). The movie has good moments, especially in the last hour, and it describes very well the feeling of injustice and desperation those native people felt by the furious anger of the greedy imperialist armies! There're a few scenes, which focus the sad and empty native children' eyes, that worth more than a thousand words!

I enjoyed this movie and the plot's main topic which portrays a sad period of our history (unfortunately empires were always built under massacres and the subjugation of other people, and I know Portuguese empire was no exception!).

After hearing a quick clip from the soundtrack recently I decided to have another look at 'The Mission' which I hadn't seen for more than ten years. Interesting viewing in these days when epics abound: Lord of the Rings, Gladiator, Troy etc.

The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.

The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.

We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.

My favorite movie, ever. It works on so many levels: as a story about the dissolution of the Jesuit order in portuguese South America (and the subsequent enslavement of the natives), as an account of one man's ill-fated but necessary conversion, as a series of complex ideological battles, and, lastly, as a tale of innocence, of Eden. All this, in addition to spectacular performances, brilliant direction, a fabulous script and one of the most breathtaking soundtracks ever recorded. It simply gets better with each successive viewing.

In 1750, Spain ceded part of Jesuit Paraguay to Portugal. The Jesuits had converted many of the Guaranis. The Guaranis above the waterfalls still reject the church sending a crucified priest over the falls. Father Gabriel (Jeremy Irons) climbs up the falls and converts the tribe with his music. He confronts slaver Rodrigo Mendoza (Robert De Niro) who is now hunting above the falls. Mendoza returns to town to find his fiancée and his brother Felipe (Aidan Quinn) are now in love. In a jealous rage, he kills his brother. He is despondent and Gabriel offers him work with the Guaranis as penance. Together with Gabriel and other brothers like Fielding (Liam Neeson), they make the mission thrive. Papal emissary Cardinal Altamirano (Ray McAnally) arrives to decide if the church will continue to protect the missions from the slave running Portugese now that the land has been transfer from Spanish protection.

The location is magnificent. The actors are terrific. And the music score from Ennio Morricone is both epic and haunting. This is an amazing historical drama. The story ends in a heart wrenching battle. Director Roland Joffé pulls together one of the best movie of the year.