CALIFICACIÓN DE IMDb
6.0/10
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TU CALIFICACIÓN
Brandon Ma es un tipo normal, pero su mejor amigo, Michael, es un siniestro traficante de drogas enamorado de May, la novia de Brandon. Cuando Michael asesina a un policía e inculpa a su ami... Leer todoBrandon Ma es un tipo normal, pero su mejor amigo, Michael, es un siniestro traficante de drogas enamorado de May, la novia de Brandon. Cuando Michael asesina a un policía e inculpa a su amigo Brandon, éste regresa para vengarse.Brandon Ma es un tipo normal, pero su mejor amigo, Michael, es un siniestro traficante de drogas enamorado de May, la novia de Brandon. Cuando Michael asesina a un policía e inculpa a su amigo Brandon, éste regresa para vengarse.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Michael Wai-Man Chan
- Yee
- (as Wai-Man Chan)
Ku Feng
- Prison Guard
- (as Guk Fung)
Shing Fui-On
- Michael's Thug
- (as Fu-On Shing)
Shang He
- Muscle Thug's Man
- (as Woh Seung)
Blackie Shou-Liang Ko
- Michael's Thug
- (as Blacky Ko Sau-Leung)
Clifton Ko
- Hotel Manager
- (as Clifton Ko Chi-Sum)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I'm not understanding the fellow reviews of other posters here, seems like the general negative consensus is that Brandon Lee didn't do enough martial arts or with the finesse of his father. Well this isn't a martial arts film, so if you were expecting the successor to Bruce Lee you'll be disappointed. Immediately push Bruce Lee out of your head. This is an overly melodramatic action film from Hong Kong, falls into the genre also known as "Heroic Bloodshed", and in that respect the movie's hokey but simultaneously keeps strong pacing and high entertainment value. This film is from 1986 coinciding with the release of John Woo's A Better Tomorrow, in which is set at the root of the new wave HK gangster genre. For being one of the first of its kind, it doesn't receive sufficient credit. This type of all-out gunplay in HK films doesn't appear until at least a year later. Brandon Lee plays a young waiter about to marry when a jealous/criminal friend purposely shatters his future. Brandon gets framed and sent to jail where he'll waste away for eight years. Luckily with some assistance from those on the outside who know the truth, he manages to escape where he wishes to find his fiancée and take vengeance on the friend who put him away. There are some twists in the story and the bullet-frenzied climax is very well done. The negative aspects about this movie are the shoddy soundtrack and dubbing, although once the plot takes off you forget about both. Lee is very charismatic in his character, and if you become attached to his story this should be a very fun ride. -7/10
This was another interesting but not very exciting film. For me I was rather in-between about liking and disliking it.
To begin with it was nice seeing this as one of the very few not to mention early Brandon Lee films. At first this struck me more as a US production, considering that it was officialy released in the UK around 1993 (the same year he tragically died on the set of "The Crow").
I got my chance to watch this back in 2001. The thing that made me feel emotional after watching the film was wishing he'd still been alive to make other quality films. For me The Crow is still one film that stands out a brilliant achievement, it's not surprising to learn that there would've been so many promising role for him in the pipeline.
My only disapointment with Legacy of Rage was the fact that not much martial arts was demonstrated despite the showdown with "Enter the Dragon" co-star and Bruce Lee student Bolo Yeung. You couldn't help but feel slightly put off considering the fight didn't seem to last that long since things were more geared towards gun battles. But to top it off the dubbing was real annoyance as it's becoming both lame and outdated with most of these actor's not being able to speak their native languages, what a crock of s**t.
Overall not a bad film at all, but it's high time that voice dubbing becomes a thing of the past?
To begin with it was nice seeing this as one of the very few not to mention early Brandon Lee films. At first this struck me more as a US production, considering that it was officialy released in the UK around 1993 (the same year he tragically died on the set of "The Crow").
I got my chance to watch this back in 2001. The thing that made me feel emotional after watching the film was wishing he'd still been alive to make other quality films. For me The Crow is still one film that stands out a brilliant achievement, it's not surprising to learn that there would've been so many promising role for him in the pipeline.
My only disapointment with Legacy of Rage was the fact that not much martial arts was demonstrated despite the showdown with "Enter the Dragon" co-star and Bruce Lee student Bolo Yeung. You couldn't help but feel slightly put off considering the fight didn't seem to last that long since things were more geared towards gun battles. But to top it off the dubbing was real annoyance as it's becoming both lame and outdated with most of these actor's not being able to speak their native languages, what a crock of s**t.
Overall not a bad film at all, but it's high time that voice dubbing becomes a thing of the past?
Legacy of Rage is directed by Ronny Yu, the genius behind Bride With White Hair. Rage stars Brandon Lee is his only Hong Kong production and Michael Wong, the guy who played the sicko role in Fatal Love, starring beautiful Ellen Chan. Legacy of Rage is normal HK actioner and nothing special. The fight and action scenes are okay as always in these films(well, at least almost always), and at the end fight, they are occasionally brutal, too. But considered what kind of achievements we have seen coming out from Hong Kong, this is very mediocre but still watchable and recommended, of course, to the fans of Lee family. I don't think Michael Wong is so bad actor, as some have said. I think he's okay and has nice eyes. Lee junior is pretty normal here and is not as powerful as in his future roles, but we must remember that this is so early work for him, and he may have had some pressure thinking about his father and his reputation..
