Hannah y sus hermanas

Woody Allen's film about a family and their romances and interactions features himself (as the perpetual neurotic), with Mia Farrow playing his ex-wife, Michael Caine – one of his best performances - playing her cheating husband, Barbara Herschey playing Farrow's sister and Caine's mistress, Max von Sydow playing Herschey's partner, and Dianne Wiese playing Farrow and Herschey's wild sister.

The strongest scene in this film features the lovely poem by e e cummings entitled ‘somewhere i have never traveled', which Caine sends to Herschey as a token of his regard for her. Other goodies include the touching ending when two misfits learn to love and accept each other. This is my favourite Allen movie as it brings together all the strands of movie-making at which he excels, and perhaps, along with Crimes and Misdemeanors, his strongest cast.

I 'd say it was because it's one of the most joyous, life-affirming films I've ever seen. It just makes me feel so good.

All the characters are engaging and funny. Woody is hilarious as the neurotic hypochondriac television producer who gets the idea he's got a brain tumor, and is almost as upset when he finds out he doesn't have one as he'd be if he did (have a brain tumor, that is.) He realizes that even if he is not going to die in the near future, he is going to die sometime, as are we all. He becomes obsessed with this idea, that death waits for us all, and if there's no God, no afterlife, what's the point of it all? So he embarks upon a quest to find Religion, a religion, any religion, that will satisfy him that there's something beyond human mortality.

Of course there's no answer to this, but Woody's desperate odyssey to find some meaning to a life that inevitably ends in death, some kind of certainty, is both something we can all relate to (maybe without the desperation) and extremely funny.

We don't find out till nearly the end of the movie how he resolves this. But there's no magic answer, no guru telling him some cosmic secret. Woody's epiphany is much more simple than that; it's that he discovers that life is sweet, and even if we only go around once and it all comes to an end, let's savor it while we're here. There's so much to savor. I can't express this the way Woody's character does in the film, it's best if you just watch the movie and vicariously experience his joy in this revelation.

There are lots of other delights in this film to enjoy along the way. All the actors are first-rate. Max von Sydow is especially moving as the rejected lover of Lee, one of the three sisters the movie follows over a period of two years. Lee is charmingly played by Barbara Hershey, while Mia Farrow as the "settled" sister, captures the two sides of Hannah, as someone who's both almost annoyingly perfect (at least as perceived by others) yet is actually as needy and vulnerable as everyone else.

But the most engaging character in Hannah and Her Sisters has got to be Holly, the quirky "off-beat" slightly edgy sister. Dianne Wiest won a well-deserved Oscar for this role. She makes Holly funny, touching, and sympathetic.

Hannah and Her Sisters (1986) Probably when all is said and done, my favorite Allen movie. This is definitely one of those examples where the sum is greater than the parts. Great shots of New York (specifically the city's architecture), great situations, great parties and great music

Among the Manhattan-dwelling characters is Michael Caine, who is married to Hannah (Mia Farrow) but lusts after her sister (Barbara Hershey) who lives with a tormented artist (Max Von Sydow.) Hannah's ex-husband (Woody Allen) starts dating her other sister (Diane Weist) who wants to date Sam Waterston, even though he'd rather date her friend (Carrie Fisher).

In addition to the cameo by Julia Louise Dreyfuss, the film features two supporting performances by old school actors, Lloyd Nolan and Mia Farrow's real life mom, the original Jane in the Tarzan movies, Maureen O'Sullivan.

If that's not enough, Allen throws in plenty of his trademark hypochondria hysteria, questioning the meaning of the universe and whether God exists.

Arguably Woody Allen's best production with the exception of "Annie Hall". The film follows three sisters (Mia Farrow, Barbara Hershey and Oscar-winner Dianne Wiest) through their careers and their relationships. Farrow is the backbone that keeps everything together. However, husband Michael Caine (Oscar-winning) has his eye of Hershey and something might come of his crush. Max Von Sydow is seeing Hershey, but he may not be enough to curve her lust. Wiest seems to be the odd one out as she struggles with everything, thinking of herself as second-rate to sister Farrow. You know she might fit in well with Farrow's ex-husband (the priceless Allen). A wild film of vivid characters that entertains to the paramount. Allen received an Oscar for his screenplay and was nominated yet again for his dead-on direction. Not a perfect film, but Allen's amazing story-telling and his superb creation of memorable characters and sequences make "Hannah and Her Sisters" one of the better films of the 1980s. 4.5 out of 5 stars.

"Hannah and Her Sisters" is a very good movie that, unfortunately, falls short of greatness. Alternately entertaining (as a comedy) and penetrating (as a drama), this film has many wonderful moments, and is filled with superb dialogue. All the actors deliver first-rate performances; Michael Cain in genuinely touching when he is trying to decide his next moves in his life, Hershey is warm and radiant and Allen himself is delightful in his role. The script is perceptive throughout (look for the scenes when Caine shares his thoughts and plans with us) and the main characters do have depth.

The only flaw here (and, I think, a crucial one) is the too-tidy ending. I wouldn't have preferred a thoroughly depressing conclusion, but the way everything gets "settled" in the end was just too neat. Still, I read somewhere that the "upbeat" tone of the ending was "required" partly by the studio who made the film, so I guess this flaw is forgivable. Nevertheless, it doesn't allow this movie to become a masterpiece.