Hollywood ciudad del vicio

My review was written in March 1986 after a screening on Manhattan's UES.

"Hollywood Vice Squad" is producer Sandy Howard's silly, unfunny spoof followup to his 1982 action hit "Vice Squad". Earlier film worked well as a thriller but the new one is an episodic mishmash that is strictly dullsville.

Main storyline is an elaborate in-oke taking off on Paul Schrader's "Hardcore". Pauline Stanton (Trish Van DeVere) asks the Hollywood police, led by kindly Capt. Jensen (Ronny Cox reprising his "Beverly Hills Cop" role) to help find her runaway daughter Lori (Robin Wright). (Van DeVere's real-life spouse Geroge C. Scot became mired in a similar cesspool of vice in "Hardcore".) Lori has become a hooker working for nasty James Walsh (Frank Gorshin hamming it up) and Jensen assigns several cops, led by Hawk (Leon Isaac Kennedy) to entrap Walsh as a white slaver.

Two dumb subplots also compete for attention. In one, gung-ho cop Betty Melton (Carrie Fisher enacting a "Saturday Night Live" tv skit) heads up a team trying to bust a filmmaker shooting S&M pornography with underage actors. The other has Det. Romero (H. B. Haggerty) trying to use a bookie (Julius W. Harris) to get the goods on N. Y. mob figure Luchessi (Robert Misano).

Not helped by James Docherty's vulgar, unfunny dialog, director Penelope Spheeris muffs the timing of the comedy scenes and fails to integrate exposition & dramatics with the requisite action footage. Slapdash production was filmed last summer, but an extraneous car-stunt sequence jarringly features theater marquees (displaying "Clue" and other pics) filmed much later, around Christmastime.

Tech credits are acceptable, but the musical score, mainly percussion, is a drag.

Quite an uneven and hasty balance of humour and drama totally misses the mark, despite some recognizable faces (Ronny Cox, Leon Isaac Kennedy, Frank Gorshin, Trish Van Deverve and Carrie Fisher) in the cast. The episodic screenplay that covers the Vice-Squad through Hollywood is strung together by various (but very worn out) stories (from the ridiculous (illegal bookies) to the seamy (prostitution, drug abuse), and plain kinky (Bondage pornography)) and an overload of colourful characters. There's too much going though, which makes the film less effective with its unsure mixture. The comic approach it goes for it too hysterical, and cartoony, which this overshadows the depressingly brooding context of the more serious moments. Many sequences (largely the ones trying to make laugh) are really uncalled for, and add nothing but to draw it out. Never does it set itself apart, and would've been better to sticking to one path. The pace is fair, but still lulls about it in patches. Some of the stunt work is relentlessly done, and in that over-the-top style. Penelope Spheeris' direction is busy in nature direction, but untidy and the script is cluttered with infantile and vile dialogues. The location is well presented, but it never really features much presence as it should, or becomes a potent character. Fisher's eager, headstrong performance is the pick of the lot, but it's just too bad her role is quite brief.

Thriller "Hollywood morality police" - the official remake of the very a good movie, Paul Schrader, "Porn". But it is secondary not only to this reason. Aspiring female director Penelope Sfiris (later shot the cult comedy "Wayne's World") has managed to remove the tape, which like all the fighters 80 at once. There is a policeman and Asian, "Squinting" for karate, and distinct characters, companions, and desperate comedians black policeman, and stupid thugs, and the chase on buses, and shotguns, single shot target to convert clumps. But with all this Sfiris handle properly and could not - it promptly inserted in his "dish" of various ingredients, but it came out not tasty broth, and a mysterious brew with a not very appetizing odor. There's even difficult to identify the main character - until the end of the story viewer and can not understand for whom he feel and who himself identified. In addition, the line pornosemok, the former Schroeder Basically, Sfiris taken away somewhere in the background and looking here (As well as many other things) the fifth wheel of the cart (or accordion on the horns goats). So the only thing in "Hollywood Vice Squad" of interest, are actors. Not because they play well, but just because they are always interesting to watch: The former "Princess Leia" from 'Star Wars' Carrie Fisher, John Travolta's brother Joey, Ronnie Cox of "Total Recall", a famous wrestler HBO Bee Haggerty and future wife, Shona Penn, Robin Wright Beauty in his first Movie parts. In addition, film in a small role of the secretary pornomagnata appears strange being under the name of Goddess Bunny - a young transvestite with cerebral palsy (kinoraritet.ru)

With this film, co-producer Sandy Howard is obviously mining some of the same material utilized for his earlier production "Vice Squad". It purports to fictionalize some of the true life exploits of the men and women who work for the title department. It's episodic, and tells a few stories.

Pauline Stanton (Trish Van Devere) comes to California to search for her runaway daughter Lori (Robin Wright, in her film debut), and is educated by the dedicated Captain Jensen (Ronny Cox) on the sleazy nature of the Hollywood underworld. Betty Melton (Carrie Fisher) is an eager young rookie detective determined to prove herself to grunting-pig colleagues, and gets wind of a porno operation that exploits underage actors. Hawkins (Leon Isaac Kennedy) and his partner Judy (super sexy Cec Verrell) attempt to take down prostitution kingpin Walsh (Frank Gorshin), eventually assisted by Chang (Evan C. Kim) and Stevens (Joey Travolta). And Tank (H.B. Haggerty) and Daley (Ben Frank) try to look out for small time bookie Jesse (Julius Harris) who's being hassled by mobster Luchessi (Robert Miano).

Ably directed by Penelope Spheeris, the movie is hurt at times by detours into silly comedy that don't really add anything. Besides, the movie isn't quite melodramatic, ugly or trashy enough to need any sort of relief. It's still reasonably sleazy, and tells its stories in entertaining fashion. Some viewers might feel that it's a tad overlong, but it managed to hold this viewers' attention for over an hour and 41 minutes. The look for the movie is just right, and the soundtrack features some cool tunes.

The very good cast is the glue that holds it together, with Fisher a standout as the ambitious, hard-driving young woman who is willing to deviate from the "book" in order to get her man. The fine ensemble of character actors also includes Marvin Kaplan, Beau Starr, Tom Everett, Eloy Casados, and Phil Rubenstein.

As was said, this actually might not be hardcore enough for some tastes, but it's a pleasingly diverting exploitation picture just the same.

Seven out of 10.

Taken straight from "actual files of the Hollywood Vice Squad",Penelope Spheeris' fourth film tries to be both a comedy and serious drama at the same time,and fails miserably at both.The comedy doesn't work,and all the actors look like they're acting underwater,so the viewer ends up not caring what happens to any of the characters.This movie is like watching a train wreck in progress,without the adrenaline flow.