After all a decent Oriental actioner with nothing particularly exciting or worth mentioning. Still, a must see for Hong Kong fanatics. 5/10
After all a decent Oriental actioner with nothing particularly exciting or worth mentioning. Still, a must see for Hong Kong fanatics. 5/10
"Legacy of Rage" (1986) marks Brandon Lee's debut in Hong Kong cinema, showcasing his raw talent and charisma. The film is a classic revenge story with a gritty, realistic tone that sets it apart from typical martial arts fare.
Lee plays Brandon Ma, a mild-mannered waiter framed for manslaughter by his best friend, Michael (Michael Wong), a rising gangster. Imprisoned for eight years, Brandon emerges a hardened man consumed by a thirst for vengeance.
The film excels in its portrayal of prison life, capturing the brutality and dehumanization of the environment. Lee delivers a powerful performance, conveying Brandon's transformation from an innocent man to a vengeful warrior.
The action sequences are well-choreographed, blending realistic fight scenes with moments of explosive martial arts. The climax is particularly intense, with Brandon facing off against Michael and his henchmen in a brutal showdown.
Beyond the action, "Legacy of Rage" explores themes of betrayal, redemption, and the corrupting influence of power. The film's ending is ambiguous, leaving the audience to ponder the true cost of revenge.
While overshadowed by his later Hollywood success, "Legacy of Rage" remains a significant film in Brandon Lee's career. It showcases his potential as an action star and serves as a reminder of his immense talent tragically cut short.
Lee plays Brandon Ma, a mild-mannered waiter framed for manslaughter by his best friend, Michael (Michael Wong), a rising gangster. Imprisoned for eight years, Brandon emerges a hardened man consumed by a thirst for vengeance.
The film excels in its portrayal of prison life, capturing the brutality and dehumanization of the environment. Lee delivers a powerful performance, conveying Brandon's transformation from an innocent man to a vengeful warrior.
The action sequences are well-choreographed, blending realistic fight scenes with moments of explosive martial arts. The climax is particularly intense, with Brandon facing off against Michael and his henchmen in a brutal showdown.
Beyond the action, "Legacy of Rage" explores themes of betrayal, redemption, and the corrupting influence of power. The film's ending is ambiguous, leaving the audience to ponder the true cost of revenge.
While overshadowed by his later Hollywood success, "Legacy of Rage" remains a significant film in Brandon Lee's career. It showcases his potential as an action star and serves as a reminder of his immense talent tragically cut short.
Brandon Lee was offered the lead in this rather routine actioner and was apparently reluctant to accept, not knowing how well he would be received as a successor to his now-legendary father. The response was a positive one. Brandon showed himself to be a good actor, as did co-star Michael Fitzgerald Wong in an early role as a smooth baddie, and Brandon also showed off some impressive martial arts chops. The fight scenes are the main reason to watch this movie at this point. The double-crossed- by-my-best-friend-now-I-have-to-get-revenge plot line has been done to death by now and it was not exactly fresh stuff at the time (1986). This one, like Rapid Fire, shows off Brandon as an 80s action hero who could fight, do stunts and act too. He was evolving into an international action star and had he survived the accident on the set of The Crow, that one role would have made him an A-lister. Brandon Lee made so few movies by the time of his death that every one is a curiosity, although The Crow is the only one that is actually really good. Oh, what might have been.
Be warned that most of the dialogue is in Cantonese, which neither the California raised Brandon nor New York City native Michael could speak. If you read their lips, they were actually speaking English and post- synched into Cantonese by actors who sounded nothing like them. Of course, when a scene requires them to actually speak English, instead of using their own voices, the editors dubbed in English dialogue using yet another actor who had a thick accent and sounded even less like them! You would think the producers would take advantage of having English speaking actors around to dub their own English dialogue, but it is instructive of the high-speed factory approach to film making common in Hong Kong at the time that this was not done. Production units and editors had little contact with one another, and in any case one or the other used whatever talent was on hand at the time rather than looking for opportunities to refine the finished product.
Be warned that most of the dialogue is in Cantonese, which neither the California raised Brandon nor New York City native Michael could speak. If you read their lips, they were actually speaking English and post- synched into Cantonese by actors who sounded nothing like them. Of course, when a scene requires them to actually speak English, instead of using their own voices, the editors dubbed in English dialogue using yet another actor who had a thick accent and sounded even less like them! You would think the producers would take advantage of having English speaking actors around to dub their own English dialogue, but it is instructive of the high-speed factory approach to film making common in Hong Kong at the time that this was not done. Production units and editors had little contact with one another, and in any case one or the other used whatever talent was on hand at the time rather than looking for opportunities to refine the finished product.
¿Sabías que…?
- TriviaBrandon Lee's first and only Hong Kong movie.
- Versiones alternativasThe UK video was cut by 2 secs to remove a shot of Brandon chopping a man in the throat.
- ConexionesFeatured in Kain's Quest: Iron Angels/Angel (2018)
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By what name was Long zai jiang hu (1986) officially released in India in English?
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