Hitcher, el asesino de la carretera

I saw this back in the 80's when home video was the done thing and thought it great. I remember others spoke highly of it too so I don't know why Wikipedia only mentions the bad reviews it got back in the day. Anyhow, I saw for a second time recently and I think it stands up pretty well over the past 35 years. Very good performances, especially by C Thomas Howell who was only young back then. The atmosphere is creepy from start to finish and although some events seem unbelievable, well hell so what? That's why we watch movies - to see things that seem unbelievable.

The Hitcher is a marvelous thriller and Rutger Hauer is truly scary as hell. He is undoubtedly one of the best villains in cinematic history. The game that Hauer and C. Thomas Howell play out makes for a great way to spend an hour and a half of your life. You can't help but feel sorry for Howell as he can never escape the madman. Hauer has zero motive and that makes him all the more evil. And how he always finds Howell is something that is unnerving and unexplainable. It's like their paths were meant to cross somewhere out in in the desert. Eric Red's script leaves nothing to be desired. The scene where Howell is eating french fries is one of the most unforgettable in horror history. And so is the event that leads to the capture of Hauer. The end is fantastic and it's something that you want to do through the entire movie. It will definitely make you think twice before picking up hitchhikers. If you enjoyed The Hitcher, Check out Hitch-Hike (with David Hess) and Duel.

Murder Spree Road Flick. Contains many fairly stupid moments ("plot holes") and yet remains gripping throughout its length. Graphic, stunning violence; be warned.

Howell is slightly vapid yet pretty and his relations with Rutger Hauer verge on the homo-erotic. Hauer is a near-perfect villain, demonstrating the steely resolve and psychological impenetrability that have made him a favorite "bad guy" in other films.

A great movie for the paranoid who wish to feed their fantasies. Owes something to Spielberg's "Duel" but remains its own film. Relatively spare visual style well-suited to the theme. Recommended, but not for the faint of heart.

Yes, this movie would be remade years later with Sean Bean cast as the hitchhiker that likes to play some rather brutal games and one has to wonder why. Rutger Hauer was perfectly cast here as the psycho and his performance could not have been topped. Maybe they felt the need for a female lead rather than the male one because you know how females never get the chance to be the main character who survives in a horror movie (heavy sarcasm here). This is basically a story of a young man driving in the middle of nowhere who looks to have been very bored and in the need of some company. He finds some in the form of a hitchhiker and suffice to say he should have listened to all the warnings he got of hitchhikers, but on the plus side his travels in the middle of nowhere are about to be a lot less dull. You get a great scene as the two opponents as it were square off for the first time with the young man seemingly getting the better of the hitcher in round one. Unfortunately, everyone in this desert seems to be to kind for their own good as the guy sees the psycho in a car with a family. So other face-offs with this hitcher are coming up and some will be very violent indeed. A rather good thriller/horror type movie with my main complaint coming towards the end as how was he not handled better than that? Other than that you get a very good and chilling game of cat and mouse and you get a performance by Hauer that could not have possibly been beat.

One wonders if the filmmakers knew what kind of a film they wanted to make. This movie starts out promising, with C. Thomas Howell as a kid driving across the great dusty southwest (beautifully and desolately photographed and eerie in a Stephen King-esque sort of way) on his way to California, only to be inexplicably pursued by a homicidal maniac, played with cold glee by the chilly-eyed Rutger Hauer. There is a promise here of a psychological thriller a la Hitchcock, with Hauer seeming to have a near-supernatural and truly menacing presence. There is something inhuman and demonic about him, though it's hard to put your finger on precisely what. The relationship (yes, one can call it that) that develops between Hauer and Howell is interesting and deeply disturbing. Behind the enmity, they seem to have some truly dysfunctional need for each other, which makes the cat-and-mouse game all the more suspenseful. Unfortunately, somewhere around the middle of the movie, it degenerates into just another shoot-em-up action flick and Hauer's character seems silly rather than demonic, while Howell is just annoying. After about a half hour of this, I just wanted both of them to die. I didn't care anymore. Had the filmmakers known how to write (and direct) a satisfying, appropriate conclusion to the very suspenseful first half, this could have been a great movie. Instead, it falls on its face--and is all the more disappointing because we expected something better.