Línea de fuego

Michelle Yeoh is very cool. That could be the review; that's enough to make Royal Warriors worth watching.

It's a bit of an oddity as a film, starting out with a dance number and then becoming surprisingly dark, not to mention jarringly violent. It's that kind of hard-edged martial arts movie where the punches and collisions look genuinely painful, and some of the stunts look remarkably dangerous. There are certain parts that aren't entirely believable (an overuse of sped-up footage at the end, and a mat poorly disguised as pavement early on), but most of the action's done really well.

I think it's a movie that hits the ground running to the point where it runs out of steam a little by the final act. It flounders a bit to get to the final action sequence, but once it gets there, it does work.

Some of the melodramatic elements didn't always work for me either, but the core of what's needed for a Hong Kong action movie to shine is intact here, and so I mostly liked Royal Warriors. Michelle Yeoh is very good, and it's interesting seeing a young Hiroyuki Sanada here too, given both he and Yeoh have seen their popularity reach new heights (at least internationally) during the early 2010s. They're both very good here, too.

For those who are familiar with the action side of Michelle Yeoh only from her later blockbusters like "Tomorrow Never Dies" or "Police Story 3", prepare for an eye-opening experience. She has rarely fought (or looked) better than she does in "Royal Warriors", a film made early (1986) into her career. Several of her moves will have you going "WOW!". Unfortunately, there are some problems that keep this film from being as good as it could have been. For one thing, there is too much gratuitous violence: I'm referring especially to the nightclub scene, which has at least a dozen innocent bystanders mercilessly gunned down. The nastiness of the villains comes through clearly enough through their other acts - that scene was overkill (pun not intended). For another thing, Michelle Yeoh has surprisingly few fight scenes: after her 2 in the first 10 minutes, there are no more than 3 in the rest of the film. And then there's Michael Wong, who's a pretty poorly written character: he acts as if he's in a romantic comedy, always flirting with Michelle and making jokes, when in reality he's in a grim drama, where almost no lives are spared. In fact, Michelle tells him straight to his face what is wrong with his character, which suggests that the writers knew it as well - so why did they write him to be this way? I'm still giving "Royal Warriors" a relatively high rating because of the action scenes - I just wish the rest of the movie had lived up to them. *** out of 4.

Within this HK genre of hard-hitting crime thrillers, "In The Line Of Duty" stands out for its gritty storytelling and brutal presentation of martial arts. A group of psychotic war veterans carry out a terrorist attempt which ends up being foiled by policewoman Michelle Yeoh. After their failed attempt the few remaining terrorists target Yeoh and her comrades in order to enact revenge for the death of their fellow war- hardened brothers. In a messy blood feud Michelle Yeoh struggles to stay alive while simultaneously trying to capture her terrorist foe. Things get out of hand quickly as the stakes are raised and the death toll manages to roll even higher. The side plot involving Yeoh begins to wander but luckily it's not long before you are quickly revived by another action sequence. One apparent detractor is that unlike the sequel cutesy moments don't fit within the story being told, and the comic relief serves as a distraction rather than an aid. The fast-paced flick that In The Line Of Duty tries to be is weighed down by just a bit too much filler. Regardless of this flaw the terrorist plans while ridiculous keep you genuinely interested, and you'll be curious to see where the plot goes. An action packed finale is the highlight of the movie, as the tension remains strong and the Kung-Fu is fierce. Personally this is my favorite out of the series. The entertainment value is very high if nothing else, and Yeoh fans will surely be pleased. -7/10

Hong Kong detective Michelle Yeoh, Japanese Interpol agent Hiroyuki Sanada, and security guard Michael Wong are on a flight when gang members try to hijack it to free a prisoner. They beat the hijackers through a combination of kung fu and sticking the last gangster's head though a window he has broken open. They are hailed as heroes, and think they can go on with their lives. What they don't know is that one of the men they killed was one of a foursome who have pledged their lives to each other. As a result, there are several attempts to kill them, with many collateral deaths, leading to a final confrontation with an insane Ying Bai.

Although Miss Yeoh is top-billed, it's much more the three of them, and they are sketches. The point of the movie is in the bloody fight scenes, lovingly shot with very strong color components. The movie revels in its physicality, and Miss Yeoh looks great running. It's a well made movie for what it is, a programmer meant to cash in on a suddenly popular female lead, but everyone does their jobs very well indeed.

'Royal Warriors (1986)' is absolutely wild. This exhilarating action movie pushes through high-octane set-piece after high-octane set-piece, rarely letting its foot of the gas as it presents a compelling mix of old-school Hong Kong Kung Fu and exquisitely eighties action excess. It's the kind of movie in which everyone wears either 'The Terminator (1984)'-esque leather, Vietnam-era combat gear or bold business blazers three sizes too big for them. It's filled to the brim with death-defying stunts, metal-crunching car chases, squib-triggering shootouts, bone-crunching brawls and dizzying amounts of collateral damage. It's incredibly exciting. Rather unusually for a film of its kind, it only features four baddies. There are no giant fights between our heroes and hoards of faceless goons, just personal battles between people seeking revenge in a nearly endless loop that threatens to make good on the promise that an eye for an eye makes the whole world blind. It's actually a sequel to 'Yes, Madam! (1985)', and it's superior to that picture because it keeps its focus firmly on Michelle Yeoh and her co-stars, Hiroyuki Sanada and Michael Wong (playing someone called Michael Wong, for some reason), rather than cutting away to secondary characters who mostly engage in screwball comedy. It's a pretty dark and occasionally downright vicious picture, even if it does have moments of levity in the from of Wong's attempts to start a relationship with Yeoh. It's rather tragic overall and isn't afraid to show civilians getting caught in the crossfire that occurs as a result of the villains' vendetta against the heroes (a sequence set in a gloriously neon-soaked nightclub is particularly callous in its chaos). Thanks to its mixture of different types of set-piece, strong central performances (Yeoh is a total star) and consistently well-choreographed action, the well-paced piece remains really entertaining from its first frame to its last. It's one of the more sheerly thrilling examples of its genre, and it's genuinely great. Of course, it has some of the same flaws as many of its counterparts, but they're all fairly minor and aren't really worth mentioning. It's not perfect, but - for what it is - it's fantastic.